62 books like Sir Thomas Malory's Morte Darthur

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

More than any other source, Geoffrey of Monmouth’s book is responsible for our modern fascination with King Arthur. I read this for the first time at school and have returned to it again and again.

Written in Latin in the twelfth century, Monmouth claimed to have access to secret books that no other author had read–I found that intriguing all by itself. When he wrote, three of his exact contemporaries were also writing works on King Arthur, and there seems to have been a literary ‘Arthur business’ in the 1130s–why? (It was a period of great disruption in England, and she may have needed a new savior!). Although he goes way beyond the realms of history, I still find Geoffrey charming and inspiring.

I love all things Arthuriana, including the many, many times he has been shown on film. This book covers many aspects of how Arthur has been put on screen in fifteen chapters by different scholars. One of the great things about a volume of edited papers like this is that there is still room for you to think about another aspect of the subject not covered inside.

I have been inspired to write several articles based on noticing just such a hole–and of course, coming out in 1991, there have been a plethora of Arthur films and all the interesting points they bring up that this book does not cover. I think reading about film is a fabulous way to look at things with fresh eyes.

Even richer than the tradition of Arthurian films are musical adaptations of King Arthur, stretching back, at least, to the seventeenth century. As it says on the lid, this book explores how King Arthur has been approached in the wide realm of music. I love operas, musicals, and orchestral music, and Arthur is a consistent subject and theme.

Whether Camelot or Spamalot, putting Arthur’s story on stage or to music brings out aspects of his story that words or images alone cannot, and the musical Arthurs are some of the most nuanced versions of the man. I’ve returned to this book and the works it explores many times–often writing about Arthur myself while listening to music about him or featuring him.  

Who doesn’t love this book? Only those who haven’t read it.

I love the blend of humour and adventure but, in particular, the way that White transforms these characters from mythical figures to real people. And what a story! Which, you may have forgotten, also features an appearance from another legendary British figure: Robin Hood.

Lots of swords in this one.

Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.

But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!

Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien. 

This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.

Sir Gawaine is one of the most interesting knights of the Round Table because of how imperfect he is. He’s not the strongest knight in the world -- that’s Lancelot -- and he’s definitely not the most virtuous -- that’s Galahad, who sucks -- he’s a working-class joe who routinely gets in over his head because he loves to swing swords more than he likes thinking about consequences. Sir Gawaine and the Green knight is a story of one of the knight’s most famous capers, and it does not disappoint. The original story was written in Old English, which is barely even English to be honest, so you’re going to need a translation to read it, and who better to translate such a story than J.R.R. Tolkien himself. Yes, that Tolkien. When he wasn’t making elves and humans kiss each other, he was a prolific philologist and translator, and The… show more.

The first thing that drew me to Davis’s books was that teen/dragons were the main characters. Throughout the series these teenagers with dragon abilities face many crises in faith as they battle the forces of evil. Another interesting twist is Davis used the story and characters from the King Arthur story. These characters help and hinder the teen in their efforts to save their dragon world and fight evil. The reader watches with bated breath as Billy and Bonnie fight to preserve a secret legacy and discover their place in God’s world of dragons.

This novel may seem an odd choice since King Arthur is likely more fictional than historical, yet Mark Twain, for all his humor, uses the novel as a satire upon the wrongs of capitalism and his late nineteenth-century society.

Hank Morgan, the Connecticut Yankee, intentionally tries to change history by making medieval England a better place. He does this by trying to rid the land of superstition and the hold that charlatans like Merlin have over the country, but he is also a complex character who is not unwilling to use medieval superstition to his advantage.

By the end of the novel, he has turned medieval England into a medieval version of the nineteenth-century complete with modern inventions including the bicycle and telephone. However, the most memorable scene occurs when Hank and King Arthur travel the country in disguise and end up enslaved and nearly hanged.

The experience causes King… show more.