I am adopted. I am a birth mother and also a mother through adoption. I have lived through all ‘three faces’ of adoption and know how each ‘face’ affects millions of people's lives all over the world. I am passionate that conversations around adoption need to come out of the closet and the secrecy surrounding the subject must disappear. By writing my books, I am on a mission to support adoptees, birth mothers, and adoptive parents and help them realise they are not alone. After publication of my first book in the Survival Without Roots trilogy, I am humbled that people are reaching out to say that reading Book One has helped them so much.
Fiona leaves no stone unturned as she describes the journey of her years dabbling with drugs and alcohol brought on by the trauma of growing up adopted. Fiona shows a true spirit of determination to fight through her adoption traumas of rejection and abandonment. I wondered all the way through this book whether she would succeed or if her experiences would eventually be too much for one person to bear.
The true-life story of Fiona who always felt displaced, a girl looking for belonging and security. This is Me No Darkness Too Deep, explores the ups and downs when as a young woman she roller-coasted, travelling from city to city and meeting trouble at every stop. Fiona spent many years in the depths of dark and desolate places, emotionally, physically, and spiritually. She was beaten, she slept rough and was used and abused and endured the horrors of rape. Carrying the weight of being an adoptee meant that she struggled through abandonment and rejection issues.
I’m a crime historian and storyteller. I study old crimes, particularly those of scientific interest, and present my findings in public presentations. Sometimes I write about them-
in the NY Times, Smithsonian, Lancet, Ellery Queen. I’ve researched in autopsy suites, crumbling archives, and crime labs. I was the founder and moderator of the annual Forensic Forum at Stony Brook University. I’ve consulted on criminal matters for PBS, BBC, and commercial stations.
I am fascinated by ancient crime because so much great literature derives from it - the sadly dysfunctional Oedipus family, the fraternal dispute between Cain and Abel- the unhappy Borden family of Fall River. All grist for my mill.
The Blooding recounts a gripping true tale of murders in the picturesque English countryside-but aside from its haunting atmosphere, it is a detailed account of the beginning of DNA as a crime-solving technique. We have come a long way since the mid-1980s, and we can get much more information from newer DNA methods, but the detailed explanation of exactly how this worked as a revolutionary method is invaluable. Reading this book puts the reader at the very beginning of a revolution.
Fifteen-year-old Lynda Mann's savagely raped and strangled body is found along a shady footpath near the English village of Narborough. Though a massive 150-man dragnet is launched, the case remains unsolved. Three years later the killer strikes again, raping and strangling teenager Dawn Ashforth only a stone's throw from where Lynda was so brutally murdered. But it will take four years, a scientific breakthrough, the largest manhunt in British crime annals, and the blooding of more than four thousand men before the real killer is found.
I’ve been a sci-fi and fantasy fan ever since my childhood when I thought looking for spaceships and dragons in the night sky was just a normal kid nightly activity and not, you know, fiction. When seeking stories for my anthology City of Weird, I reached back into my childhood obsession with all things out of or beyond this world, but I found that I wanted tales that took my favorite themes and slanted them. Went to unexpected places, not only in time and space, but also in theme and approach. Like these five books, which I hope you will enjoy.
I love time travel stories—and Every Anxious Wave is my favorite. What would you do if you discovered your own personal wormhole that would allow you go anywhere, anywhen? Well of course you’d set up shop as an agency that takes clients through time and space to… see their favorite bands play! From this unique premise, Daviau’s novel widens into not only a heck of a musical time-travel good time but also a moving story of human connection. Oh, and some great commentary on climate change to boot. A deceptively deep but thoroughly fun wild ride.
Karl Bender is a good guy whose life lacks love and meaning. When he stumbles upon a time-traveling worm hole, Karl and best friend Wayne develop a business selling access to people who want to travel back in time to listen to their favourite bands. It's a pretty ingenious plan, until Karl, intending to send Wayne to 1980, transports him back to 980 instead. Though Wayne sends texts extolling the quality of life in tenth century "Mannahatta," Karl is distraught that he can't bring his friend back. Enter brilliant, prickly, astrophysicist, Lena Geduldig. Karl and Lena's connection is immediate. While…
I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!
When I Hit You is a shattering and visceral account of a woman’s short-lived but harrowing abusive marriage, her family’s determination that she stay in that marriage, and her family’s way of understanding her ordeal once she has escaped.
Kandasamy writes with brutal detail of the husband’s total control of the narrator, who tries again and again to understand her experiences – and escape from them – through her writing. It is a powerful novel about resilience, courage, and determination, which, despite its subject matter, avoids sensationalism.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 LONGLISTED FOR THE DYLAN THOMAS PRIZE 2018 SHORTLISTED FOR THE JHALAK PRIZE 2018
Guardian's Best Books of 2017 Daily Telegraph's Best Books of 2017 Observer Best Books of 2017 Financial Times Best Books of 2017
"Meena Kandasamy's vivid, sharp and precise writing makes a triumph of When I Hit You: Or, a Portrait of the Writer as a Young Wife(Atlantic)"- Guardian
Seduced by politics, poetry and an enduring dream of building a better world together, the unnamed narrator falls in love with a university professor. Moving with him to a rain-washed coastal…
I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites.
Girls is not written by a Nordic author but feels very Nordic Noir… so I am giving it an honourable mention.
Jack and Fanny’s baby daughter has died, and they are struggling to cope. Jack, a Vietnam Vet, is trying desperately to find ways to bring them back together. A fourteen-year-old girl goes missing, and Jack turns his focus to finding her, as if this could be their redemption.
Girls is the perfect read. I cannot recommend it highly enough. Clean prose, irresistible characters so finely drawn. Voices that resonate. Add to this a very suspenseful plot…
In the unrelenting cold and bitter winter of upstate New York, Jack and his wife, Fanny, are trying to cope with the desperate sorrow they feel over the death of their young daughter. The loss forms a chasm in their relationship as Jack, a sardonic Vietnam vet, looks for a way to heal them both.
Then, in a nearby town, a fourteen-year-old girl disappears somewhere between her home and church. Though she is just one of the hundreds of children who vanish every year in America, Jack turns all his attention to this little…
This is a novel of violence and misogyny, but it is also strangely uplifting and inspirational.
A group of women brought up in a cult discover a horrifying secret about the men in their lives that leaves them with two choices: go or stay. Their dilemma is complicated by their extreme isolation; none of them can read or write and they speak a language distinct to their religious sect. It is told from the POV of a recently returned outcast whose presence is a mystery until the last page.
Now a major motion picture from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand.
INTERNATIONAL BESTSELLER
“This amazing, sad, shocking, but touching novel, based on a real-life event, could be right out of The Handmaid's Tale.” -Margaret Atwood, on Twitter
"Scorching . . . a wry, freewheeling novel of ideas that touches on the nature of evil, questions of free will, collective responsibility, cultural determinism, and, above all, forgiveness." -New York Times Book Review, Editors' Choice
One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For…
Ever since I was a child, I would hide in my special place and dream away. Reality was rarely the best place to be, even as an adult I fantasize, I step away from reality without ever truly stepping away. Mafia Romance, paranormal, and fantasy excite me, but add in a little touch of real to the story and now even reality makes you wonder. This was the basis for The Devil’s Eyes. I took a new world and mixed in a little bit of what we know is true and a little bit of what-if and a lot of dark and sexy.
How great is the feeling of being attracted to a man you know would kill for you? Maybe it’s a horrible thing to feel, it sets off all those questions about your own soul. Or maybe it’s just that you have always lived in this cold world that is liable to destroy you at any moment and instead of giving in, you find a place that feels safe and protected in that world. Only the place is within that bad boy's arms.
Emma decided to skip the gym and went home early. It was the last easy decision she made because she found her roommate being raped by the boyfriend. She had two choices. Call the cops and be killed by his family’s mafia connections or kill him first and hope to survive. There was no choice to her. She killed the bastard first and went to the one person who could protect her. Carter Reed. He’s a weapon for the rivaling mafia family, but he’s also Emma’s secret. Not only was he best friends with her brother, but she’s the reason…
It’s the story of a
rape trial in 1790s New York, and so is heartbreaking on almost every page.
But
I have taught the case many times and was blown away by both the historical
detective work Sweet did to tell this story more fully and by the sensitivity
he brought to the writing. It’s a triumph of historical scholarship.
On a moonless night in the summer of 1793 a crime was committed in the back room of a New York brothel - the kind of crime that even victims usually kept secret. Instead, seventeen-year-old seamstress Lanah Sawyer did what virtually no one in US history had done before: she charged a gentleman with rape.
Her accusation sparked a raw courtroom drama and a relentless struggle for vindication that threatened both Lanah's and her assailant's lives. The trial exposed a predatory sexual underworld, sparked riots in the streets, and ignited a vigorous debate about class privilege and sexual double standards.…
As a lifelong journalist, I’m riveted by stories that dissect actual events. Nonfiction is my wheelhouse and I’m fortunate to have a related body of distinguished work. Over the decades, I’ve written for exceptional newspaper and magazine editors who taught me the craft of making reality not only engaging – but also meaningful. Instead of ignoring the not-so-convenient truths – details that might be swept away by a historical fiction writer – I hunt for them. My coverage of inequities, hurricanes, and real estate scams has taught me: show, don’t tell. Any author who can take a mountain of interviews, details, facts and color and transform it into a thought-provoking story, they have my attention.
When I read Gilbert King’s story of the ruination of four Black men based on charges they raped a white woman in the 1950s, I had to check King’s background. He won my admiration for going from small-town newspapers and photography work to tell this epic story of Thurgood Marshall-style justice.
The story itself will rip you apart as the Southern sheriff “interrogates” these men in inhumane ways. I live just an hour’s drive from where this all went down and I am so grateful to King for helping me better understand the depths of our warped system of justice. The fact the book won a Pulitzer shouldn’t be a surprise. The fact that it led the town of Groveland to posthumously exonerate the men should be one.
* Winner of the 2013 Pulitzer Prize for General Nonfiction * Nominated for a 2013 Edgar Award * Book of the Year (Non-fiction, 2012) The Boston Globe, Christian Science Monitor
In 1949, Florida's orange industry was booming, and citrus barons got rich on the backs of cheap Jim Crow labor. To maintain order and profits, they turned to Willis V. McCall, a violent sheriff who ruled Lake County with murderous resolve. When a white seventeen-year-old Groveland girl cried rape, McCall was fast on the trail of four young blacks who dared to envision a future for themselves beyond the citrus…
I grew up in the shadow of my mother’s untreated and very damaging mental illness, and despite how much I loved her, I struggled with having few ways to articulate or even understand how it shaped our lives. I went on to study biology and writing, and I now often weave psychology and neuroscience into my literary essays and memoir. I write to fill the gaps between my own experiences and the ways I have seen mental illness represented—or more often, misrepresented—in our culture. I write to explore mental health as it exists in real families and communities, and to tell nuanced, loving stories that fight against stigma.
In this intensively researched memoir, celebrated war reporter Jessica Stern turns her journalistic eye on herself, peering far into her past to examine a rape to which she was a victim as a teen—an event that caused her to develop post-traumatic stress disorder and dramatically altered the course of her life. She uses her personal story as the anchor from which to more broadly examine how we think about trauma, interviewing veterans and others to explore how PTSD damages personal relationships while also contributing, for instance, to the “fearlessness” that enabled her to work in war zones. In doing so, Stern delivers a well-rounded examination of her condition with insights on why so many, including herself, are apt to deny its presence in their own lives.
“Denial is one of the most important books I have read in a decade....Brave, life-changing, and gripping as a thriller….A tour de force.” —Naomi Wolf
One of the world’s foremost experts on terrorism and post-traumatic stress disorder, Jessica Stern has subtitled her book Denial, “A Memoir of Terror.” A brave and astonishingly frank examination of her own unsolved rape at the age of fifteen, Denial investigates how the rape and its aftermath came to shape Stern’s future and her work. The author of the New York Times Notable Book Terror in the Name of God, Jessica Stern brilliantly explores the…
