Felicia Campbell is a food writer, editor, and author of The Food of Oman: Stories and Recipes from the Gateway to Arabia, the first English-language cookbook on Omani cuisine. She earned her masters degree in culinary anthropology from New York University with a specialization in Middle Eastern foodways. She has lectured on Omani food and food in zones of conflict at the Smithsonian Institute, Leiden University, New York University, and Arizona State University. She is currently developing a documentary series about endangered cuisines around the world.
Long intimidated by the unfamiliar ingredients, cooking methods, and, most of all, the fermented dough required to make classic injera bread, it was with trepidation that I opened Yohanis Gebreyesus’ new cookbook. What I found were straightforward and inviting explanations of cooking techniques, ingredients, customs, and flavors alongside incredibly easy-to-follow recipes that made me wonder why I’d waited so long to begin exploring this comforting cuisine. The pumpkin stew, perfumed with a complex, floral spice blend that’s savory, sweet, and slightly spicy, has become a favorite I return to over and over again. If you want a friend to take you by the hand and introduce you to Ethiopian culture and cuisine, Yohanis Gebreyesus is your man.
Winner of a 2020 James Beard Foundation Book Award in the International category
Ethiopia stands as a land apart: never colonised, the country celebrates and preserves ancient traditions. The fascinating cuisine is enriched with the different religious influences of Judaism, Christianity and Islam - a combination unique to Africa. The delicious dishes featured are Doro Wat, chicken slowly stewed with berbere spice, Yeassa Alichia, curried fish stew, and Siga Tibs, flashfried beef cubes, as well as a wealth of vegetarian dishes such as Gomen, minced collard greens with ginger and garlic and Azifa, green lentil salad.
I lived in Ethiopia for 7 years and arrived expecting to find a country beaten down by war and famine, I could not have been more wrong. Ethiopia covers a vast territory and is as deep in history and culture, while its myriad peoples speak over 80 different languages. It remains one of the most mysterious, misunderstood, and least visited countries on the planet, and a paradise for both physical and armchair travelers alike to explore one of the last great largely undiscovered places on earth. I continue to write articles for both national and international newspapers and magazines about Ethiopia and its many wonders.
Leader? Hero? Saint? It’s difficult to find the words to define Haregewoin Teferra, the subject of this book, but somehow I feel these still fall short. A woman living in relative comfort in Addis Ababa, Ethiopia, her life is turned upside down when she is given two young children to care for whose parents died due to HIV/AIDS. In time Haregewoin becomes a mother to many more just like them. In opening her doors, Haregewoin opened her heart to hundreds of orphaned children and gave them the chance of new and happy lives. This is a book that moved me to tears. Tears of rage at the injustices in the world and tears of relief that people like Haregewoin still exist.
In a tin-walled compound outside Addis Ababa, Ethiopia, a middle-class woman named Haregewoin Teferra suffers terrible personal losses. In grief, she turns to the church, and is presented with two orphans and asked to house them. Haregewoin agrees. Once she opens her gate, she never manages to close it again. Here is a woman who does not run away from HIV-positive and AIDS-orphaned children, brought to her on foot, by bus or by donkey cart. There are over a million AIDS orphans in Ethiopia; "There Is No Me Without You" tells a few of their remarkable stories through the eyes…
My interest in bureaucratic power and its pervasive control grew out of my social and feminist activity no less than from my critical thinking about State institutions. Combining field research as a social anthropologist with my activism exposed me to the harmful implications of bureaucratic power. I delved into social and gender power relations in contexts like absorption centers with immigrants from Ethiopia, women's empowerment projects in "developing" countries, threatened motherhood in the welfare state, and others. My personal experience as an involved participant enabled me to better understand the ethnocentric and exploiting nature of international development projects, of Israeli "absorbing" agencies, and of child care policies.
I cherish this groundbreaking book because it clarified to me the role of State bureaucracy behind various social phenomena, among which are: the connection between bureaucrats' power and violent behavior and the profound impact of State agencies on immigrants' integration processes.
The book's theoretical approach, which is based on power-dependence relations, encouraged me in analyzing the absorption of immigrants from Ethiopia (my PhD thesis) in terms of bureaucratic control rather than through cultural background and differences.
Not less important, this book was authored by the late Prof. Emanuel Marx, who was my admired supervisor and a very dear friend for over 40 years.
First published in 1976. Violent behaviour occurs in every society. It grows out of the social order and can therefore be understood only in a social context. This book examines an orderly and relatively tranquil society, a small Israeli town settled by new immigrants, which is run by public agencies who pour in their resources to maintain the inhabitants. Circumstances have made the town an egalitarian society, but also limit its members' economic opportunities. This society has produced its special combinations of violent behaviour. The analysis extensively employs the 'case method' which has increasingly been used by social anthropologists.
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
In this sprawling novel, I greatly appreciated a Uganda reeling under forces that use, abuse, and discard its victims and a nation devastated by political upheaval.
Against this backdrop, I eventually came to see the protagonist’s eventual escape from Uganda not as surrender but as a rational will to survive. Moses Isegawa’s book is so broad in scope that I greatly enjoyed the rollercoaster of seeing a vista of the major issues facing an entire continent.
Like Salman Rushdie's Midnight's Childrenand Gabriel Garcia Marquez's One Hundred Years of Solitude, Moses Isegawa's Abyssinian Chronicles tells a riveting story of twentieth-century Africa that is passionate in vision and breathtaking in scope.
At the center of this unforgettable tale is Mugezi, a young man who manages to make it through the hellish reign of Idi Amin and experiences firsthand the most crushing aspects of Ugandan society: he withstands his distant father's oppression and his mother's cruelty in the name of Catholic zeal, endures the ravages of war, rape, poverty, and AIDS, and yet he is able to keep a…
I am a doctor, an award-winning writer, and lifelong lover of mysteries. Many mysteries feature smart characters. I prefer those with wise characters, who can teach me something about a life well-lived. Or not. Sometimes the mistakes are more instructive and more fun. Stories with older characters offer a plethora of life experience and wisdom, and usually poignancy and humor as well. From my life as a doctor and my daily visits to my mother’s retirement community dinner table, I see seniors who are strong, wise, vital, and often overlooked. I love stories that give voice to this robust and rich generation who have so much to offer.
Some might consider this cheating, as Mma Ramotswe’s age is not obvious as the books progress, but after 23 adventures, I will count her tending toward middle if not old age.
If she is not, the gentle mannerisms and thoughtful concerns of her and her husband, Mr. J.L.B. Matekoni, definitely put the books into this category of wise and poignant characters.
There may still be a mystery to each book, but these stories offer marriage advice, friendship advice, life advice in as joyful and tranquil a way possible.
Precious Ramotswe, a cheerful woman of traditional build, is the founder of Botswana's first and only ladies' detective agency. Here is a gentle interpretation of the detective role: solving her cases through her innate wisdom and understanding of human nature, she 'helps people with problems in their lives'. With a tone that is as elegant as that which is unfailingly used by his protagonist, Alexander McCall Smith tenderly unfolds a picture of life in Gaborone with a mastery of comic understatement and an evident sympathy for his subjects and their milieu. In the background of all this is Botswana, a…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
A nominee for the 2020 Booker Prize, The Shadow King opens at the end of WWII as Italy prepares to invade almost undefended Ethopia, whose communications depend on long-distance runners.
Orphaned Hirut feels her mother’s absence, yet rises from a lowly maid to a position of power as she inspires other women to openly and secretly resist an overwhelming colonial power. This matrilineal story set in a patriarchial society at war has many interwoven tales. I found it captivating, and the focus on relationships between women at war was a fractured mirror of my own concerns as I completed my novel set during America’s Civil War
Set during Mussolini's 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record. At its heart is orphaned maid Hirut, who finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. What follows is a heartrending and unputdownable exploration of what it means to be a woman at war.
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
Can you tell I am a fan of Chester Higgins? This book traces the flow of the Sacred Nile from south to north, connecting the highlands of Ethiopia, the heartland of the kingdoms of Kush (Kerma, Napata, Meroe), and the better-known treasures of ancient Egypt. All of this is depicted in stunning photographs, while the cultural and historical connections between these lands that border the Nile are lovingly described as a spiritual connection to the waters of the sacred Nile.
Sacred Nile is the story of our collective spiritual imagination and practice. Chester Higgins celebrates the agency of people of African descent and their influence on the foundation of Western religion. His images illustrate how faith migrated up and down the River Nile from Ethiopia to Egypt leaving vestiges of ancient practice in today’s worship. This visual portrayal of faith reexamines our spiritual beginnings.
You need books to get you completely out of your narrow, familiar world, because you have to bring your own imagination to a book in a way that you don’t have to with films or theater.
This brilliant, funny, heart-breaking novel about a family in rural Ethiopia at a time of political persecution and turmoil in the 1970s-80s will put you into a world where your only bearings are love and longing. I was travelling around Ethiopia in October and was reading this book the whole way, and it both enlightened and transcended my experiences. It will for you too, no matter where you are.
“An endearing coming-of-age story. . . . Sharp and witty. . . . A wily and operatic novel. . . . Propulsive.” —The Washington Post
"The History of a Difficult Child is an extraordinary novel." —Maaza Mengiste, Booker Prize-shortlisted author of The Shadow King
“An exhilarating novel by a powerful new writer.” —Elif Batuman, author of Pulitzer-Prize finalist The Idiot and Either/Or
A breathtaking, tragicomic debut novel about the indomitable child of a scorned, formerly land-owning family who must grow up in the wake of Ethiopia’s socialist revolution
Wisecracking, inquisitive, and bombastic, Selam Asmelash is the youngest child in her…
By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
Wrong’s account of Eritrea’s bid for independence from Ethiopia highlights the conflict between the needs of the people and the wants of leaders. The title of her book is taken from what a soldier liberating Ethiopia from Italian rule told a local and sets the tone of the book. Time and again Wrong describes how leaders will starve their own people or bomb their own soldiers provide it help keep them in power.
One small East African country embodies the battered history of the continent: patronised by colonialists, riven by civil war, confused by Cold War manoeuvring, proud, colorful, with Africa's best espresso and worst rail service. Michela Wrong brilliantly reveals the contradictions and comedy, past and present, of Eritrea.
Just as the beat of a butterfly's wings is said to cause hurricanes on the other side of the world, so the affairs of tiny Eritrea reverberate onto the agenda of superpower strategists. This new book on Africa is from the author of the critically acclaimed In the Footsteps of Mr Kurtz.
