The most recommended books about Oxford

This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.

Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.

Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.

What do the writers you are drawn to reveal about you? Why at certain points in our lives do we become “attached” to certain authors? The process of attachment is mysterious. As we age (and change) some things remain constant. Our attachment to a particular author may have begun in our youth, but evolved as we have. To reconnect with a favorite author can put us in touch with our younger self in unexpected ways. Mead shows how much Middlemarch has “spoken” to her throughout her life. This book is perhaps more in harmony with my own than any on the list. I have come to love books that underscore how what we read can be inseparable from the person we become.

This is an imaginative mystery centered on the people who inhabited the world (Oxford and London) of Charles Dodgson (Lewis Carroll) after the publication of Alice's Adventures in Wonderland.

As an Oxford local historian myself, I think the author captures the atmosphere and detail of Victorian Oxford superbly well and sustains the suspense to the end, as Dodgson becomes embroiled in a series of events that involve him being blackmailed and being treated as a murder suspect.

Many familiar elements of Dodgson's life and many of his real associates are included, and there are numerous subtle nods to the text of Wonderland. And Dodgson's (to modern eyes) controversial friendships with and photographs of children are not swerved – indeed, they are central to the plot – but are astutely incorporated and believably explained.

This book is thought-provoking, instructive, enthralling, and convincing. 

This book quickly became my favorite novel by Woolf, perhaps because it depicts a large Victorian family over time.

When her mother dies, Eleanor keeps the home fires burning for her siblings, Morris in the law courts, Edward at Oxford, Delia, Milly, and the younger Martin and Rose. We watch them grow and, fifty years later, deduce what has become of their lives when they talk to each other at a party.

Woolf’s narrative sweeps across England, across London, giving us vignettes of her characters from which the reader must make up the whole. My copy of this book is tattered from re-reading. I loved following along with Woolf’s attempt to gather everything she knew into her story of the Pargiter family.

For me, Oxford is the Hollywood of stories and indeed it is now home to The Story Museum. One of the stars of Oxford storytelling was Colin Dexter, whose Inspector Morse novels have spawned three TV series. He was the patron of the Oxford Writers Group and recommended this anthology. It includes stories from Town, Gown, and County so it is a good holiday read while in Oxford or dreaming of the city.

Martin Amis’s first novel, published in 1973, was the first book that I read from cover to cover. 

I was only eighteen at the time and even though my memory of the story is vague, I remember being drawn in by the unique and compelling way it was told.

I went on to read other works by the same author, but The Rachel Papers has a particular poignancy, in that it has lingered in my psyche for over forty years. Even in adolescence, I came to realise that books are as individual as the person reading them.  

This was the first book about architecture I read and it remains one of my favourites. Clark wrote it in 1928, long before ‘Civilisation’ made him a television star and it has the freshness of a young man trying out ideas and working to understand something he doesn’t like. He was writing about Gothic architecture at a time when it was completely out of fashion. Clark’s subtitle ‘an essay in the history of taste’ is tongue in cheek because Gothic for his generation meant bad taste. Tracing its roots back into the eighteenth century Clark shows how it developed to embody the ideals of the Victorian age. 

Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.

This book is a comprehensive and fascinating look at an elusively handsome city. It shows unknown corners as well as the familiar Spires. History and events feature in attractive informative writing. All balanced by sensitive new imagery from the noted artist, architect, and illustrator Ian Davis. It is a gripping read, stunningly illustrated.

I love the fact that despite my living in Oxford for over 40 years, Ian Davis showed me views I didn’t know and facts I had not learnt. The book is Informative and interesting.

The book's great value is its comprehensive personal view of the City of Oxford, produced in an accessible and affordable format.

This short classic was one of the first books I read when I began studying China, and that drew me into the subject of rural life.

The story of the death of Woman Wang (nothing more is known of her name) is gripping and tragic, and it is beautifully written.