Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
In this wondrous book on Caravaggio, the world of Naples unfolds from the inside through an electrifying reading experience. Written with grace, almost every sentence imparts an epiphany. The author challenges us to undertake soul-work, even if one is a secular reader. Reading becomes an act of empathy and passion. In the words of Wallace Stevens, potential readers will become ‘necessary angels’.
A Profound New Look at the Italian Master and His Lasting Legacy
Now celebrated as one of the great painters of the Renaissance, Michelangelo Merisi da Caravaggio fled Rome in 1606 to escape retribution for killing a man in a brawl. Three years later he was in Naples, where he painted The Seven Acts of Mercy. A year later he died at the age of thirty-eight under mysterious circumstances. Exploring Caravaggio's singular masterwork, in The Guardian of Mercy Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.
I enjoy slow-burn, deep novels with a storyline that draws on real and serious issues. The Collaborator took me inside the callous world of mafia families, exposing the horror of their "business model" and the demand for loyalty at all costs. I love to explore this world from a safe place, and this book challenged my preconceived ideas.
The focus on justice and doing what’s right in the face of overwhelming odds is compelling and represents the kind of story I enjoy most. It’s a story of courage; it’s gripping and intense, although not an action story in the traditional sense.
It is thought-provoking, complex, and deep, just as I like my stories.
Deadlier than the Mafia, the Camorra never forget, and never forgive.
She is an Italian accountancy student in London, and her boyfriend Eddie teaches at a language school. But the prime reason Immacolata Borelli came to Britain was to look after her gangster brother, wanted for multiple murders back home in Naples.
For the Borelli clan are major players in the Camorra, a crime network more close-knit and ruthless than the Sicilian Mafia.
Mario Castrolami is a senior Carabinieri investigator of the Camorra, his career dedicated to destroying the corruption and violence of the clans. When Immacolata calls from London…
When I was 12, I was given The Book of Questionsby Neruda Pablo. “Tell me, is the rose naked or is that her only dress?” It was the perfect book for me, with an abundance of questions. As I got older, the questions turned more serious: what are these forces restricting women to a narrow strip of being? To a slim wedge of psychological existence? How did the definition of female pare down to only a fistful of traits—nurturing, accommodating, object of desire, etc.? I’ve found solace in books, with fully dimensional female characters who refuse society’s common assumptions. It’s these females I try to create in my work.
I’d recommend any one of the novels by Elena Ferrante, a writer who depicts with nuance and complexity her female characters’ psychology, as it’s impacted by the forces of society, family, motherhood, wifedom, work, economics, and politics. The Days of Abandonmentis one of her earlier novels about a woman whose husband leaves her for a younger woman after 15 years of marriage. A common story, unfortunately, but what isn’t common is the brutally honest depiction of rage, sorrow, depression, loss of self, and the slow evolution of a new life and a new self.
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair―and rage―is “a masterpiece” (The Philadelphia Inquirer).
The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even…
Growing up queer and Italian in suburban New Jersey in the late 1960s and early 70s, it was the passionate love of food and family that got me through the tough times. I learned to cook from my mother and my grandmothers. I gardened and picked tomatoes with my grandfathers. There was always a pot of simmering tomato gravy and magic meatballs on the stove. My mother’s chicken parmigiana, my paternal grandmother’s homemade ravioli, my maternal grandmother’s stuffed clams, my great aunt’s baked chicken. As a writer, it became my mission to share these secret family recipes and the loving life lessons that saved me.
Set in Naples, Italy, this culturally rich book is the first in a series of four connected novels that tell the complete story of a profound and intense friendship between two women who are opposites in almost every way.
It is a friendship-love story that illustrates how a deep and abiding love can help and hurt two people. My Italian ancestors are from Naples, and Elena Ferrante’s books capture the spirit of their passions while delivering complex and emotional life lessons.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
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Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
I don’t know how she does it, but Elena Ferrante’s work is almost unique in how intensely immersive it is.
On one level, this is just a story of regular folks living regular lives. But once you get into it, you become drawn in so deeply that the line between your mind and that of Elena Greco, the narrator, almost vanishes. At times you feel as if you’re really there, experiencing these things, as if you’ve become Elena temporarily.
It’s an incredibly powerful and satisfying feeling, and as I say, pretty much unique in literature.
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
Out of all the war fiction and nonfiction I have read, this is the one book I wish I had read before deploying to Iraq as a soldier.
Lewis captures the post-invasion chaos, as the war-fighting military struggles to define its new mission as an occupying force, the farcical situations that arise through deep cultural misunderstandings between occupier and occupied, and the suffering and resourcefulness of the local population.
He is also an elegant writer who, like many of the best war writers, finds humour and intense tragedy in the extremes between the absurd and the sublime he encounters.
As a young intelligence officer stationed in Naples following its liberation from Nazi forces, Norman Lewis recorded the lives of a proud and vibrant people forced to survive on prostitution, thievery, and a desperate belief in miracles and cures. The most popular of Lewis's twenty-seven books, Naples'44 is a landmark poetic study of the agony of wartime occupation and its ability to bring out the worst, and often the best, in human nature. In prose both heartrending and comic, Lewis describes an era of disillusionment, escapism, and hysteria in which the Allied occupiers mete out justice unfairly and fail to…
As a kid, Joseph D’Agnese did not feel quite normal unless he’d devoured at least two mystery novels in a weekend. Today he’s a journalist and author. His mystery fiction has appeared in Shotgun Honey, Plots with Guns, Beat to a Pulp,Ellery Queen’s Mystery Magazine, Mystery Weekly, and Alfred Hitchcock’s Mystery Magazine. He’s a past recipient of the Derringer Award for Short Mystery Fiction, and a contributor to the prestigious annual anthology, Best American Mystery Stories. D’Agnese lives in North Carolina with his wife, the New York Times Bestselling author Denise Kiernan.
If you diligently work your way down this list, you’ll travel to Sicily, Venice, Florence, and Naples. But none of these cities beat Rome. I’m biased, of course. My wife and I lived in Rome when we were first married. When I close my eyes, I swear I see Caravaggios and I can still smell the woodsmoke and simmering pasta sauce that perfume Rome’s air. All of which brings me to Hewson’s Nic Costa novels. I don’t think anyone nails Rome’s sinister criminal quality the way Hewson does, but he still manages to capture the Eternal City’s beauty, food, and art. (Hewson’s a Brit who travels to Italy often; it's totally worth checking out his Instagram account.) Currently 10 books in the series. If you like them, investigate his standalone novels, some of which are also set in Italy.
'No author has ever brought Rome so alive for me - nor made it seem so sinister' PETER JAMES
'David Hewson's Rome is dark and tantalizing, seductive and dangerous, a place where present-day crimes ring with the echoes of history' TESS GERRITSEN
'Hewson keeps the reader guessing . . . relentlessly tightening the suspense until the end' Daily Telegraph
There's no rest for the wicked . . .
While Rome is sweltering in the height of summer, a serial killer is on the loose. Sara Farnese is working in the Vatican library,…
I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
I love books about lying! Like a lot of adolescents, Giovanna starts to recognize the lies her parents and their friends are telling and discovers family secrets. The most interesting lies, though, are the ones people tell themselves in order to rewrite their own histories. I love the way Ferrante sets those shifting stories against a girl’s determination to understand her changing face in the mirror and what is really meant by the idea of beauty.
The book also gave me a chance to return to the setting of Ferrante’s Neopolitan novels, the beauty and violence of which she describes with such unrelenting honesty.
"AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL."-Mail on Sunday
THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND
A BBC2 Between The Covers Book Club Pick
BRITISH BOOK AWARDS 2021 - SHORTLISTED FOR FICTION BOOK OF THE YEAR
Soon to be a NETFLIX original series
18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE
Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her…
A
novel about the music industry might seem a strange choice for me. Though I
love music, I've never played an instrument (except air guitar), and I find stories
of rock stars' misbehavior tedious at best. But a friend urged me to read this
book, and I'm glad I listened.
Yes,
it's about the music industry, with a varied cast of characters (artists,
producers, and more). But it's also about issues I connected with instantly:
pursuing one's dreams, finding one's voice, making one's way in life, work, and
love.
Creative language use matters to me, and Egan's prose knocked me out, as
when she describes lifelong friends "staring at each
other's new faces, our familiar features rinsed in weird adulthood." Who
would think to use "rinsed" here? Genius!
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
I consider myself a historian. It isn’t a job title or a career, more of a passion. The object of my passion is the period following the French revolution. When the world, for all its art and elegance, was convulsed by conflict and Napoleon. I shy from the big sweep of events, preferring to tell stories through the words of those who were there. My interest in Nelson and Lady Hamilton grew from my research on the Neapolitan revolution of 1799 and I was shocked to discover that, in addition to their love story, there was a chilling crime disguised and buried beneath their famous romance.
I don't know about Emma being England's mistress (that sounds tiring), but (and this is the subject of my list) she was certainly Nelson's. Kate Williams thinks Emma was infamous and it should come as no surprise that this book is built around the scandals that made Emma and unmade her. As such it is written in a rather breathless tone, just short of salacious. This makes it rather fun but also quite in keeping with Emma’s life and times. After all, Emma’s story can never really be separated from the scandals. I like it because it packs a lot in (especially on the relationship with Nelson) and it moves at a hectic pace reminiscent of old Covent Garden on a Saturday night.
A dramatic, sparkling tale of sex, glamour, intrigue, romance and heartbreak, England's Mistress traces the rise and rise of the gorgeous Emma Hamilton.
Born into poverty, she clawed her way up through London's underworlds of sex for sale to become England's first media superstar. Nothing could stand in the way of her dreams- except her self-destructive desires.
Drawing on hundreds of previously undiscovered letters, and told with a novelist's flair, England's Mistress captures the relentless drive, innovative style and burning passion of a true heroine. In a world of tabloid fame and three-minute wonders, Emma's life is truly a tale…
