I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
My most recent historical fantasy novel, The Glass Magician, is set in 1905, in an alternate version of New York City. The protagonist, Thalia Cutler, is a young woman stage magician working in vaudeville. She discovers her family background is not at all what she thought it was. Writing that balances historical research and flights of outright fantasy is a challenge that fascinates me. I love it when writers meet that challenge in ways that astound me. My five armchair travel fantasies all meet that challenge and surpass it.
Airships, angels, and evil-doers in an alternate 1880s London. I love Arthur Conan Doyle's Sherlock Holmes stories. Addison has worked out twists on the original cases that I found even more satisfying. From Watson's arrival in London by air-barque right to the very last page, I was obsessed with this novel. I only wish there were more from Addison set in this intriguing world.
This is not the story you think it is. These are not the characters you think they are. This is not the book you are expecting. London 1888. Angels inhabit every public building, and vampires and werewolves walk the streets with human beings in a well-regulated truce. A utopia, except for one thing: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. Dr J. H. Doyle returns to London having been wounded in Afghanistan by a Fallen, and finds himself lodging in Baker Street with the enigmatic angel Crow. But living…
Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo
Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut…
As brilliantly written as it is sometimes difficult to read, this fantasy novel set in the early 20th century travels from rural Georgia to Chicago, part of the Great Migration. Hairston says "I wrote Redwood and Wildfire to celebrate folks like my great-aunt and grandfather who faced impossible choices." In so doing, she has told stories history has all but forgotten. I began to read this book because I knew it contained a passage involving a visit to the 1893 Columbian Exposition—The White City—but my favorite parts of this novel involve the show folk and the Black film industry in Chicago. Hairston's characters don't just do magic. They aremagic.
At the turn of the 20th century, minstrel shows transform into vaudeville, which slides into moving pictures. Hunkering together in dark theatres, diverse audiences marvel at flickering images. This 'dreaming in public' becomes common culture and part of what transforms immigrants and 'native' born into Americans.
Redwood, an African American woman, and Aidan, a Seminole Irish man, journey from Georgia to Chicago, from haunted swampland to a 'city of the future.' They are gifted performers and hoodoo conjurors, struggling to call up the wondrous world they imagine, not just on stage and screen, but on city streets, in front parlors,…
A dragon, a great detective, many fae, and more than one resourceful librarian clash in a Venice so alternate I can't quite pin down the year—during Carnival, of course. This novel is part of the Invisible Library series, which I've loved from the very first book, The Invisible Library. I love Cogman's use of magic—and airships—as she builds whole worlds and as her librarians travel among them. Her plots are ingenious, but it is her marvelously twisty characters that impress me the most.
Librarian-spy Irene and her apprentice Kai are back in the second in this “dazzling”* book-filled fantasy series from the author of The Invisible Library.
The written word is mightier than the sword—most of the time...
Working in an alternate version of Victorian London, Librarian-spy Irene has settled into a routine, collecting important fiction for the mysterious Library and blending in nicely with the local culture. But when her apprentice, Kai—a dragon of royal descent—is kidnapped by the Fae, her carefully crafted undercover operation begins to crumble.
Kai’s abduction could incite a conflict between the forces of chaos and order that…
No airships here, but there is a hot-air balloon, as well as a dark conspiracy afoot. This classic children's book, first published in 1964, introduces Dido Twite, a character so vivid that she took over the series this is part of. Back in the Cretaceous period, when I read this book for the very first time, I didn't notice this nineteenth-century London is not the one Dickens wrote of. Now I revel in the sly details that Aiken gives us.
Simon is determined to become a painter when he grows up so he sets off to London to make his fortune. But the city is plagued by wolves and mysterious disappearances. The Twite household, where Simon is lodging, seems particularly shifty. Before he even gets a chance to open his glistening new paints Simon stumbles right into the centre of a plot to kill the King. And worse than that Simon is kidnapped and sent to sea! Luckily there are two friendly stowaways aboard - the feisty Dido Twite and the spoiled young…
Cleo Cooper, a cross-cultural psychology professor, is living the dream on the Big Island of Hawaii. With ocean-dipping weekends, she enjoys her dog, her job, and her boyfriend Ben - until the day she’s on a research vessel and a dead body is caught in the dragline.
The police determine it is murder and set their sights on a gentle former student, Kai. It doesn’t take much urging from Kai’s auntie for Cleo to investigate. But Ben grows distant, and Cleo’s dog grows ill. A couple of accidental deaths later, and someone makes an attempt on her life.
What happened to Cleo’s life in paradise? Can she discover the true killer? Can she stop the killer before the killer stops her?
Paradise is shaken when the body of a young woman is dragged onto a university research vessel during a class outing in Hilo Bay. Cleo Cooper is shaken when she finds her favorite student is on the hook for the murder. Danger lurks on land and sea as Cleo and her friends are enticed to search for the true killer. In between paddling, swimming, and arguing with her boyfriend, Cleo discovers all is not what it seems on the Big Island of Hawaii. But will she figure out the truth before she becomes the next victim?
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