Here are 72 books that Lucky You fans have personally recommended if you like
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I used to make my grandmother laugh at the dinner table, to the annoyance of my mother. My grandmother had a great laugh I can hear to this day. In high school forensics I won the humorous interpretation trophy (first place) for a National Lampoon Parody I performed of the Hardy Boys, beating out 100 other contestants. I knew then, I could do standup, and later, improv. My comedy group in New York was called “wonderful…refreshingly different!” by the NY Post. I produced “The Outlaugh Festival On Wisecrack” years later for MTV’s LOGO network. When we’re all laughing is when we are truly together.
Okay, Evanovich has written seven million Stephanie Plum mysteries, but they are truly funny. Best start with the first one, when we were all young and had golden hair (highlights?).
The humor is smart and not sophomoric. I’m an improv comic and there is a difference between being juvenile and crude, and being clever. Check her clever Plum series out if you want to laugh. There are so many of them you could also use them to build that upstairs addition you’ve been planning.
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
Though David Handler’s The Cold Blue Blood plays out much like a traditional whodunit, it has a dash of East Coast humor. The Berger and Mitry Mysteries have been one of my favorites for years. Handler’s strong descriptive style, unique characters, and colorful book titles always had me searching for the next installment. Handler’s main character, Mitch Berger, a New York City film critic, plays the perfect fish out of water, now living on a wealthy private island called Big Sister. A dead body in his garden introduces him to his other partner in crime, Lieutenant Desiree Mitry. This odd couple is both charming and disarming as they sleuth through the snobs of Big Sister.
Mitch Berger, a top film critic with a major New York newspaper at a surprisingly young age, has become almost a recluse since his wife died one year ago. He spends his time secluded in his apartment or in the dark recesses of a screening room. Although he continues to dazzle moviegoers and the film elite with his criticisms, his editor and good friend is alarmed about him. As a scheme to pull him out of the doldrums of his grief, she gives him a non-film assignment - to do a color story on the wealthy and social homeowners on…
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
The first time I read David Rosenfelt’s Andy Carpenter series, I immediately thought that Groucho Marx had moved to North Jersey, gone into law, and adopted a rescue dog. Rosenfelt’s reluctant lawyer hero goes at his oddball cases with a collection of even odder associates. Dry, witty, and a little self-effacing, Rosenfelt’s style brings to life a cast of characters that made me reluctant to put his books down. I started the series with the third book, Bury the Lead, first but quickly caught up. The first book in the series is Open and Shut. Mystery and animal lovers will find a place in their heart and funny bone.
Defence attorney Andy Carpenter has been successfully avoiding taking on new cases until his sometime friend and newspaper owner, Vince Sanders, calls and asks him for a favour. Daniel Cummings, Vince's star reporter, is being used as the mouthpiece for a serial killer. He has been cooperating with the police but Vince wants to make sure both the newspaper and Daniel are protected. Andy thinks the case be a piece of cake...until Daniel is found unconscious in park next to the killer's latest victim. Daniel claims he intended to stop the murder but the police arrest him. Now, with the…
Dressed to kill and ready to make rent, best friends Lisa and Jamie work as “paid to party” girls at the Rose City Ripe for Disruption gala, a gathering of Portland's elite.
Their evening is derailed when Lisa stumbles across Ellen, a ruthless politician and Lisa’s estranged mother. And to make matters worse, Lisa’s boyfriend, Patrick, crashes the party to meet his new boss, Portland's food cart drug kingpin. Lisa makes a fateful choice that traps her, Jamie, and Patrick in Ellen’s web. In this gripping thriller, Lisa must reconcile a painful past and perilous present.
Suspected murder, eclectic food trucks, and artisanal cocaine: just another day in Thorn City.
It’s the night of the Rose City Ripe for Disruption gala—a gathering of Portland’s elite. Dressed to kill in sparkling minidresses, best friends Lisa and Jamie attend as “paid to party” girls. They plan an evening of fake flirtations, karaoke playlists, and of course, grazing the catering.
Past and present collide when Lisa stumbles across Ellen, a ruthless politician who also happens to be Lisa’s estranged mother. Awkward . . . When Lisa was sixteen, Ellen had her kidnapped and taken to the Lost Lake Academy—a…
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
My new best find is the Lacey Luzzi Mysteries by Gina LaManna. Along with smart titles and snappy dialogue, I fell in love with almost stripper Lacey Luzzi and her mafia family. The first book is a lovely introduction to unforgettable characters. Reminiscent of Evanovich’s Stephanie Plum series, La Manna introduces us to gangsters, secret family history, questionable friends (Meg!), and her cousin. It’s a light and easy read for those dipping a toe into humorous cozy mysteries.
Lacey Luzzi's roller coaster of a life has been filled with the highest of highs and the lowest of lows. She just never expected the lows to be so...sparkly.
After falling on her face during an attempt to follow in her recently deceased mother's stripper boots, Lacey realizes she is not cut out for life onstage. She sets out on a yearlong investigation to find her true family, never expecting she'll find it with a capital F.
With a rumbling stomach, a need for money ("check engine" lights don't fix themselves!), and a conscience that operates at 78 percent on…
I’m a historian of the African American freedom struggle with more than two decades of experience researching and teaching on this topic. My work focuses especially on the connections between race and class and the ways Black people have fought for racial and economic justice in the twentieth century. I write books and articles that are accessible for general audiences and that help them to understand the historical origins of racism in the United States, the various forms it has taken, and the reasons why it has persisted into the present.
In colonial North America, plantation owners were equal opportunity exploiters who mistreated European and African laborers alike, and workers frequently resisted by running away, stealing or destroying property, and engaging in occasional rebellions. Theodore Allen explains how colonial elites invented America’s racial divide through a series of laws that ended up enslaving most African Americans for life and reserving the rights of freedom and citizenship for European Americans. Since then, race and class have been intertwined, laying the basis for white supremacist practices and beliefs that shaped the development of the United States and continue to allocate wealth and power unequally today.
On the steps of the Lincoln Memorial in 1963, Martin Luther King declared his dream of a racially integrated, non-discriminatory American society. Some three centuries before, that dream had in many ways been a reality, since white skin privilege was recognized neither in law nor in the social practices of the labouring classes. But by the early decades of the eighteenth century, racial oppression would be the norm in the plantation colonies, and African Americans would continue to suffer under its yoke for more than two centuries. In this second volume of his acclaimed study of the origins of racial…
I’m a writer and a Shakespeare and critical race studies scholar who’s always been intrigued by the invisible, artificial race-based boundaries in our world. I love analyzing the lives of literary characters and seeing how they can serve as mirrors for us along lines of gender, mental health, and more. My critical interests are informed by the fact that I grew up in a predominantly Black/Latino low-income neighborhood and attended an affluent, predominantly white private school from the sixth to twelfth grade. My adolescent experiences with inclusion/exclusion dynamics required me to reflect on race, for example, so I could understand and navigate the kinds of socio-cultural dynamics that affect us all.
I love this book because Fleming offers necessary socio-historical correctives and demystifies many myths that people believe about race, racism, and stereotypes.
The writing is punchy, pithy and humorous. As such, it is entertainingly educational and scholarly while presenting facts in a way that is accessible to general readers.
I also love this book because it is incredibly useful both to those who are “stupid about race,” so to speak, and those who aren’t. For the former, I think this is a great book to start with on one’s journey toward becoming more race-conscious and more educated about race.
A unique and irreverent take on everything that's wrong with our “national conversation about race”—and what to do about it
How to Be Less Stupid About Race is your essential guide to breaking through the half-truths and ridiculous misconceptions that have thoroughly corrupted the way race is represented in the classroom, pop culture, media, and politics. Centuries after our nation was founded on genocide, settler colonialism, and slavery, many Americans are kinda-sorta-maybe waking up to the reality that our racial politics are (still) garbage. But in the midst of this reckoning, widespread denial and misunderstandings about race persist, even as…
I first became interested in extremism and terrorism when I was young, following the 1979 Islamic Revolution in Iran. As a student and then as an intelligence analyst, I became deeply immersed in terrorism emanating from the Middle East and later served with the 9/11 Commission. In the last decade, I focused on the white supremacist threat, motivated both by its growing lethality and its political impact during the Trump era and today. In this book, I share my insights on the movement’s modern history, global dimensions, presence on social media, and numerous vulnerabilities.
To understand white supremacy today, it’s vital to understand how it changed from a set of ideas embedded in law as well as society to a fringe belief scorned by right-thinking people. Klansville, USAis set in the Civil Rights era deep inside the Klan in North Carolina, probably the most important state for the Klan at the time. Sociologist David Cunningham explains why the Klan was so strong in North Carolina and why it was weaker in many states where racism was also deeply entrenched. Cunningham shows how ordinary and embedded the Klan was in many parts of North Carolina and also reveals the tough, and incredibly effective, FBI campaign to crush the Klan, which included an array of dirty tricks against various Klan chapters that ultimately devastated many white supremacist organizations.
In the 1960s, on the heels of the Brown vs. Board of Education decision and in the midst of the growing Civil Rights Movement, Ku Klux Klan activity boomed, reaching an intensity not seen since the 1920s, when the KKK boasted over 4 million members. Most surprisingly, the state with the largest Klan membership-more than the rest of the South combined-was North Carolina, a supposed bastion of southern-style progressivism.
Klansville, U.S.A. is the first substantial history of the civil rights-era KKK's astounding rise and fall, focusing on the under-explored case of the United Klans of America (UKA) in North Carolina.…
How do ideas about gender, sexuality, and race show up in our political culture? And how do people’s political needs play a role in constructions of race, sex, and gender? I’ve been researching the intersections between ideas about gender, sexuality, and political culture in the modern United States for almost twenty years. And I think history can show us the ways ideas about sex, gender, and race suffuse political culture, revealing hierarchies of power that often discriminate, alienate, and silence. By reading books like the ones on this list we can understand how this power works, we can recognize it more clearly in the present, and we can find ways to dismantle it.
Gail Bederman expertly weaves together an analysis of the discourses of manliness and civilization at the turn of the century, highlighting the way ideas about gender and power are constructed with and through ideas about race. Her case study approach really shows how this discourse functioned in multiple ways at the same time, covering Theodore Roosevelt’s hugely impactful connections between race and manliness right alongside Ida B. Wells’ campaign to use civilization discourse against white southerners in a bid to end lynching. These, along with chapters on G Stanley Hall and Charlotte Perkins Gilman, ably demonstrate the way discourses can be constructed, used, and resisted. Readers come away understanding how widely accepted notions of progress and national strength hinge on exploitative and damaging ideas about race and gender in American culture.
When former heavyweight champion Jim Jeffries came out of retirement on the fourth of July, 1910 to fight current black heavywight champion Jack Johnson in Reno, Nevada, he boasted that he was doing it "for the sole purpose of proving that a white man is better than a negro". Jeffries, though, was trounced and Whites everywhere rioted. The furor, the author of this work seeks to demonstrate, was part of two fundamental and volatile national obsessions: manhood and racial dominance. In turn-of-the-century America, cultural ideals of manhood changed profoundly, as Victorian notions of self-restrained, moral manliness were challenged by ideals…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
The 1895 Cotton States and International Exposition, a seminal moment in Atlanta’s history, is best remembered as the setting for Booker T. Washington’s opening day address in which he suggested that the races could be “as separate as the fingers” in “all things social.” Theda Perdue considers the white supremacist attitudes of the fair’s organizers and the ways in which people of color were represented. The designated Negro Building allowed Black educators and artists to showcase their accomplishments in a segregated setting, but exhibits about Native Americans by the Smithsonian and Office of Indian Affairs treated them as ancient cultures of the past and not as vibrant cultures of the present.
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. This uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of colour who participated.
I’m obsessed with the connections between Buddhist philosophy, meditation, Intuitive Eating, eating disorder and addiction recovery, body liberation, and intersectional social justice work. These connections are everywhere! It may not seem like it, but how we relate to food and our bodies reflects how we feel about all bodies. How we speak to ourselves reflects how we feel about difference, difficulty, and interdependence. Challenging our entrenched beliefs about health, eating, food, and body helps us to ultimately recognize the inherent worthiness of all bodies. This is how we both come to know ourselves authentically and how we change the world for the better.
Jessica Wilson, an eating disorder dietitian and storyteller, makes the undeniable case for how the diet culture has preyed on and harmed Black women in particular.
I appreciate her excavation of diet culture, revealing how it is rooted in white supremacy and therefore needs to be systematically dismantled through intentional expressions of body love, joyful expression of Black culture, and embracing your food lineage.
WE WILL REWRITE THE NARARTIVE OF BLACKNESS THAT CENTERS AND CELEBRATES OUR JOY.
In It’s Always Been Ours eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy’s hold on us and reimagine the ways we think about, discuss, and tend to our bodies.
A narrative that spans the year of racial reckoning (that wasn't), It’s Always Been Ours is an incisive blend of…
