100 books like The Bridge

It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.

It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.

I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)

I loved this book when it came out in 1990 and I still love it. Rocco has disturbing dreams of being in a primitive, cave-dwelling society then shockingly the dreams become reality. He must learn to live with the people who struggle to survive in a harsh landscape. He learns to hunt with primitive weapons just as he must learn how to live with the people he’s found himself amongst. But why has he ended up here? There’s something amiss with this life and the wise woman seems to hold the key but she won’t tell him. When he finds himself back home recovering from bubonic plague he has to find the answer.

Rocco is a book I wished I’d written! The story is fascinating with its well-researched depiction of surviving in a harsh environment without modern technology or tools. Also, the plot is clever – how is it that… show more.

I was privileged to be asked to mentor Lilia as she wrote of her life in and escape from the Gloriavale religious cult, a community of about 500 people living a secluded and strictly controlled life in a remote part of the South Island of New Zealand. Her life was like my fictional book, but on steroids. Four years after leaving the pain of knowing she’d never again see those she loved was still so acute that she wept as she wrote of it. Life inside Gloriavale fascinated and horrified me. But while Lilia gained the freedom to forge her own life she lost the closeness and love of wider family and friends. A heart-wrenching but ultimately triumphant story.

Violet Black is the first book in a trilogy set in the near future. Violet Black and Ethan Wright are both in a coma after contracting the lethal M-fever. They have never met:

I couldn’t speak, but I was trying so hard to communicate and then... then... I pushed. And something, someone, pushed back. Her name is Violet. Violet, but she is sunshine-yellow, and I need to find her because I think she might be just like me.

But there is a far more serious reason for Ethan to find Violet: the sinister Foundation is trying to hunt them down.

Violet Black in the first book of a trilogy where Violet must fight for her sanity and her freedom from those who want to control her. It’s always wonderful when you’ve got captured by a story and its characters to know that there are more books to come. I love… show more.

Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.

The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.

The fate of women in this time in history is completely held by the men of the family.

I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life… show more.

This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.

Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.

(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)

This book equally moved and unnerved me because its premise is all too possible. It’s a brilliantly written end-of-the-world story with an understated sense of menace and an unmistakable Australian flavour. 

The novel offers an intimate and fascinating first-person view of what happens to a ‘normal’ neighbourhood when life as we know it irrevocably changes – in this case through a nuclear winter. Often, apocalyptic/dystopian stories skim over the transition from order to chaos/social breakdown, and Claire handles it in a way that’s unsettling by its understatement.

I cared deeply about these characters. And while this novel is gritty, it’s also a story of hope and what it means to survive. 

I knew from the blurb this was going to be my kind of book. I really loved the post-apocalyptic Australian setting and the way the desert wasteland society is structured. The concept of dirt farmers is particularly genius.

As well as the excellent world building, there’s page-turning action, an epic zombie battle, and a clever setup for the next installment. This is the first in The Territory trilogy, which follows the increasingly important role of Squid and Lyn, two teenagers caught up in a battle against ghouls and who learn secrets about themselves and their society as they trek across the Outback.

When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.

I understood this story on a deep, metaphoric level.

Judith is a traumatized teen who disappeared for years and is unable to speak and explain why–which is often the plight of those who have suffered. Silence is a barrier to understanding and healing.

This book reads like poetry and transports you back in time. Life must have been difficult for early Puritan settlers–especially for anyone who was “different” or “afflicted.” The frustration and injustice! The mystery/thriller aspect had me on the edge of my seat! I really wanted things to get better for the main character, who remained graceful in the face of trauma and sadness. This story confirmed my hope that the truth is always eventually revealed and that it does set you free. It was a satisfying read!