The most recommended books on black markets

I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.  

I have spent an entire career, via reading, research, and teaching, helping people realize their dreams. For me, it represents “paying it forward,” thanking those who helped a girl from an ethnic, working-class background become an internationally recognized scholar. Studying optimism and goal-seeking has taught me that dreaming and optimism are important—but they are simply not enough to move someone forward. Dreams must become projects motivated by mentoring, planning, and hard work. Not everyone has those resources available to them. The curse of social inequality can indeed destroy hopes and dreams in the very early lives of the socially disadvantaged—with devastating consequences for society as a whole. 

Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds? 

Surprisingly little has been written about the postwar Occupation of Germany by the US, UK, France, and USSR. Yet it was a crucial and colorful, one might say lurid, interval in recent history. Berlin, which is the setting of my novel, The Living and the Lost, was a latter day Wild West where drunken soldiers brawled; the desperate preyed on the unsuspecting; spies plied their trade; werewolves, as unrepentant Nazis were called, schemed to rise again; black markets peddled everything from drugs to sex; and forbidden fraternization between American G.Is and Frauleins was rampant. I did a great deal of research on the period and place. Here are five books that bring the world stunningly to life.

I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves. 

Looking at photographs after my father died, when still living in Spain, I reflected on what life had been like for young men of the WWII generation. This sparked the start of my Peter Cotton series. Living abroad for so long, having more than one language and culture, gives people dual perspective, a shifting identity, which is something that fascinates me—and makes Cotton ideal prey for recruiting as an intelligence agent. I also wanted to explore the complex factors in the shifting allegiances after WW2, when your allies were often your worst enemy. All these are themes that recur in the books chosen here.

I was a teacher and a professor who showed generations of students how to find x, how to prove figure 1 was similar to figure 2, how to make a machine search through millions of bits of data for an answer. An inspiration for a story struck me one day early in retirement as I was daydreaming. I began to write and have never stopped. It turns out that “if-then” is not so different from “what if.” The first is more like destiny, the second like free will. One is science, the other is fiction. “What if” has led me into strange lands.

I am a professor of International Studies and a former museum curator. This combination provides me with a unique perspective not only on the inner workings of the art world, but the way that those practices map on to broader social, political, and economic transformations that occur as a result of globalization. This leads me, for example, to an assessment of how free-trade zones affect the art market. In past research, I have focused on colonialism and French art in the nineteenth century, so I am attuned to power imbalances between the center and the periphery and I am fascinated to see how these are shifting in the present.

As a suspense and thriller author in my own right since 2015, I have also read very many books that are much like the ones that I write. I am most comfortable here and I, too, like to write books with these crazy, think-outside-the-box types of twists when it comes to plotting. Honing my craft, as I am in the middle of five different book projects right now for future release, I am hoping to make a name for myself and become as memorable to my readers as my favorite authors are to me.

I’ve been writing about cryptocurrency since 2015, and full-time since 2017. I’ve worked for the biggest crypto news site in the world, CoinDesk, but now I write about it every day for a more mainstream audience. Cryptocurrency fits at a nexus at the kind of things I’m drawn to: It’s technological, it’s economic and it freaks people out. Unlike a lot of people who write about crypto, I’ve actually played around with the stuff. I’m not an investor, but I have used it. Using it is really the only way anyone gets to the point of grokking it, and I grok the stuff.