As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
Most realistic fiction set on Mars is about small exploratory expeditions. There is surprisingly little available about colonization that doesn't bring in the discovery of intelligent inhabitants or a lost civilization, or at least traces of one having existed in the past. And the few novels with no fantastic elements tend to focus on political controversy. So I was happy to find this recent book that depicts what a colony on Mars might really be like. It's based on the board game "Terraforming Mars," which I haven’t seen, but doesn't depend on any knowledge of the game. The story is part murder mystery and while it’s intended to be entertainment rather than serious literature, it will be enjoyed by readers who are excited by the idea of settling a new world.
Mars is the new frontier for humanity, as we launch an epic saga of inspiring planetary exploration set in the award-winning Terraforming Mars boardgame
Mars, 2316. The recently created Terraforming Committee arbitrates the dramatic development of Mars by powerful rival corporations. When a rogue asteroid crashes into a research center and kills its lone technician, the fragile balance between corporations is shattered. The World Government's investigation into the accident reveals a multitude of motives, while a corporation insider stumbles on a dark conspiracy. Two Martians with very different agendas must navigate a trail of destruction and treachery to uncover the…
My first passion, as a youngster, was speculative fiction—stories and comics that set the imagination ablaze with visions of wondrous possibilities and impossibilities. Later, my experiences of being queer, transgender, and autistic led me to an academic career in which I helped create the field of Neurodiversity Studies and something called Neuroqueer Theory (which is what you get when you mix Queer Theory and neurodiversity together and shake vigorously). These days I’m back to writing fiction, including the urban fantasy webcomic Weird Luck, and I’m thrilled to find myself part of an emerging wave of neuroqueer speculative fiction. Here are some of the best so far...
Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories,We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.
Death cults, queer love, and the end of everything.
Spaceships, man-eating lesbian mermaids, swords, spears, demons, ghouls, thieves, hitchhikers, and life in the margins. Margaret Killjoy’s stories have appeared for years in the science fiction and fantasy magazines both major and indie. Here, we have collected the best previously published work along with brand new material. Ranging in theme and tone, these imaginative tales bring the reader on a wild and moving ride. They’ll encounter a hacker who programs drones to troll CEOs into quitting; a group of LARPers who decide to live as orcs in the burned forests of…
A computer programmer turned author; I’ve been a fan of science fiction for as long as I remember. Star Wars, Dune, Alien, you name it. I’ve also been a follower of Christ since childhood and so enjoy stories where authors have a faith component to their work. It’s hard to imagine a future where belief systems won’t be in play—for good and evil. So, why not explore that element? Even if it means taking the Amish into space to encounter vampires? (As I did in one of my stories.) Hopefully, we discover something about ourselves and the world we live in along the way.
I really enjoy hard science fiction—science fiction that uses real science—and Shivering World is an excellent example of the subgenre.
The story revolves around terraforming and genetic research, but there is a lot more going on here. Politics, faith, power struggles, survival situations, and the main character’s search for a cure to her genetic condition create a delightful mix that rivals what’s found in sci-fi classics, like Dune and Foundation.
The author’s background in microbiology, music, and education brings a new level of believability to the story. Kathy Tyers is best known for Star Wars novels and her Firebird series, but I think her standalone books are fantastic.
A planet on the edge of life. A woman on the edge of hope.
Microbiologist Graysha Brady-Phillips accepts a hazardous position assisting in terraforming the planet Goddard, partly to get out of debt and partly in desperate hope. There's a chance that the colonists are conducting illegal genetic research, which could provide a cure for the genetic disorder slowly killing her.
But genetic engineering is banned by the powerful Eugenics Board, and Graysha is the daughter of the board’s high commissioner. When the colonists discover her connection, she is ostracized—the possible penalties for conducting their…
Officially a professional philosopher, author of fifteen books and textbooks on a wide range of subjects including ethics, critical and creative thinking, social change, and teaching. Wikipedia calls them “unconventional”, but honestly I prefer the ad copy for my own modest ecotopian book, which calls me a philosophical provocateur. My green credentials start with growing up in the Wisconsin countryside under the distant influence of both Frank Lloyd Wright and Aldo Leopold; later, long wilderness trips intertwined with edgy environmental philosophizing (you need some real edges for that!); and over the last decade the endlessly consuming project of designing and building Common Ground Ecovillage in the Piedmont of North Carolina.
How many times have I reread it? Science/futurist fiction in the style of an Odyssey-scale and -style epic poem about (yes) the terraforming of Mars, a spectacular interplanetary saga framed against the background of the struggle against a misanthropic and authoritarian “Ecotheism” that has taken over Earth, and ending with a long and compelling hymn to the result, a new start on our transformed sister planet. Ecotopia, in short... on Mars!
Originally published in 1988, Genesis was the first major work of fiction that addressed the idea of terraforming Mars. It not only suggested the idea, but provided a feasible solution for doing so. During its initial publication, Genesis was on the list of recommended reading at NASA, and has since gone on to enjoy cult status. Its acknowledged list of admirers includes such literary luminaries as Brian Aldiss, Amy Clampitt, Arthur C. Clarke, Thomas M. Disch, Kim Stanley Robinson, and Pulitzer Prize winning poet, James Merrill. It is with great pride that Ilium Press brings this influential and prescient work…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Quite possibly one of the most divisive SF novels of recent years, this starts with a familiar scenario: the launch of a generation ship to transport thousands of colonists – and, ultimately, their descendants – to a distant habitable world. Despite having written Red Mars, one of the best novels about colonizing another world, Robinson has disparaged the idea that any such thing is, in fact, possible or even desirable. In Aurora, he confronts the question of what happens when those descendants, born on a ship they didn’t choose to be passengers on, decide they have a quite different idea of where they should go, and why.
I’m proud to be Irish, from a long heritage of storytellers and poets. Science fiction grabbed me from the first Asimov books I found, and I see the genre as an exploration of possibilities. I volunteer at SF Cons, including Dublin’s Worldcon in 2019. My profession is tree surgery, with an early apprenticeship in demolition, all of which has brought me to interesting places. I also love horses and became a national standard showjumper. I’ve qualified in multimedia journalism and ecology. My novels explore the past, present, and future. I write crime, science fiction, romance, and YA stories, including the Irish Lockdown series about young people during the Pandemic.
In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span.
My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.
The first 100 scientists and engineers landed on Mars in 2027, their task to "terraform" the planet, creating an atmosphere, warming the environment, building human habitats, freeing the water trapped in underground aquifiers and seeding the new landscape. This book tells their story.
I’m fascinated with techno-utopian schemes. Decades ago, I had conversations with a friend who believed that humanity needed to evolve and leave the planet, just as early life once left the oceans. It was an intriguing idea that I have tried to follow up, critically, in Star Settlers. My book is a history not so much of the technology and nuts and bolts of space travel (although I do cover some of that), but of the rationale behind it—the idea that humanity’s ultimate destiny is in the stars. The idea is beguiling—but, likely, wrong-headed. To write the book, I spoke with physicists, science fiction writers, and space enthusiasts of all stripes.
This book has the ideal traits I appreciate in science fiction—as with H.G. Wells’s classic tales, it’s reasonably short and can be read as pure adventure or allegory. We meet the archetypal figure of the “Teacher” birthed by a bioprinting machine on a starship soon to terraform an exoplanet. The Teacher has to grapple with survival, his purpose, the ship’s mission, and his realization that everything is haywire in this high-tech Eden full of monsters. Hull Zero Three is a detective tale with philosophical undertones as the Teacher slowly makes sense of the chaos that surrounds him, contends with his earlier clones, and undergoes a quest. Anyone who has ever experienced the drudgery of actual teaching will appreciate Bear’s creation of the Teacher as a mythic archetype.
Trapped on a mysterious spaceship, the only way to escape is to survive. A thrilling novel from the Hugo and Nebula award-winning Greg Bear.
A starship hurtles through the emptiness of space. Its destination - unknown. Its purpose? A mystery. Its history? Lost.
Now, one man wakes up. Ripped from a dream of a new home, a new planet and the woman he was meant to love in his arms, he finds himself wet, naked, and freezing to death. The dark halls are full of monsters but trusting other survivors he meets might be the greater danger.
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, it’s easily one of the darkest takes on the subject as the protagonist, a ‘star-class copysmith’ is given the job of selling people on the idea of emigrating to Venus…while carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to…
As a young man who deals with issues of loneliness, depression, and melancholy, I’ve always been drawn to platonic male friendships in fiction. Seeing acts of brotherly courage and heroism on the page has always resonated with me, especially when my own friendships in the real world have felt lacking. Men aren’t the best at discussing their emotions, especially not with each other, and I’ve desperately sought out stories where even the most grizzled male heroes are, deep down, in need of a friend. In writing Stormblood, I wanted to have a strong sense of brotherhood and unity between the male cast members as they battle enemies and face their personal demons.
Red Rising and its sequels have a special place in my heart. They’re about war, violence, terrorism, tragedies, and betrayal, but there’s a stronger thread woven throughout the pages: love. Love of your family, of your brothers, and your kin. It’s this love that drives the characters to rise up against godlike enemies. To fight for a better tomorrow.
The bromance that’s on display between Darrow and Sevro is so moving, especially when either of them fall on hard times (which is often). Whenever I feel lost or depressed, reading about these broken, beautiful, loyal characters helps me to find my own path again.
These books were, and are, the single biggest influence on my writing.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
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'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
As a scientist, I love hard science fiction, especially when the story makes me think about the true nature of reality or takes me on an adventure to places unknown. We’ve all read the classics from Clarke, Heinlein, Bear, or Asimov. But books written decades ago are becoming increasingly dated as society progresses into a new century. (Will people of the future really chain smoke? And why are all the characters men?) Never fear, modern hard sci-fi is alive and well. Here are five recent books that tell an intriguing, uplifting, or awe-inspiring story. Even better than the classics, it’s hard sci-fi for the 21st century!
Rysa Walker offers a grab bag of fiction, from time travel to murder mysteries. Her latest series is an alien artifact story set on Mars.
An eccentric and not-so-honest billionaire is terraforming the planet (sound familiar?) and multiple factions of homesteaders are in conflict with the temporary workers. Enter a principled journalist who just wants to bring the breaking alien artifact story to readers back on Earth. She quickly learns that virtually no one on Mars can be trusted. In over her head, she has no ride home.
I like this story in part because Rysa is such a good writer, but also because it feels supremely relevant to our world today.
A chamber from an ancient civilization is uncovered deep below the surface of Mars. Science reporter Claire Echols is assigned to cover the story, but someone is determined to stop her. Is it the wealthy entrepreneur leading the ongoing terraforming effort? The mining companies desperate to protect their livelihoods? The cult leader who wants to put a stop to all scientific progress? Or is someone else so threatened by this discovery that they'll kill to keep it hidden?
