I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Wisdom Sits in Places is a model for writers who want to describe the scope, importance, and the social and ecological applicability of indigenous wisdom.
In the book, Basso describes poetically how Western Apache elders teach us how spaces and places have histories the wisdom of which clears the mind and engenders respect for nature and for one’s fellow human beings. It is a key work for anyone who wants to write about wisdom.
This remarkable book introduces us to four unforgettable Apache people, each of whom offers a different take on the significance of places in their culture. Apache conceptions of wisdom, manners and morals, and of their own history are inextricably intertwined with place, and by allowing us to overhear his conversations with Apaches on these subjects Basso expands our awareness of what place can mean to people.
Most of us use the term sense of place often and rather carelessly when we think of nature or home or literature. Our senses of place, however, come not only from our individual experiences…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I read all of Catherine Cookson’s novels at a much too-young age, having “borrowed” them from my mom’s bookshelf when she wasn’t looking. I was immediately hooked. So many of Cookson’s books, not just The Girl, pit the wealthy, landed class against their poorer servants, and this theme made a deep impression on me. In fact, I think that Cookson, along with Dickens, probably had the most influence on my personal writing style.
She appeared in Ned Riley's stable yard like some wraith of the morning mist to seek Ned's help. Her name was Hannah Boyle, she was eight years old, and she had walked many miles from Newcastle with her mother, who was seriously ill.
I think of myself as a listener and life in progress. As a poet and author, I’m always listening to the words that move through my heart. I’m also a spiritual seeker, always looking for the Divine in the world around me and almost always surprised by the ways it shows up when I’m paying attention. Yet, there’s another part of me that is a Jersey girl through and through, looking for humor or irreverence in the face of life’s challenges. All these aspects come together in an unusual harmony, creating an openness to being changed by the things that come into my life. Hence, a list of life-changing books.
I have found so many of Mary Oliver’s poems to be inspirational and thought-provoking that I could call any of Mary Oliver’s poetry collections life-changing. Her ability to be present in nature, to hold both the beauty and the sorrow found in nature in a few lines of a poem and invite me as the reader to hold them both in my heart, is astounding.
Hearing her read “When I am Among the Trees” from this collection makes my heart sing! Listening to “At the Pond” makes my heart ache for one small goose every time. One of my favorite lines from any of her poems, “Sometimes I need only to stand wherever I am to be blessed,” is found in this collection as well, in “It Was Early”.
I chose this one specifically because it is an audio recording rather than a book. There is something so heart-opening about…
Studying the evolution of language is one of my nerdy passions (why yes, I have read The Professor and the Madman about the writing of the Oxford English Dictionary), so this book was right up my alley.
In Wordslut reporter, linguist, and Sounds Like a Cult podcaster (it’s great, check it out), author Amanda Montell deep dives into how language can both oppress and free us and gives loads of examples of how it’s been used throughout history to do both. Fun, snappy, and—bonus—educational, this was an eye-opening read that has helped me become a more precise communicator and altogether better writer.
"I get so jazzed about the future of feminism knowing that Amanda Montell's brilliance is rising up and about to explode worldwide."-Jill Soloway
A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.
The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean "a female canine," bitch didn't refer to women at all-it originated as a gender-neutral word for "genitalia." A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy,…
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
Published in 1881 this is an absolutely fundamental book for the beginner. Amply illustrated, you will learn important details such as how to hold tools and what to expect from them as well as how basic joints are formed and made. Focused on wooden tools this is information not commonly reproduced in more contemporary books.
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleans’ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
This book studies Atlantic cultural history from the perspective of language, with a focus on Curaçao. A unique characteristic of this small Caribbean island is that its colonial rulers spoke Dutch, whereas the Black population used an Afro-Iberian creole called Papiamentu as its lingua franca. Jacob’s study embarks on an intriguing quest for the origins of this language, tracing it back to Portuguese-based creoles from the Cape Verde Islands and the nearby African West Coast. It argues that this seventeenth-century Portuguese-based creole later underwent significant Spanish influence and thereby constitutes a case of “reduplicated language contact.”
This study embarks on the intriguing quest for the origins of the Caribbean creole language Papiamentu. In the literature on the issue, widely diverging hypotheses have been advanced, but scholars have not come close to a consensus. The present study casts new and long-lasting light on the issue, putting forward compelling interdisciplinary evidence that Papiamentu is genetically related to the Portuguese-based creoles of the Cape Verde Islands, Guinea-Bissau, and Casamance (Senegal). Following the trans-Atlantic transfer of native speakers to Curacao in the latter half of the 17th century, the Portuguese-based proto-variety underwent a far-reaching process of relexification towards Spanish, affecting…
I think all romance writers have their favourite trope, and second chances has the strongest hold on me. I’m a person who makes mistakes, so I love to see equally fallible humans getting their second chance at a happy ever after too. People with a history always lend depth to a story too. At any point, you can pluck a moment from their past to show an element of their relationship. And angst. I love a good dose of angst. With second chances, it's likely been a rocky road. Then the clincher for me, that sense of fate and destiny of people who’ve gone separate ways but find themselves drawn back together.
I couldn’t write about sapphic second chance romances without including a Monica McCallan and I found it difficult to decide between two favourites, Then and Now and Back in Your Arms. She takes a different approach in each – and that’s something admire in writers too – authors who’ll play around with structure and characters.
Monica is so good at so many aspects – dialogue, characterisation, chemistry, appealing settings. It means she writes the most compulsively readable books. If you ever hear me say, “I’m just going to have a peek at this Monica McCallan book,” the next thing you’ll hear from me is, “I’ve finished it.”
And if you pick up one, many more will follow. Be warned.
I’m a mystery author from sunny California who moved to New England to be close to my dark roots. Places spark my imagination. As a child, I’d look at a house and wonder, “What would it be like to live there, in that town and that landscape?” On family road trips, my parents fueled my desire for knowledge about different places by reading from the WPA guides to the states. The books I enjoy the most have a strong sense of place. I want my readers to experience my settings as fully as I do. Setting is where a book begins. Characters and story spring from this fertile ground.
I discovered Summerwhen I first moved to the Berkshires, and it quickly became my favorite of all Wharton’s novels. From the opening scene in which a playful June breeze whisks the hat off a young man, catching the attention of a local girl, I was captivated by this story of young love played out against a month of languid, sunny days filled with flowers, green grass, and leafy trees. But as summer edges into fall, the love story falters, giving way to a chilling encounter on The Mountain that has shadowed Wharton’s sensuously described landscape all along.
Bored with her life in a small town, eighteen-year-old Charity Royall enters into a relationship with an older man, only to find herself pregnant and abandoned when he reunites with his fiancée and leaves town.
One of two Edith Wharton novels set in New England, Summer examines the sexual awakening of Charity, her evolving relationship with her guardian, and the choices that will define her adulthood.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics…
I’m fascinated with monsters. Always have been. But in a weird way. I was never a scare seeker. I sought out the unique monsters, not the traditional werewolves and vampires. I related to the creatures who were more human than the humans. The ones that struggled to fit in, but if you took the time to get to know them, they were more interesting than anyone you had ever encountered before. And I think that’s a theme I use in my stories. Overcoming your fear of things that are strange or different can open wondrous new worlds.
This one oozes adorableness. But it’s more than just cute. It’s a story about a young skeleton who is literally falling apart. Everyone, myself included, can relate to those awkward times. The best part is that his friends help him pull together. Of course, that means lots of silly hijinks, but you’ll get the feels from this story as you read it to your kids.
Carve out family time for this clever and humorous picture book about a skeleton who is falling to pieces that needs help pulling himself together.
Bonaparte is having a tough time. It’s hard for this young skeleton to just hang loose when he can’t keep hold of himself.
When he plays catch, his throwing arm literally takes a flyer. Eating lunch can be a real jaw-dropping occasion. How can he start school when he has so many screws loose?
Luckily, Bonaparte hit the bone-anza when it came to his friends. Franky Stein, Blacky Widow, and Mummicula all have some bonehead…
While developing Nest, I lived in the Presidio National Park. A plum tree grew right outside the kitchen window and I had a year-round view of the robins living there. Those backyard birds were magical - from their flying and singing to their feathers and eggs. Spending hours watching them while cooking inspired me to share their world with my world. I have a degree in art history from Princeton and a law degree from Stanford. I worked as a textile designer in New York before going out on my own as an author and artist. Currently, I share a studio with my architect-husband and I draw every day.
I recommend this book because of my love of Steve Jenkins’s illustrations. I think he is one of the great illustrators of animals for kids' books, and his work is a perfect blend of accuracy and abstraction. In this book, his illustrations are paired with Jennifer Ward’s charming text that’s well suited to read aloud to the youngest children.
A delightful exploration of the incredibly variety of nests birds build for their babies, illustrated by a Caldecott Honoree.
Mama built a little nest inside a sturdy trunk. She used her beak to tap-tap-tap the perfect place to bunk.
There are so many different kinds of birds-and those birds build so many different kinds of nests to keep their babies cozy. With playful, bouncy rhyme, Jennifer Ward explores nests large and small, silky and cottony, muddy and twiggy-and all the birds that call them home!
