The most recommended Grateful Dead books

“In an earlier life,” Miller writes, “I was a baker, in a bakery on a cobblestoned street.” It takes Miller just one single paragraph to tell this whole tale—how she proofed yeast, how she scraped her spoon, how she made loaves for children: “It was my only kindness.” In every successive chapter—most all of them short, many of them formally inventive—Miller deconstructs her life and soul—the roots of her unease, the startling incidents of loss, her learning to sleep, and her learning to live with the person she becomes. Miller is a stellar choreographer, knowing just where to place which expertly fashioned scene and knowing, always, what to leave out.

Researching a book on the lives and work of road crew was a fascinating, eye-opening, and thoroughly enjoyable, and enlightening experience. It also made me realise how few of those people have told their own stories. In fact, not nearly enough of them start writing road crew folk! But this book was a delightful revelation – a road crew guy, with a great way with words and insights – and telling us about his experiences with one of my favourite rock’n’roll bands of all time. What’s not to like. This may not be the easiest book to find – but like a Grateful Dead show, the reward is often the journey and what you find at the end.

A controversial book amongst Deadheads as Selvin takes a critical and insightful look at the machinations of the post-Garcia band and things don’t always come up smelling roses. Selvin’s not a card-carrying member of the Dead Fanclub – but he can write superbly and has dug very deep and uncovered all sorts of fascinating maneuvering and powerplays between the key participants in the band. It’s not always pretty but it’s certainly fascinating. If you don’t want to know then maybe look away.

This book breaks all the rules because I’m still not certain that it wasn’t a fever dream. Fan culture, particularly K-pop fan culture, is usually depicted as cute and innocent and something for teenage girls. However, Y/N really flips that on its head and delves into the dark underbelly of fandom that includes obsession, stalking, and the break in reality that can happen due to heavy reliance on parasocial relationships.

This book was so immersive in the way it flipped between fanfiction, in which you’re meant to insert yourself into, and the wild journey that the unreliable narrator goes on. I loved this book because it did so much with so few pages, and it was so beautiful on a craft level. It was deeply unhinged, grotesque, and confounding at times, but I couldn’t look away.

I think that this book unveils Jerry Garcia’s essential, elusive personality better than anything I’ve read, even given the excellent work of David Browne, Blair Jackson, Dennis McNally, and other terrific Grateful Dead biographers.

I learned a lot about how seemingly secondary characters are often particularly honest and illuminating. Robert Greenfield also collaborated with promoter Bill Graham on Bill Graham Presents, the excellent autobiography in oral history format. 

This book will change your idea of the place and importance of synthesizers in music history. I had the privilege to be taught by Trevor Pinch as an undergraduate and have followed his work closely since. His passing in late 2021 left a massive hole in the field of Science and Technology Studies and he is sorely missed.

The book is based on primary research on the genesis and development of the Moog synthesizer, perhaps the most important instrument in electronic music history. Unlike most texts on the instruments of electronic music, which dig into the technical details of synthesis, I love the fact that this book gives you the human stories and socio-technical processes behind how an iconic synthesizer was designed, circulated, and adopted by rock musicians from Rick Wakeman to The Beatles.

There is delight in the details, such as how salesmen packed the unwieldy Moog synth into… show more.

The subtitle tells you all you really need to know. Kreutzmann was a founding member of the Grateful Dead and there for the whole long, strange trip and – to date – the only band member to pen an insider’s account of exactly what it’s like to be a member of The Grateful Dead. He tells a good story and if the Grateful Dead loom as large in your life as they do mine – well, just image a memoir written by Ringo Starr or Charlie Watts. Drummers sit there doing their stuff – and they see everything.

Based on many interviews with the participants, Paul explores What made the Allman Brothers 1973 album, Brothers and Sisters, so special. Allman expert Paul gives us a generous ride into what made that period so influential and so much more than “Rambling Man.”

But Paul’s greatest service to pop cultural lovers is his lengthy overview of the July 1973 Summer Jam at Watkins Glen. It was bigger than Woodstock but largely forgotten despite a total of 600,000 attendees listening to the Allmans, the Grateful Dead, and The Band.

Historian Paul turns over every stone possible to give as complete a portrait of the long-neglected Festival as told anywhere, something long overdue. I learned a lot and thank Alan Paul for sharing what should never be overlooked, at least by ‘70s rock fans.

Since their 1965 founding, the Grateful Dead have been one of the counterculture’s most enduring institutions.

No Simple Highway answers why, placing the band in the context of its times through three utopian ideals central to the band and its fans: Ecstasy (not just drugs, but an “urge to transcend”), Mobility, and Community. The band, Richardson argues, is “the American experiment in action.”

You’ll learn how the band wove multiple strands of American music with literature, folklore, the counterculture, and the visual arts into a truly unique musical tapestry whose express purpose was as part of a live music experience.

This music-as-participation dynamic meant the audience was as important to the Dead as the music they played. This book had a major impact on how I approached the band/audience story for my own Allman Brothers research. 

Crossroads: Postwar America, youth counterculture, audience, San Francisco

Since ancient times people have gathered outdoors to celebrate all sorts of things, generating joy through dancing, marching, singing, and feasting. In the past most had some religious aura, but in the present, many are political gatherings, deeply satisfying ways of expressing moral visions. In this romp through history Ehrenreich shows us the sheer fun of political (and other) gatherings, which modern elites have tried hard to suppress.