I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
I loved this book for the new concepts it brought to me about psychic abilities, specifically telepaths that could block other’s psychic abilities.
After this, I was drawn to the book for the way it blurred the lines of reality, making me question alongside the main character if anything they were experiencing was real. I also thought the idea of the UBIK drug that kept people in a 'half-life' was fascinating and a different way to show addiction and its consequences.
Lastly, the ending was quite thrilling and kept me reading into the wee hours of the morning, even though I had work the next day!
A classic science fiction tale of artifical worlds by one of the great American writers of the 20th century
Glen Runciter is dead.
Or is he?
Someone died in the explosion orchestrated by his business rivals, but even as his funeral is scheduled, his mourning employees are receiving bewildering messages from their boss. And the world around them is warping and regressing in ways which suggest that their own time is running out.
If it hasn't already.
Readers minds have been blown by Ubik:
'Sheer craziness, a book defying any straightforward synopsis . . . a unique time travel adventure…
I covered the FBI and CIA for years, first as a print reporter in Washington and then as the head of the NBC News investigative unit. So I have covered my fair share of spy scandals, and with my colleague Pete Williams helped NBC break the story of Robert Hanssen’s arrest. I was immediately drawn to the Ana Montes Cuba spy story when it broke and then learned that Montes had bought her condo from my close friend and college roommate, John. That meant I had spent hours inside Ana’s DC apartment, and that odd connection rooted me in her story in a deeper way.
In fairness, I could not read this 600-page-plus intelligence agency classic in one day. But I sure tried.
This book is a blockbuster, pulling back the curtain on the super-secretive National Security Agency, NSA, in a way no one has before or since. I remember the sensation this book made when it came out, and have had the honor of getting to know Jim Bamford a bit over the years.
In this remarkable tour de force of investigative reporting, James Bamford exposes the inner workings of America's largest, most secretive, and arguably most intrusive intelligence agency. The NSA has long eluded public scrutiny, but The Puzzle Palace penetrates its vast network of power and unmasks the people who control it, often with shocking disregard for the law. With detailed information on the NSA's secret role in the Korean Airlines disaster, Iran-Contra, the first Gulf War, and other major world events of the 80s and 90s, this is a brilliant account of the use and abuse of technological espionage.
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
The story is set in the Warhammer 40’000 universe, but anyone can read it without feeling lost. I love the way the author subverts the reader’s expectation from a story of “military squad Vs. monster” to “military squad Vs. everything-on-the-planet.”
A fantastic blend of (John Carpenter’s) The Thing and Predator. An enjoyable and easy-to-read tale of claustrophobic, slow-burning tension and Hollywood 80s action hero. I loved the ever-increasing sense of paranoia they endure by gradually discovering that absolutely everything wants to kill them.
A squad of Catachan Jungle Fighters is sent to the deathworld of Rogar III in response to an ork incursion. But, as well as dealing with the orks, they must do battle the planet itself ¿ not to the mention the mysterious figures that stalk them across the deadly terrain.
I played semi-professional baseball in France in 1986. If your baseball career has brought you to France, you should be rethinking your professional aspirations. No problem, I thought. I will write. I like to write. To my dismay, publishers were not fans of novels about French baseball players. The world of espionage I became acquainted with in Europe, however….
Exploding wine bottles, guns constructed out of pipes, bullets made of teeth, aspirin explosives: If these sound like props from a B spy movie, it's because, again, truth > fiction. In the early-1970s, the Central Intelligence Agency spent a great deal of effort developing myriad weapons for sabotage. The results were this seventy-two-page illustrated manual, published in 1977 and distributed to American operatives likely to find themselves in situations requiring such improvisation. The manual is also invaluable for writers.
My perspective as a parent, grandparent, and teacher has changed since I’ve read Mindset. I only wish I had heard about this book sooner. After I read Mindset, I felt like I had discovered the secret sauce for learning. As a teacher, I was always searching for new ways to motivate my students. I adopted innovative strategies and new trends that were engaging. As a result, I was named Teacher of the Year in my school district. Because Dweck’s messages about how the brain learns, the value of mistakes, and perseverance are key to improving a child’s achievement, I annually present this topic at both teacher conferences and parent meetings.
What kids don’t like stories about a dragon? I know my students did.
This book is one from a series of dragon books by Steve Herman that has rhyming lines and colorful illustrations that remind me of a comic book. I really like it because of its messages to kids about learning from mistakes. As a teacher, I have seen too many children who want to be perfect. I think stories like this can begin to normalize mistakes so that children will learn to accept them as a natural part of learning.
Diggory Doo the Dragon deals with a lot of mistakes that bring him blame, shame, and tears. He wants to quit but then realizes that such situations later prove to be just chances to do better next time.
I studied propaganda and it is a subject that we all should be familiar with. Our basic liberties are bound up in our understanding of information and how different systems use it. I am the author of over 20 novels, and my stories have been published in numerous magazines and over 34 anthologies. I was born in London, and I've lectured on English and American literature at the University of London. I currently teach creative writing at Universities and online.
My take on a future society in which a shadowy group conducts mass surveillance and is experimenting on turning a musician into a serial killer. 'I see no butterfly wings in the Rorschach test, but a mountain of bones.' So says Dale Helix, who is convinced he is being abducted by a shadowy group of rulers called The Assembly. The novel is set in a dystopian city, and is an exploration of totalitarianism, paranoia, and social engineering in a society where it is impossible to gauge the truth. The aim of the programme is to study the link between serial killers and dictators in order to clone the ideal dictator. And the Assembly is engineering a new gender. Is Dale insane or is his paranoia a key to a hidden truth? This is a novel about surveillance totalitarianism.
‘I see no butterfly wings in the Rorschach test, but a mountain of bones.’ So says Dale Helix, who is convinced he is being abducted by a shadowy group of rulers called The Assembly. He claims they have programmed him to kill. International novelist Richard Godwin’s latest title is set in a dystopian city, and is an exploration of totalitarianism, paranoia and social engineering in a society where it is impossible to gauge the truth. The aim of the programme is to study the link between serial killers and dictators in order to clone the ideal dictator. And the Assembly…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it? In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.
Griffin Mill is senior vice president of production at a Hollywood studio. Obsessed with his career, dedicated to his success and riveted by paranoia, he is the ultimate player. But now he is in trouble. He has been getting postcards from a writer he rejected, who threatens to kill him.
I’m a former playwright, current novelist, future designation unclear but maybe something like really committing to being the person that always carries one of every kind of charging cable, just in case. I’m old enough to be properly jaded about our media landscape, not simply to “fit in” with “people” who are “theoretically out there somewhere” but because I’ve genuinely seenso muchand I’m just like, I mean, whatever. But sometimes a novel forges a new path across the imagination with such an unexpected angle on worldbuilding or a blatant assault on the propriety of common plot structure that I literally swoon with excitement. I’m about to tell you about some of those novels.
My new book features a solitary time traveler in a key supporting role, so I feel well-equipped to say thatMan in the Empty Suit is the pièce de resistance of absurdly trippy time travel stories.
A time traveler celebrates his birthday every year at an abandoned hotel in the year 2100 or so, with all his fellow time-traveling past and future selves in attendance – nobody else is ever invited. This year, however, he discovers the murdered corpse of next year’s instance of himself.
This makes him the lead detective in the case of his own murder, which ideally he’d like to prevent; and the only suspects are either younger versions of himself, although you’d expect him to remember committing the crime, or elder versions of himself, who somehow managed to survive the murder of their younger self – for the time being, anyway.
Say you're a time traveler and you've already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That's why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks twelve-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be. Sure, the party is the same year after year, but at least it's one party where he can really, well,…
The Cold War has never been a passion for me, but rather a kind of horror. It was ongoing all through my childhood, and I had nightmares about nuclear attacks and Soviet spies. We lived in the middle of a Suffolk pine forest during the 60s and 70s. There was an American air base on the edge of the forest, surrounded by a tall wire fence. It seemed a spooky place with its concrete bunkers and keep-out signs. Later, as an author on the lookout for good stories, I remembered my childhood terrors and the atmosphere of menace surrounding the base. It gave me an idea for a story set in a similar airbase.
I first came across this story in the classic 1962 film version. The original novel was published in 1959. It’s a political thriller about the military son of a US political family who’s brainwashed after capture in Korea into being an assassin for a communist conspiracy. Back in the USA, he commits murders on behalf of the communists while in a hypnotic state, with no memory of his actions afterwards. It’s a dark and chilling classic of Cold War paranoia, and I read it as part of my research before I wrote How It ends.
Sgt Raymond Shaw is a hero of the first order. He's an ex-prisoner of war who saved the life of his entire outfit, a winner of the Congressional Medal of Honor, the stepson of an influential senator...and the perfect assassin. Brainwashed during his time as a POW he is a 'sleeper', a living weapon to be triggered by a secret signal. He will act without question, no matter what order he is made to carry out.
To stop Shaw, his former commanding officer must uncover the truth behind a twisted conspiracy of torture, betrayal and…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legendis adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
