I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book breaks all the rules because, well, Ji-won, a young Korean-American girl, literally breaks the rules (and the law) by becoming a serial killer in the face of societal expectations. I love a woman who’s not concerned with being or acting pretty, and we see that in Ji-won far before she ever gets a bite of her first blue eye.
The commentary in this novel is sharp, and much of what Ji-won experiences resonates with me as a Korean-American. Though she is by no means a role model, it was satisfying to see someone who might typically be overlooked go on a grotesque, revenge-fueled violence spree. This book was intelligent and subversive in all the right ways.
Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective.
Ji-won's life tumbles into disarray in the wake of her Appa's extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying... yet enticing.
In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George's, who is Umma's obnoxious new boyfriend. George has already overstayed his welcome in her family's…
I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.
I not only loved this book (and all of Ross Macdonald’s writing) but he wrote his only screenplay for me as a producer in Hollywood, based on this book, The Instant Enemy. Working with him closely on this book taught me a great deal about writing complicated character-driven thrillers. He was a master at that, and it was an extraordinary education for me.
Generations of murder, greed and deception come home to roost in time for the most shocking conclusion ever in a Lew Archer novel. At first glance, it's an open-and-shut missing persons case: a headstrong daughter has run off to be with her hothead juvenile delinquent boyfriend. That is until this bush-league Bonnie & Clyde kidnap Stephen Hackett, a local millionaire industrialist. Now, Archer is offered a cool 100 Gs for his safe return by his coquettish heiress mother who has her own mysterious ties to this disturbed duo. But the deeper Archer digs, the more he realizes that nothing is…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
Benjamin Justice is a broken man—a former prize-winning journalist whose career (and life) has been shattered by the death of his lover and a scandal surrounding his best-known writing. Recruited by his former boss to assist an up-and-coming journalist, Ben finds himself investigating a murder that occurred outside a gay bar. The series is tightly written and casts a dark glamor across gay life in ’90s California.
It’s 1994, an election year when violent crime is rampant, voters want action, and politicians smell blood. When a Latino teenager confesses to the murder of a pretty-boy cokehead outside a gay bar in L.A., the cops consider the case closed. But Benjamin Justice, a disgraced former reporter for the Los Angeles Times, sees something in the jailed boy others don’t. His former editor, Harry Brofsky, now toiling at the rival Los Angeles Sun, pries Justice from his alcoholic seclusion to help neophyte reporter Alexandra Templeton dig deeper into the story. But why would a seemingly decent kid confess to…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with catastrophic results. In the present, Aislinn and her husband learn that terrorism takes many shapes when they are ensnared by local political upheaval and corruption.
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This chronicle of a doomed reality TV show taping feels the most like a modern found-footage movie of any epistolary novel with its addition of instant messages and video footage to diaries and emails. The converging of different media corroboration adds a high level of realism to the story—an impressive trait that’s often lacking in cosmic horror.
Further, I’m impressed by the breadth of subjects Di Louie covered (Hindu mythology, occult mysticism, 1960s/1970s pop-culture references) and the way he expanded the haunted house trope beyond my expectations.
This book captivated me so much that I was more interested in reading it than in sightseeing while on my vacation.
Fade to Black is the newest hit ghost hunting reality TV show. Led by husband and wife team Matt and Claire Kirklin, it delivers weekly hauntings investigated by a dedicated team of ghost hunting experts.
Episode Thirteen takes them to every ghost hunter's holy grail: the Paranormal Research Foundation. This brooding, derelict mansion holds secrets and clues about bizarre experiments that took place there in the 1970s. It's also famously haunted, and the team hopes their scientific techniques and high tech gear will prove it. But as the house begins to reveal itself to them, proof of an afterlife might…
As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Alistair MacLean’s thrillers have been a guilty reading pleasure of mine since high school, when MacLean churned out bestsellers like The Guns of Navarone and Where Eagles Dareevery year. MacLean creates tough, grim heroes who do whatever they have to do to get the job done. The writing is clumsy but effective, with heavy-handed humor and world-weary cynicism. The women are barely defined. And yet...
The plot, mood, and setting of each book provide one heck of an adventure. Like the crash-landing of a passenger airliner on the Greenland ice cap in Night Without End. A nearby team of scientists rushes to save the survivors.Among whom are the murderous criminals who caused the plane crash. A thoroughly riveting tale of survival in an Arctic wilderness.
From the acclaimed master of action and suspense. The all time classic.
400 miles north of the Arctic Circle, an airliner crashes in the polar ice-cap. In temperatures 40 degrees below zero, six men and four women survive.
For the members of a remote scientific research station who rescue them, there are some sinister questions to answer - the first one being, who shot the pilot before the crash?
Then, with communications cut and supplies running low, the station doctor must lead the survivors on a desperate bid to reach the coast, knowing all the while that there is a…
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
If you haven’t discovered Joshilyn Jackson, you’re in for a treat. Her Domestic Suspense novels are so sharp, cleverly plotted, and darkly funny.
It’s not old friends but new ones that wreak havoc in Never Have I Ever, as a glamorous “bad girl” newcomer joins the local book club—with ulterior motives.
This is a tale of the secrets people hope will stay hidden, manipulation, and below-the-surface danger, told with wry insights about human nature and crackling humor.
Like most authors, I love reading stories as well as writing them. Being of a certain age, I’ve read plenty. For me, the best tales are those where women overcome deadly odds to create their own happy ending. Those are the books I aim to write too. My characters are much braver than me! While they grapple with challenges, I’m simply tied to a keyboard. Sometimes I take my laptop to a coffee shop (mine’s a flat white, please). I live in Bristol, in the English West Country, and have spent time in Birmingham and London. They all feature in my books and give them a strong sense of place.
Inceptio starts as a psychological thriller, then becomes much more. Karen thinks of herself as an all-American girl. Trying to carve a career in New York’s cutthroat advertising world, she’s on the brink of success when she attracts a stalker. This is where the plot segues into alt-history, military strategy, and politics. It transpires that Karen’s late mother hailed from the technologically advanced state of Roma Nova, and Karen has access to dangerous secrets. Finding herself at the centre of a diplomatic incident, Karen is spirited away to Roma Nova and an uncertain future.
Author Alison Morton writes beautifully and has constructed engaging characters and settings. This is Book 1 of a series and can be read as a standalone, but I feel the others are too good to miss.
Hunted by a killer, New Yorker Karen Brown is rescued by arrogant special forces officer Conrad Tellus and flees with him to her mother's mysterious homeland in Europe, centuries old Roma Nova. But the killer reaches into her new home. Pushed back on her own resources, she undergoes intensive training, develops fighting skills and becomes an undercover cop. Crazy with bitterness at his past failures, the killer sets a trap, knowing Karen has no choice but to spring it...
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
I first saw the movie that this book was adapted into, Stand By Me, and the book works every bit as well.
When I was a kid, I had a deal with my parents that I could watch R-rated movies if I read the book first, but for some reason, this was one of the rare exceptions that was turned the other way around.
It’s just such a compelling read, and I wanted to start it over again as soon as I finished it.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
I write adult and young adult fantasy. I’ve always been fascinated with the concept of magic. While growing up in China, I often found myself immersed in fantasy literature based on Asian history, mythology, and legends. I enjoyed getting lost in the rich imaginary worlds where the characters came to life. These tales fed my imagination and inspired me to create my own magical adventures. Writing has allowed me to expand on the ancient legends and mythology that I’ve always loved. Moreover, I’ve enjoyed creating lifelike characters, especially strong women who inspire young girls.
I adore an anti-heroine story, and Dao delivers in this Asian-inspired reimagining of the Evil Queen about one peasant girl’s quest to become Empress by unleashing the darkness inside her.
The worldbuilding is lush, full of vivid details. The characters have amazing depth, never becoming one-dimensional stereotypes.
The protagonist is wonderfully complex. You sympathize with her at one point and then, in the next, she does something totally hateful. Her dark jealousies and obsession with her own beauty would make you despise her, but you’d also feel her frustration for having her ambition smothered as a woman in a patriarchal world.
The Wrath and the Dawn meets Snow White and the Huntsman in this dark and mystical East Asian fantasy reimagining of The Evil Queen legend about one peasant girl's quest to become Empress.
"A richly developed fantasy world . . . Julie C. Dao is a talent to watch."-Marie Lu, #1 New York Times bestselling author of The Young Elites
Eighteen-year-old Xifeng is beautiful. The stars say she is destined for greatness, that she is meant to be Empress of Feng Lu. But only if she embraces the darkness within her.
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
I once heard Elizabeth Brundage talk about how she sees the thriller plotline as something to attach larger ideas to. That made so much sense to me. It was hard for me to choose which of her books to recommend, but I decided on The Doctor’s Wife because it has a new resonance with the current debate around reproductive rights. There are two characters in this book who are on opposite sides of the abortion debate. Brundage’s characters can do monstrous things but they are not monsters; they are complex, hurt, angry, loving, and so recognizably human.
A stunning work of literary suspense by the the acclaimed author of All Things Cease to Appear.
"The memory starts here, in my apron pocket, with the gun."
Lydia Haas is devoted to Jesus, her church, and her husband. Only recently, after it's too late, has she understood how much she has sacrificed to all of them.
Michael Knowles is a rising young doctor, an OB/gyn at a prominent hospital. A man committed to his principles, to rescues with uncertain outcomes; to his wife. The life they've made. He never intended to have to make a choice.
