I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Historical setting is the main draw here. Benjamin Franklin is in 1750s London, and the interest comes from the history. Franklin becomes involved in the lively theater scene of the era, and we get to see the sage's particular genius at work. The great joy here comes from all the period details and the delightful descriptions of the theatre world in Georgian England.
When a heckler at the Drury Lane Theatre topples to his death, Ben Franklin--in the Pennsylvania colony on business--probes into the theater's backstage intrigue.
My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
I think Robert Stone was one of the greatest American novelists of the recent era, a man with a profound concern for how political situations affect the individual. I love Stone’s ability to delve into complex situations.
This is fiction, unlike the last two recommendations mentioned above, and takes place in Central America during the Seventies. I love books about political situations, and I love novels set in other countries. Stone is a master of both.
He was also a humble, good man, though maybe I’m not completely objective because he provided a generous blurb for my first novel. I had the pleasure of spending a little time with him after my novel was published, and I found him to be brilliant, funny, modest, and just a fun person to be around.
Like Dostoevsky, he was able to delve into deep matters by telling a great story with amazing characters.…
I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.
Elmore Leonard was the first crime author I ever read, and his books are what got me hooked on the genre.
Like many of his characters, Jack Foley, despite being a criminal, in this case a bank robber, is just so much fun to spend time with and read about.
The book starts with Foley escaping from prison only to find himself bundled into the trunk of a car with a female US marshal. What follows is a cat-and-mouse, cops and robbers tale, as only Elmore Leonard could have written it.
Fabulous characters, amazing situations, and some of the coolest dialogue in all of fiction. The film was great, but the book is even better.
Read it and you’ll want to read everything else he ever wrote.
OUT OF SIGHT was made into the highly-acclaimed movie starring George Clooney and Jennifer Lopez.
Jack Foley was busting out of Florida's Glades Prison when he ran head-on into Karen Sisco with a shotgun. Suddenly the world-class gentleman felon was sharing a cramped car trunk with a disarmed federal marshal - whose Chanel suit cost more than the take from Foley's last bank job - and the chemistry was working overtime. Here's a lady Jack could fall for in a big way, if she weren't a dedicated representative of the law that he breaks for a living. And as soon…
As a great reader from birth, I love books. I am a retired teacher of English literature and love history, particularly the medieval period, inspired by my love of Chaucer. I found my chosen authors entertaining, informative, and able to lead me into my happy place, unaware of my surroundings whilst reading. I read very fast, however, and none of them write fast enough for me so I started to write my own books. Words have the power to move, to excite, to console, to entertain. I hope anyone reading my chosen list will enjoy and may feel like exploring my own books.
Set in Medieval York I loved the detail of life in this book. The passion of Lucie Wilton, the apothecary’s wife is apparent and very real. Her anguish at his death and her guilt over her love for Owen Archer, her assistant incite pity and hunger in the reader. It taught me to try and include small details in my own writing and to make my characters come alive as Candace Robb does. I was truly hungry for the next book...and the next...and the next!
This mystery in medieval England is “suspenseful, historically accurate, and blessed with a wonderful cast of characters . . . An absolute delight” (Charles de Lint, author of the Newford Series).
It is Christmastide, 1363, and two suspicious deaths in the infirmary of St. Mary’s Abbey catch the attention of the powerful John Thoresby, Lord Chancellor of England and Archbishop of York. One victim is a pilgrim, while the second is Thoresby’s ne’er-do-well ward, both apparently poisoned by a physic supplied by Master Apothecary Nicholas Wilton.
In the wake of these deaths, the archbishop dispatches one-eyed spy Owen Archer to…
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
Lawmanwas my introduction to the novels of Diana Palmer, which have become my go-to for contemporary romance. Perhaps I found Lawmancompelling because the heroine's history of trauma stirred some memories of my own. The taut thriller quality of the tale certainly kept me reading, as well. And a happy ending is a must, even if I want to slap a stubborn hero upside the head from time to time. (Well, yes, the heroine sometimes needs an attitude check, too.)
When San Antonio FBI agent Garon Grier buys a ranch in Jacobsville, Texas, the strong, silent loner is hoping to mend some broken family fences. He's not looking for love. Grace Carver grew up in this quiet Texas town, but because of her troubled youth, she's never married—hadn't even thought about it…until Garon.
These unlikely allies are brought together by the most difficult case of Garon's career: hunting an escaped child predator whose former victims are all dead. All except one.
Now a desperate lawman and the woman who is the lone survivor of a madman's twisted rampage have one…
While technically a horror story, Still Life with Crows — Book 4 of the Pendergast series — is more a thriller and mystery. A small Kansas town has turned into a killing ground. Is it a serial killer, or the curse of a past massacre coming back to haunt them? Either way, FBI Agent Pendergast—a more eccentric version of the eccentric Sherlock Holmes—must discover where the killer is hiding before he kills again.
Preston and Child never fail to draw me in almost immediately. Whenever I’m bored, at loose ends, or waiting for a galley proof, I can be immediately distracted by one of their books. Still Life with Crows is no exception. It is quite literally an edge-of-your-seat story.
In Medicine Creek, Kansas, an old-fashioned small town where nothing ever changes, the community is terrified after a series of grisly murders takes place. Even more alarming, the bodies are displayed in bizarre tableaus. FBI Agent Pendergast arrives from New Orleans to investigate.
I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.
When I find a book with wonderful, relatable characters, I’m hooked. Add a villain unlike any I’ve ever read, and I can’t put it down. Put me in the villain’s point of view, and I’ll lose sleep to find out why he’s so evil.
I raced through it the first time, then read it twice more to savor every detail. I even kept a record of how many points of view Harris used to make his story so spectacular!
He’s a splendid writer, and I always admire that. Silence of the Lambs is timeless, digs into the heart and soul of its characters, and is so well-written that it rises out of the thriller genre and ranks among the best books I’ve ever read.
As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.
That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of Thomas Harris' The Silence of the Lambs--an unforgettable classic of suspense fiction.
I’m still in love with good sci-fi and fantasy after 30 years, but folk can get most terribly sniffy about it: ‘Lack of character’, ‘leaden exposition’, the list of accusations rolls on (sadly, a chunk of today’s SFF earns it). But. Every so often a work pops up that looks to the unwary book clubber like a ‘proper novel’; beneath its sexy but abstract cover and pared-back blurb lies a world of adventure that’s like LSD in an innocent mug of tea. Some writers just refuse to accept that speculation (about time and/ or space) needs to sacrifice truth. I’ve picked a few books that stand out to me for this reason – debate their merits with gusto, preferably over a good Martini at 2am.
Harkaway has serious literary pedigree but is determined to put exactly what he damn well likes in his books. Gnomon is labyrinthine, its characters sizzle with personality and it is set in researched, vibrant worlds that reek of authenticity, from antiquity to modern-day Greece. It’s also, partly, set in a dystopian, ultra-surveillance future (an arch glance at the political developments of recent years) and shamelessly combines mysticism, time-bending, and no shortage of sharks. Its rejection of convention but adherence to good, thoughtful writing is one hell of a ride.
'Gnomon is an extraordinary novel, and one I can't stop thinking about some weeks after I read it. It is deeply troubling, magnificently strange, and an exhilarating read.' Emily St. John Mandel, author of Station Eleven
'The best thing he's ever written ... It is an astonishing piece of construction, complex and witty ... It is a magnificent achievement ... He's never written a bad book, but this is the one that'll see him mentioned in the same breath as William Gibson and David Mitchell ... This book seriously just destroyed me with joy.'…
I’ve always been fascinated with military history, added to which my interest in aviation after serving in Military Intelligence with the Air Force. After a career in advertising, I took to writing during lockdown. My novels uncover forgotten facts and histories, using real characters and their exploits and providing an interpretation of world war events from different perspectives, not just the victors. My recommendations bring the past to life, unpalatable as it might be, with vibrant characters, rich set-building, and beautiful period language, sentiments, and held beliefs. History and conflict, love, loss, tragedy, and forgotten memory are brought to life, full of visceral colour, but importantly always truthfully.
An intriguing dual-timeline novel about a bereaved modern-day tech CEO who discovers a link with a WW2 aircraft discovered in a Norwegian glacier.
A connection with her grandfather emerges, MIA since the war, and the Mosquito frozen in time. This is a complex tale of five intertwined lives, some modern, others in wartime, revealing the disparate views held at the end of the conflict and the horrors perpetrated by the Nazi regime.
It pits modern corporate greed and the cruel science of a warped ideology against the courage and often untold contribution of Canadian airmen and their moral determination to do the right thing. Like my own work, the novel unveils forgotten aspects of the past, shows that good shines through and still leaves an imprint on us today.
"There were so many things flowing through my mind as I finished this story that I sat very still with my thoughts for the longest time contemplating what I just read. Indeed, I had to settle with the story a bit before I could even attempt to do it justice with a review. One thing is certain, "EO-N" is a novel of distinction - impeccably written, every sentence captivating." - Sheri Hoyte for Reader Views
2019 Alison Wiley, a once-idealistic biotech CEO, is processing her new reality: she's the last bud on the last branch of her family tree. On…
I’m an Irish author who lives close to three very different forests: deciduous, planted coniferous, and the planned gardens of a former stately home that once welcomed WB Yeats and several other famous writers. I’ve always loved the woods – it often feels like stepping through a portal into some other, stranger parallel world – and drew huge inspiration from these places for Shiver the Whole Night Through. I wanted the forest to feel like a character, which was sentient and had agency. I incorporated several real-life locations into the fictional Shook Woods…and wrote a lot of the story in the forest, gazing into the dark trees, waiting for them to speak.
Essentially two parts of one book, Secret History and The Final Dossier see Mark Frost – co-writer, with the legendary David Lynch, of the equally legendary TV series – returning to the dark, dark woods which cast a baleful shadow on the troubled logging town. The woods are the source of all evil in Twin Peaks: malevolence, mystery, mayhem, murder. In real-life Lynch once described the forest as being “everything those old fairy-tales made you feel”.
The crucial sequel to the New York Times bestselling The Secret History of Twin Peaks, this novel bridges the two series, and takes you deeper into the mysteries raised by the new series.
The return of Twin Peaks is one of the most anticipated events in the history of television. The subject of endless speculation, shrouded in mystery, fans will come flocking to see Mark Frost and David Lynch’s inimitable vision once again grace the screen. Featuring all the characters we know and love from the first series, as well as a list of high-powered actors in new roles, the…
