The best crime fiction books with fantastic plots and characters you won't forget

Peter James is one of the world’s finest crime writers. His books are fast-paced and once you start one of his novels, it’s so difficult to put it down.

His main character, Detective Superintendent Roy Grace, is totally credible and takes the reader right into the heart of British policing. You get to know the most intricate details of murder investigations.

Left You Dead features Niall and Eden Paternoster going to a supermarket just before it closes – but Eden doesn’t come back out. A few days later Niall is arrested on suspicion of her murder. But you know that with Peter James nothing is as it seems and there’ll be a twist that you just won’t expect.

For more than three decades Ian Rankin has been the master of “tartan noir” – police procedural fiction set in Scotland. The curmudgeonly, hard-faced, no-nonsense detective Inspector John Rebus has a tendency to bend the rules as investigations take over his life.

A Song For The Dark Times starts with Rebus’ daughter Samantha calling him to say her husband is missing. Rebus fears the worst and from his experience realises that his daughter will be the prime suspect. You’re always on the edge of your seat wondering whether Rebus will have to prevent the truth from coming out and compromising his position as an upholder of the law.

The 12th and final novel in John Harvey’s series about Detective Inspector Charlie Resnick, the jazz-loving, exotic sandwich-eating loner who investigates crimes in the East Midlands city of Nottingham where I’ve spent a lot of my working life.

Darkness, Darkness is partly set in 1984 during the miners’ strike which threatened to tear England apart. Thirty years later the remains of a young woman, an activist who campaigned for justice while her husband continued to work during the strike, are found in a garden.

You root for Resnick, the world-weary detective who despite coming across every possible flaw in the human condition is still driven to bring criminals to justice – even if this means troubled times in his life come back to haunt him.

Peter Robinson has managed to create a character, DCI Alan Banks, who remains likeable even though he can be petty, headstrong and displays behavioural traits not expected of a top police officer. We can all empathise with him when he acts in a way that causes him shame and regret.

In Strange Affair he’s become depressed after a devastating fire at his cottage. But he’s shaken out of his lethargy when he gets a telephone call to say his estranged brother Roy is missing and Roy’s girlfriend has been shot dead. 

The clever plot involves Banks digging into his brother’s life and discovering Roy’s dodgy business practices which threaten to engulf Banks whose life is in danger. It’s one of Robinson’s best thrillers.

Few characters in crime fiction are as charismatic as Charles Paris, a struggling actor whose career has more ups and downs than a seesaw. Simon Brett presents us with a fascinating character, a middle-aged man who is endearing even though he is a drunk and a womaniser. 

There is always a murder whether Paris is acting in weekly rep or has a cameo role in a film. So Much Blood involves Paris appearing at the world-famous Edinburgh Fringe Festival. Brett skilfully weaves in the drama of putting on a show and the dynamism of the Scottish city with Paris’ occasionally amateurish sleuthing as he tries to uncover who committed the crime. Excellent entertainment.