This nonfiction picture of a “forgotten crisis,”
the hysterical extremism in America surrounding World War I, is so packed with
shocking information I finished it in a fury, thinking, “Everyone must read this
book.”
As daily news reports strike so many these days with the sense that
things have never been worse, I believe that we need to know more about history, understand the antecedents of our troubles, and learn from the brave men and
women who fought evil and folly in the past.
The book presents so many parallels to today’s
threats to democracy, some even more deadly than the ones we face— but the
country survived them. For me, this book made me furious but also kindled hope.
National Bestseller • One of the year's most acclaimed works of nonfiction • A Best Book of 2022: New York Times, Washington Post, New Yorker, Chicago Tribune, Kirkus
From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor
The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Stone’s debut novel, a brilliant and prophetic book that is seldom classified as a thriller, but which finds its hero, Rheinhardt, an alcoholic former clarinetist and sometimes disc jockey, slowly unraveling a dark political conspiracy full of apocalyptic potential. Cynical, funny, lost, but deeply moral, Rheinhardt moved me intensely.
Rheinhardt, a disk jockey and failed musician, rolls into New Orleans looking for work and another chance in life. What he finds is a woman physically and psychically damaged by the men in her past and a job that entangles him in a right-wing political movement. Peopled with civil rights activists, fanatical Christians, corrupt politicians, and demented Hollywood stars, A Hall of Mirrors vividly depicts the dark side of America that erupted in the sixties. To quote Wallace Stegner, "Stone writes like a bird, like an angel, like a circus barker, like a con man, like someone so high on…
My name is Ellen Banda-Aaku a writer from Zambia and the UK. I have been writing – mainly for young adults - for many years. My latest YA book The Elephant Girl which I have co-authored with James Patterson is due in July 2022. A memorable book for me is one that haunts me long after I turn the last page even though it’s fiction. Whilst the books mentioned here are very different, I have linked them in that they have child protagonists who go through a lot of suffering through no fault of their own. That is what makes them tearjerkers.
Having lived in poverty and forced to grow up fast due to the hardship of life, what makes this book tragic is that when Darling the child protagonist arrives in the US, the land she dreamed of, she misses ‘home’ and her dreams don’t come true. Recommended for the author's narrative verve and its general overview of Zimbabwe through the lens of the less privileged. The lesson for me was that material comfort does not guarantee happiness.
'To play the country-game, we have to choose a country. Everybody wants to be the USA and Britain and Canada and Australia and Switzerland and them. Nobody wants to be rags of countries like Congo, like Somalia, like Iraq, like Sudan, like Haiti and not even this one we live in - who wants to be a terrible place of hunger and things falling apart?'
Darling and her friends live in a shanty called Paradise, which…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
Prior to this book, most works on the long history of terrorism applied contemporary definitions of the term to various incidents throughout world history. Wilson turned the page on this framework.Killing Strangersanalyzes the gamut of political violence in Western Europe and North America since the late eighteenth century to explain how we’ve arrived at a contemporary reality characterized, in part, by recurring fear of impersonal atrocities carried out in public gathering spaces. Wilson shows how, on one hand, the rise of the modern bureaucratic state’s “monopoly” on legitimate force pushed most violent challengers to the fringes of society. On the other hand, various technological innovations—from dynamite and automobiles to commercial airlines and satellite television—offered new possibilities for those intent on violent havoc.
A bewildering feature of so much contemporary political violence is its stunning impersonality. Every major city centre becomes a potential shooting gallery; and every metro system a potential bomb alley. Victims just happen, as the saying goes, to 'be in the wrong place at the wrong time'.
We accept this contemporary reality - at least to some degree. But we rarely ask: where has it come from historically? Killing Strangers tackles this question head on. It examines how such violence became 'unchained' from inter-personal relationships. It traces the rise of such impersonal violence by examining violence in conjunction with changing…
Since my childhood reading of Enid Blyton’s Secret Seven books I’ve been addicted to series. I love the character development, that ability to learn more about your favourite with each new story. Crime thrillers became my preferred leisure reading as an adult and, unsurprisingly my passion when I began a full-time writing career. My background as a retired detective from Ireland’s police force helps me understand the individual stresses on investigators and the strain of maintaining relationships and family life while pursuing suspects and protecting lives. I lived in Dublin for over twenty-five years and enjoy using the ever-changing city as a base for my series.
Ian Cobain’s writing style is fluid and his story of the real-life murder of Constable Millar McAllister by the IRA in 1978 reads like a bestselling crime novel.
The politically violent period between 1968 and 1998 is euphemistically referred to in Ireland as ‘The Troubles.’ A civil rights campaign in Northern Ireland’s divided society was hijacked by violent people on either side. Cobain, a British journalist, superbly sets the story of the killing in the political context of the time. He vividly describes the role each IRA member played in the murder and the consequences for them as individuals. If you are interested in Ireland, Irish politics, or would just like to comprehend the domestic terrorist war that was—‘The Troubles,’ Cobain’s account is riveting.
On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is…
I am a professor of Latin American history at the University of North Carolina at Chapel Hill. My teaching and research focus on Andean history, and I have written several books on the period of political violence that pitted guerrillas of the Shining Path and Tupac Amaru Revolutionary Movement (MRTA) against Peruvian security forces and peasant militias during the 1980s and 1990s. I have been researching in Peru for twenty years, from Lima’s shantytowns, to the Andes mountains, to the Amazon jungle. A Peruvian-American, I maintain strong family ties to the region and am a proud, yet frequently heartbroken, supporter of the national soccer team.
The Shining Path war was the bloodiest episode in modern-Peruvian history, claiming the lives of nearly 70,000 people. While there are a number of excellent books on the Shining Path, I have never read an account of the war as captivating as this—and I doubt I ever will. Gavilán, an Indigenous peasant from the Andean region at the heart of the conflict, recounts his harrowing journey from child soldier in the guerrilla ranks to teenaged soldier in the Peruvian military. Along the way, the author invites readers to share the innermost struggles of a young man driven to survive against incredible odds. The writing is notable for its quick pace and brutal honesty. A must-read for anyone wishing to understand Peru’s political backdrop and contemporary history.
When Rains Became Floods is the gripping autobiography of Lurgio Gavilan Sanchez, who as a child soldier fought for both the Peruvian guerrilla insurgency Shining Path and the Peruvian military. After escaping the conflict, he became a Franciscan priest and is now an anthropologist. Gavilan Sanchez's words mark otherwise forgotten acts of brutality and kindness, moments of misery and despair as well as solidarity and love.
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Okay! I know this isn’t a romance. However, this book did keep me up at night. I couldn’t put it down.
The reason? Fear. It’s shocking to read about going through the last few years and seeing how things played out through another lens. Because, you know you saw the same thing. But Mr. Karl was right there. Up close and personal.
It’s chilling to read how perilous things were, and frankly, still are. This is a very good book.
***THE INSTANT New York Times, Wall Street Journal, USA Today, and IndieBound BESTSELLER***
An NPR Book of the Day
Picking up where the New York Times bestselling Front Row at the Trump Show left off, this is the explosive look at the aftermath of the election—and the events that followed Donald Trump’s leaving the White House all the way to January 6—from ABC News' chief Washington correspondent.
Nobody is in a better position to tell the story of the shocking final chapter of the Trump show than Jonathan Karl. As the reporter who has known Donald Trump longer than any…
I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school. I write of it for my grandfather, who was born of exploitation. I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives. Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing.
The editors of this volume are two of the most important and influential medical anthropologists in the world and major scholars of violence. In addition to collecting a set of useful texts on violence, the introduction to the volume is a piece of writing that I have returned to many times.
From Hannah Arendt's 'banality of evil' to Joseph Conrad's 'fascination of the abomination', humankind has struggled to make sense of human-upon-human violence. Edited by two of anthropology's most passionate voices on this subject, "Violence in War and Peace: An Anthology" is the only book of its kind available: a single volume exploration of social, literary, and philosophical theories of violence. It brings together a sweeping collection of readings, drawn from a remarkable range of sources, that look at various conceptions and modes of violence.The book juxtaposes the routine violence of everyday life against the sudden outcropping of extraordinary violence such…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book is particularly enlightening concerning the ways in which cultural value may be attributed to individual bodies, armed conflict, and, indeed, to human life itself in different political, geographical, and military circumstances.
Butler compels us to examine our own practices of compassion, partisanship, and/or habits of interpretation as we (or the media) move from one location to another around the globe.
In this urgent response to violence, racism and increasingly aggressive methods of coercion, Judith Butler explores the media's portrayal of armed conflict, a process integral to how the West prosecutes its wars. In doing so, she calls for a reconceptualization of the Left, one united in opposition and resistance to the illegitimate and arbitrary effects of interventionist military action.
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
This book demonstrates a point that I always try to make to students: the antislavery movement was much more than mass meetings and heroic escapes along the Underground Railroad.
It was far more complex–and, at times, far more violent. Many Black activists in the years before the Civil War turned to the tactics of violence to try and shake a complacent nation into action. They did so in desperation, and only with much anguish–and much controversy.
Jackson's book gets deep into the weeds of how the struggle for antislavery progress actually worked.
From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war.
In Force…
