The most recommended Cairo books

When I first decided to write a historical novel that takes place in Egypt, I stopped by my local falafel joint in Brooklyn and asked the owner for pointers. He said, “Read Mahfouz, that’s all you need.” These are three interconnected stories that span the period from World War I to World War II. Without getting too deeply into the plot, I’d say they do what all the best historical novels do; they give you a sense of life’s movement, with the specifics that allow you to enter another time and place.

I met Mahfouz on my first trip to Egypt in 2005, shortly before he died, and asked him something about the country’s late leader Gamal Abdel Nasser. Mahfouz said he didn’t know the immediate answer himself, but “when I see Nasser, I’ll ask him.”

This book, from Black and Mortimer series, is characterized by wide imagination and attention to details, it may be flawed by some verbosity in the narration, but this was appropriate for that period.

Perhaps the modern generation gets bored of the abundance of descriptions, but if you begin reading this story you will not leave it before the final scene. The events take place in Egypt in the forties of the 20th century, and as an Egyptian I realize how faithful Jacobs was in conveying the image of Cairo in the forties with the utmost honesty and accuracy.

The historical background here is the fact that there was a historian named Manethon, and that Pharaoh Akhenaton existed, and his tomb had not been found yet.

Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili. 

Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.

This book describes the rich multi-ethnic, multi-cultural, and multi-lingual communities that co-existed peacefully in Alexandria and Cairo in the 1940s and early 1950s. They forged close ties in such public domains as commerce and schooling, while keeping their family and religious lives mainly private and marrying within the community. By the mid-50s as Arab-Israeli problems spread to Egypt, the Nasser government stoked animosity against the Jews and other non-Muslim communities, forcing many to migrate. The book shows graphically how even during normal times cultural communities distinguish between areas where it is safe to mingle with outsiders and those where it is better to draw tight boundaries against penetration if they are to sustain their uniqueness. The latter are mostly areas that define them, including religion, values, and bloodlines.

In November 1849, Gustave Flaubert and his friend Maxime du Camp hired a boat and crew in Alexandria, Egypt and set off on a three-month trip up the Nile. At that time a trip on the Nile was still an extremely unusual and exotic adventure for Europeans. This book comprises Flaubert's letters to his mother and his friends back home in France. Flaubert was a man who deeply disliked his own country, had a longtime love of things oriental, was interested in the baser aspects of humanity, and was capable of writing to in a letter to a friend that women generally confused their cunts (his word) for their brains and thought the moon existed solely to light their boudoirs. 

You'll find here Flaubert's amusing descriptions of Egypt's bazaars, temples, and people, as well as his graphic and honest (possibly even exaggerated) descriptions of his sexual experiences in Egypt's numerous… show more.

Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.

I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world. 

Flinders Petrie was the first, and remains, the greatest of all those who have studied Giza. Over many years he physically measured and surveyed the entire Giza site. It is those mathematical results that prove the complex was put there as a message for generations to come, rather than the more favoured ideas of burial complexes for obscure kings. He identifies tiny details, that I too identified on a visit to the Cairo museum, that just could not be done. The necessary lasers suitable are only just being developed over 100 years later.

This book is similar to mine but instead of focusing on the spread and dissemination of capitalism, it focuses on the dissemination and adaptation of radical, socialist, and anarchist ideas in the Eastern Mediterranean region during the nineteenth century, and argues that the cities of Alexandria, Cairo, and Beirut played a major role in this process.

In particular, dense social and intellectual networks that linked key segments of the population in these cities together were pivotal in facilitating both the spread of these ideas and the ways in which they were reworked, reinterpreted, and adapted to local and regional contexts.

Though focusing on a different time period and on the spread of counter-hegemonic rather than hegemonic ideas, Khoury’s work is similar to the argument that I have been developing in this book, in the sense that it traces the regional networks and spaces of individuals and organizations who played a… show more.

Until read this book, I took it as a given that countries had a right to request the return of antiquities that ended up in (mostly) Western museums, narratives that are now making headlines in our anti-colonial present.

Cuno explains how complex this issue is ethically, legally and philosophically. Many of the peoples whose heritage these objects represent have disappeared or no longer occupy the countries in question.

Also for the sake of the objects themselves should they be studied and maintained and made available to a wide public in a museum rather than be returned to a corrupt government?