The most recommended avant garde books

I was engrossed while reading this meticulously researched book which explores the impact of the Marquis de Sade upon European art and culture.

In each chapter, the author examines a different aspect of the ‘Sadean imagination’ – a dark, cruel, and sexually explicit fantasy world – and analyses how Sade exerted such a powerful impact upon art, poetry, philosophy, politics, cinema, and theatre. The book explains why Sade functioned as a symbol of subversive inspiration to so many revolutionary thinkers and artists, with numerous examples of Sadean imagery.

The book is extensively illustrated with prints, drawings, paintings, and photographs and comes with a full scholarly apparatus of reference notes, bibliography, and index. This is an indispensable guide to anyone wishing to understand the nature of Sade’s cultural significance and influence.

While written from a Yugoslav perspective, this book is a fascinating study of films made using unconventional methods, materials, and equipment, including ‘written films’: films that exist as texts and that would be impossible to make as films. Levi draws on the historical and the post-war avant-garde; Dada, Surrealism, Lettrisme, Structural-Materialist film, and other movements that constitute a material and ideological rejection of conventional cinema and the way it treats the medium as a mere means to an end. In these works, produced in Japan, Europe, and the USA, the technology is turned on itself, interrogated, and repurposed to anti-illusionistic ends.

Derek Jarmon was a British avant-garde filmmaker, theater designer, and life-long gardener. In the last decade of his life, he built a new garden at a tiny house by the sea in Kent. Prospect Cottage sits on the shingle expanse overlooking the Dungeness Nuclear Power Station and the English Channel. It was an accidental garden, this arrangement of rocks and driftwood, flowers, and found objects. The book sings. Jarmon’s musings and poems wind through a small volume of 140 pages; there are 150 photographs. It is a book about why we garden, how to live, and how to die.

I have wanted to check out Beatty’s work for a long time. He is in a special class of prose authors who started writing poetry like the late great Denis Johnson.

This book is a dazzling display of Beatty’s phenomenal vocabulary and ability to use words in novel ways. What truly makes the book special is the expanse of what he covers in a book of just over 250 pages. Not only is it an education on music, but the book touches on numerous important themes.

Beatty brings a freshness to describing the city of Berlin, which feels both unique and accurate. Perhaps most pleasurable is Beatty’s quirky sense of humor, which he displays on nearly every page.

I cannot recall reading a book that made me laugh out loud as much as Slumberland. Now that I have read Beatty, I’m hooked, and I plan to read the remainder… show more.

LeGrice was a founder of the London Filmmakers’ Co-op in 1968 and has worked ever since as a film and video maker, teacher, and writer. His book collects a large number of theoretical and critical essays on a range of topics, from film as material to the way films variously position the spectator as a consumer and/or self-conscious critic, to comparisons between film and digital media, in aesthetic, technological, and ecological terms. The essays are always approachable, even when he is discussing more abstract theoretical problems. Many examples are discussed.

The title story of this brilliant collection is a very funny alien invasion story told from the point of view of a woman who is convinced that the invasion is all about her. The other stories are similarly quirky and delightful.

The late Carol Emshwiller was a groundbreaking visionary writer who began publishing her funny, intriguing, unusual work after she was 30 and had to pry writing time away from the demands of her growing family.

When necessary, she would empty out the playpen in her living room, get into it with her typewriter, and work on her fiction while her preschool children enjoyed the freedom of the apartment. She was known for avant-garde approach, unreliable narrators, quirky humor, and a liberal, feminist outlook. 

Recipient of the Nebula and the  Philip K. Dick Award. The late Ursula K. LeGuin called her "a major fabulist, a marvelous magical realist, one of… show more.

As a writer, I am always pondering the question of how our lives inform our work. As one of my fellow writers, Melissa Ostrom, put it, our experience is the rich compost from which we form our fictional narratives. To use a Freudian dream analogy, I like to think that our lives are the “day residue” of the work—elements from daily life show up in different contexts or transformed in some other way. The twentieth-first century has witnessed an explosion of so-called auto-fiction, fiction that more consciously underscores this process of transforming life into art—think of the work of Ben Lerner, Rachel Cusk, and Karl Ove Knausgard. This recently-released anthology, edited by Caitlin Forst, features work by established writers as well as new voices that interrogates the relationship between writer and text, between art and life.

A hugely ambitious mix of text and graphic design, in which typography is used in bold and disarming ways. It is also a genuinely compelling sci-fi novel about very, very, big ideas. Filled with meta-narratives, in-jokes, artistic references, and mixed media, it’s an interesting alternative to that other oft-cited cult classic House of Leaves. As someone who has worked as both designer and editor, I was blown away by Hughes’s ability to combine a good story with such avant-garde design. The themes communicated will give you much to contemplate – or ramble on about to any friends you successfully corner. A staggering achievement destined to be a future cult classic.

Aira is one of the most interesting novelists alive today, a writer whose wit, energy, and unfailingly restless imagination ensure that his books never follow a straightforward path, and thus always surprise you. Ghosts, my favorite of those books, presents the story of a half-constructed luxury apartment complex, the ghosts who wander its beams and its floors, and the adolescent girl to whom they call. Recommended if you like your ghosts circumambulating and avant-garde.

This is a short book in which Newman explores the changes in what the term ‘video’ means.

The term is closely intertwined with the history of television, describing first television broadcasts and then how taping was used to bridge the time differences between the American east and west coasts. The term then described the ways home video revolutionized how video was used in the private sphere. Today, we receive videos as the digital snippets we see on YouTube or the short clips we post on social media. 

I like Newman’s work in general. But this book tells us so much about TV history in the US; I find it an incredibly fascinating work.