The most recommended books about writer's block

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.

A Soprano on Her Head was inspired by W. Timothy Galley’s Inner Game of Tennis book, applying these principles to musical performance and creativity. It is a wonderful anecdotal collection of delightful experiences in playing any instrument, dancing, or singing with the inner freedom that all artists long for. The book is as much about learning from your own experience, the creative process, and harnessing these tools as they could apply to music performance, teaching, and learning. She explores nervous energy and stress through insight and common sense. Her stories make an effortless and delightful read filled with applicable knowledge and skills for daily living. 

This book became a lifeline for me when I was going through an unhappily difficult and extremely stressful time. I felt as if it was written for me as a form of salve for my lack of trust in myself and my life at this point.

Rilke is wise, knowing, and reassuring about the vicissitudes of our emotional journeys. He encouraged me to hold onto myself in an emotional sense. To seek my own inner counsel and to not panic when my life seemed to unravel. I love his discourse on faith, solitude, trust, and his dissection of what it is to be an artist.

I found this a profoundly important and moving book when I was wavering about the bigger picture of life.

This book follows a writer named January, who goes to her father’s beach house that he shared with his mistress after his passing.

I love it when a character's backstory has a unique twist to it, and I could feel January’s pain and confusion as she navigated her father’s complicated past. We get to see January grow as a person and also have a romance with the writer next door.

Love stories with complex character growth are my bread and butter, and this was the novel that started it all for me. 

I’ve read a lot of books on creativity, and this one stands out for its more scientific and historical approach.

No surprise; it’s written by the NYT’s Science Reporter, and it comes with the sources, case studies, and expert insights you’d expect from someone who works for the country’s newspaper of record. It covered some of the biological and evolutionary support for creativity, which was something I haven’t seen much of elsewhere; and since biological writers are up against the mechanized ones, this will help you see your key advantages.

The audiobook was over 11 hours long, but it didn’t feel like it, and I found myself sitting in the car to continue listening after I’d arrived at my destination more than once. 

Many times, content creators don’t focus on the entire plan…from the initial creation of the text, the audio, the video through to measurement. Well, fret no longer. Melanie takes her personal experience as well as interviews with content creators at companies around the world to develop a framework that works. The step-by-step format is can’t miss.

For all the writers out there, this picture book is an exploration of the “unspeakable horror of the literary life.”

Edward Gorey, in his signature macabre manner, conveys the unconveyable as he takes us through this deceptively insightful story of an author’s journey from the first page, revisions, and finally publication…leaving us to wonder what exactly it is that draws us authors to the lonely aching, hallucinations, and general ennui of the writing life…but loving it all the way!

This was Edward Gorey’s first published book and has his signature pen and ink illustrations in all of their listless glory. A hilarious and relatable read!

Anyone who’s looking to establish a daily creative practice would be well advised to read this book and put the beautiful ideas inside into practice.

It’s packed with 12 weeks' worth of ideas for bringing out your artistic side. The ideas can help with any type of creative endeavour and are sure to encourage those creative juices to flow!

Adventure awaits when an inkblot from one of Ethan’s dad’s sketches comes to life and leaps off the page. Sydney Smith’s inky illustrations add to the fun of this fast-paced and funny story about friendship and family. And because Inkling loves to read/eat up ink, and he takes on the mood of whatever text he’s just devoured, it’s also a cool and clever introduction for kids to some classics and to different genres of writing. 

What’s more, the book ends on a note that suggests a sequel that I can’t wait to read!

Do not come to this book in search of warm hugs about the beauty of the process. True to the title, Klinkenborg (best name ever?) offsets each of his sentences like an epic poem in verse. The epic he describes is how epically bad your writing is, and—hopefully—how to improve. He returns to the word "notice" over and over, and that's really it. You're blowing sentences by not noticing what the sentence itself is doing. You're over-emphasizing "meaning" at the expense of the vehicle that delivers it. I sense there's a kind man in there, somewhere, who's working a side of the street he feels has been neglected by years of misguided education. But here, he's dedicated to the larger cause of clean, clear sentences. Not hugs.