As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Alistair MacLean’s thrillers have been a guilty reading pleasure of mine since high school, when MacLean churned out bestsellers like The Guns of Navarone and Where Eagles Dareevery year. MacLean creates tough, grim heroes who do whatever they have to do to get the job done. The writing is clumsy but effective, with heavy-handed humor and world-weary cynicism. The women are barely defined. And yet...
The plot, mood, and setting of each book provide one heck of an adventure. Like the crash-landing of a passenger airliner on the Greenland ice cap in Night Without End. A nearby team of scientists rushes to save the survivors.Among whom are the murderous criminals who caused the plane crash. A thoroughly riveting tale of survival in an Arctic wilderness.
From the acclaimed master of action and suspense. The all time classic.
400 miles north of the Arctic Circle, an airliner crashes in the polar ice-cap. In temperatures 40 degrees below zero, six men and four women survive.
For the members of a remote scientific research station who rescue them, there are some sinister questions to answer - the first one being, who shot the pilot before the crash?
Then, with communications cut and supplies running low, the station doctor must lead the survivors on a desperate bid to reach the coast, knowing all the while that there is a…
I have loved the Regency for decades. I cut my teeth on it as a young reader, and it’s been exciting to see the genre expand to include all types of stories from manner-driven drawing room dramas that highlight the nuances of the era to seductive, sexy stories that simply take place during those years, to stories that draw heavily on the events of the era to design unique and exciting historical plots. The diversity within the genre reflects the diversity of life and experience during the Regency. I have tried to capture a little of each across the 70+ books I’ve written for Harlequin, Mills, and Boon and in my own reading.
Alright, this one isn’t a Regency, and it’s not technically a romance, but it is a love story. It’s set during the Restoration period, so it’s much earlier, but it showcases how a love story can also be an adventure story and a journey of self-discovery.
The heroine, Lady Dona St. Columb, retreats to her estate in Cornwall only to find that a pirate is using her cove as a secret hideaway and her house as his own retreat. They set out on a madcap adventure and fall in love until her husband arrives and attempts to capture her lover, forcing Dona to choose between the life she has and the life she wants.
This is one of my favorite stories because the themes in it are timeless—who among us has not grappled with the same dilemma in the 21st century? I think that makes a book strong—regardless of time…
From the author of Rebecca comes the story of a woman who craves love, freedom, and adventure-but it might cost her everything. "Highly personalized adventure, ultra-romantic mood, and skillful storytelling." -New York Times A lost classic from master of gothic romance and author of Rebecca, Daphne du Maurier, Frenchman's Creek is an electrifying tale of love and scandal on the high seas. Jaded by the numbing politeness of London in the late 1600s, Lady Dona St. Columb revolts against high society. She rides into the countryside, guided only by her restlessness and her longing to escape. But when chance leads…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
Just like life, this supple narrative about a village in Warwickshire, England is full of beauty, gruesomeness, and sudden death. Without manifest plot points as such, the narrative seems to float past the range of eccentric townspeople after a destructive flood and later an epidemic of poisonings. Comically, none of the characters seem to take that death seriously. Comyns’ tender gift for describing humans in intimate communion with nature will make you long for flowers, forests, and abounding nature-amid-towns which we no longer experience in today’s world. This writer is neither optimistic nor pessimistic about humanity--but observationally brilliant. In their wild, hilarious ranges of behaviors, her characters too are lovely specimens living at the marshy banks of an omnipresent river.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
I’ve read books about dragons ever since I can remember. If I couldn’t read it, my dad read it to me. Outside of books, I’d seek out movies or shows with the magical beasts in them. I was a bit obsessed, really. From cruel-hearted and devious to kind-natured and intelligent, I was writing and reading about it all. My favorite, however, is dragons that are as smart as they are deadly. This reflects a lot in the books I chose, as they all contain some pretty ferocious dragons!
When I first picked up this book, I couldn’t put it down. Our story follows Cabe, the son of a Dragon Master, as he is thrust into adventure when the Brown Dragon himself comes and demands Cabe go with him. What really intrigued me about this book was how Knaak wrote his dragons. They are shape-changing beasts that rule the land under their own council led by the Gold Dragon. This was the first book I read that portrayed dragons as having a leadership similar to that of a monarchy, and once I delved into their world, I didn’t want to stop reading.
Dragonrealm, is an ombinus of the first three novels in Richard A. Knaak's original fantasy series.
FIREDRAKE: In the ultimate war between humans and fiery shape-shifting beings, Duke Toma has unleashed every conceivable evil upon the world of the Dragon Kings. Only one dares to challenge him: Cabe Bedlam, a youth cast adrift in a world where none can be trusted. Yet at his command us a formidable arsenal...a fierce warrior tradition imparted by his regal forebears...the fabulous gifts of the witch Gwen, the lady of the Amber...and the magical Horned Blade, the sword that promises its bearer total mastery…
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
This novel started it all, creating the character of Gidget who would ultimately appear in three feature films, two TV series, three made-for-TV movies, four more novels, and two novelizations of movies, plus kid cartoons, parodies, songs, and more. Gidget: The Little Girl with Big Ideas is based on the real-life experiences of screenwriter Kohner’s daughter Kathy, who found herself one of very few girls surfing in Malibu. The story is told in the voice of Gidget, nicknamed that because she is a diminutive girl. To be sure, the novel deals with her crush on Jeff, nicknamed Moondoggie, and her burgeoning sexual desire, but the novel does more than titillate. More importantly, the novel emphasizes Gidget’s passion for surfing, and especially the feeling of freedom that surfing provides. In the end, Gidget says her romance with Jeff may have been “a dream” but her romance with surfing is “for real:”…
A surfing, boy-crazy teenager comes of age in the summer of 1957 in this classic novel that inspired both movies and television and created an American pop culture icon.
"My English comp teacher Mr. Glicksberg says if you want to be a writer you have to-quote-sit on a window sill and get all pensive and stuff and jot down descriptions. Unquote Glicksberg! I don't know what kind of things he writes but I found my inspiration in Malibu with a radio, my best girlfriends, and absolutely zillions of boys for miles. I absolutely had to write everything down because I…
I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.
This is a gorgeous coming-of-age novel about a young, poor fisherman named Shinji who falls head over heels in love with a new girl on the island of Utajima. Japan’s most famous writer, Mishima, sets his romance in post-WWII where the innocence of Shinji and Hatsue is as pure and passionate as can be. The wind, the waves, the sea, the kiss that tastes of salt—all of nature intertwine with human life. The problem: Hatsue is actually the long-gone daughter of a major family who wants her to marry someone of equal social standing. With its humorous episodes, close descriptive imagery, and a plot that displays Mishima’s unabashed devotion to old-style traditions and customs, this little novel is one of my all-time favorites.
Set in a remote fishing village in Japan, The Sound of Waves is a timeless story of first love. A young fisherman is entranced at the sight of the beautiful daughter of the wealthiest man in the village. They fall in love, but must then endure the calumny and gossip of the villagers.
I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.
I have never tired of Alice’s outrageous, surreal romp through the world of imagination.
It transports me to the magical strangeness not only of Wonderland but also of this world. I love the way unlikely adventures can happen, how odd friendships can arise, how reality can shift just as fantasy does. It empowers my own imagination and channels it into creativity and wonder.
Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.
One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Robert Chambers (1865-1933) was one of the bestselling authors of the early twentieth century for novels - now largely forgettable - about shopgirls and adventurers. His fame in our century rests entirely on this book, which includes the four terrifying stories that make up the "King in Yellow" mythos, as well as several other haunted and haunting tales. This edition includes an introduction by Nic Pizzolatto, who included references to the book in his magnificent series True Detective.
The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories.
The first half of the book features highly esteemed weird stories, and the book has been described by critics as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
I grew up in a time (1950’s) and place (rural northern Wisconsin) when there was only one television channel—available only in good weather—no internet, and a library not much bigger than an Amtrak roomette.
It was a childhood full of wonder, but with very short horizons. I can’t say I actually read every book in our town’s library, but I came close. Books were my magic carpet to times and places and, more importantly, frames of reference well outside the box I lived in.
How was it that among its several hundred volumes was The Autobiography of a Yogi, by Paramahansa Yogananda? I did not discover Bruno Schulz, a Polish author murdered by the Nazis in 1943, until many years later. But having traveled far and experienced much, I was just as shocked when I walked through the door into Schulz’s world in a small Polish town, as though I…
The collected fiction of "one of the most original imaginations in modern Europe" (Cynthia Ozick)
Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted…
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
I adore sweeping family sagas with strong women characters and with tragedy, romance, and heartache set in Australia, The Thorn Birds is a beautiful example of the genre.
Meggie is rebellious and headstrong and makes questionable choices, but we empathize and root for her. All the well-rounded characters each come with their own secrets that will keep you turning pages.
A phenomenal worldwide bestseller since 1977 THE THORN BIRDS is a robust, romantic saga of three generations. It begins in the early years of this century when Paddy Cleary moves his wife and seven children to Drogheda, an Australian sheep station, owned by his autocratic and childless older sister. For more than half a century we follow their fates, particularly those of Meggie, the only Cleary daughter, and the one man she truly loves, Ralph de Bricassart - stunningly handsome, ambitious, and a priest. As background to the Cleary family's lives there is the land itself: relentless in its demands,…
