I grew up in a bilingual environment (Welsh and English) and have been fascinated by languages ever since, and the way they reflect thought, culture, and history. An English degree course at University College London gave me an academic grounding in language and literature, and I've been exploring and writing on those subjects ever since, eventually as a professor of linguistics, and these days as an independent scholar. My website provides a complete list of my publications, along with links to other materials. And the most fascinating thing about language? Its diversity and change. Whatever a language was like yesterday, it's different today, and will be different again tomorrow.
Most histories of vocabulary have little to say about a lot of words. This book reverses the process: it has a lot to say about just one word, guy. You might think that there isn't enough to fill an entire book, but you’d be wrong, because what we get is an insightful blend of history and linguistics—attempted regime change leading to language change. And one of the results? A new 2nd person plural pronoun: you guys.
Had you said "What a guy!" in 17th-century England, anyone would have understood you were admiring a flaming effigy of Guy Fawkes of the Gunpowder Treason Plot.
How times have changed! In America and, indeed, most of the English-speaking world, "guy" is so embedded in daily speech that we scarcely notice how odd it truly is: a singular "guy" referring to males only, a plural "guys" encompassing the entire human race. The journey from England's greatest villain to America's favorite second-person plural pronoun offers a story rich with surprising and unprecedented turns.
Through his trademark breezy, highly readable style, acclaimed…
I’ve been writing children’s books all my adult life. That means trying to find ways to communicate exactly what I’m imagining. I love words and stories. As a teenager, I wrote down my favourite words and carried them around with me. When I had children, I was fascinated by how fast they learned to make themselves understood, with and without words. The words we choose are important – but they’re only one way to communicate. What about pictures? Body language? Online media? Pheromones? The signals animals and plants give out? The more I learn about communication, the more fascinating it becomes.
I’ve always loved observing children as they learn to speak. But I never understood what a triumph that is until I read Stephen Pinker’s book. He explores a huge range of topics, including what we can learn from the mistakes children make, how languages develop, brain imaging, major ideas in philosophy, computer speech simulation, Noam Chomsky’s ideas about linguistics, and genetic research. And he does all that by focusing on regular and irregular verbs. Sounds dull? Think again. It’s a fascinating book.
How does language work? How do children learn their mother tongue? Why do languages change over time, making Shakespearean English difficult for us and Chaucer's English almost incomprehensible? Why do languages have so many quirks and irregularities? Are they all fundamentally alike? How are new words created? Where in the brain does language reside?In Words and Rules , Steven Pinker answers these and many other questions. His book shares the wit and style of his classic, The Language Instinct , but explores language in a completely different way. In Words and Rules , Pinker explains the profound mysteries of language…
As a clinical psychologist, I listen to thoughts all the time. I’m also having my own, constantly. We rely on our thoughts to help us navigate the world. However, our thoughts can also be a source of suffering. At times, they're not such reliable guides or helpers. Acceptance and Commitment Therapy (ACT) is a way of thinking about thinking. ACT captured my imagination early in my clinical career. I trained with ACT’s originator, Steven Hayes, in the early 1990’s. I’ve come to believe that being more aware of our own thoughts, and our relationship to them is key to creating positive change and living a life grounded in our values.
In this witty and provocative book, psycholinguistics researcher Steven Pinker explores the role of language in shaping our experience of reality.
Human-style thinking would not be possible without our capacity for language. Thoughts are basically internal language. Among the basic experiences shaped by linguistics is our experience of time.
We use language to construct a spatial metaphor for time, thinking in terms of “moving” “forward” or “backward” in time. Pinker takes us for a walk around the metaphorical space of consciousness, examining how language shapes our experience of the world.
The Pulitzer Prize finalist author of The Blank Slate presents an accessible study of the relationship between language and human nature, explaining how everything from swearing and innuendo to prepositions and baby names reveal facts about key human concepts, emotions, and relationships.
I am an academic at the University of Glasgow with a background in philosophy and psychology. My approach to critical thinking is broad and informed by several other teaching and research interests: emotional intelligence, the psychology of influence, interpersonal communication, and virtue ethics. Motivating much of what I do is the question: How are we to live well? With respect to critical thinking I don’t just deal with the nature and structure of arguments, but also with the role they play in constructive dialogues, and how poor reasoning is linked to psychological biases and the absence of certain virtues. The books I have chosen here are representative of these concerns.
I teach and write on critical thinking, and a branch of this discipline is interested in the role of dialogue in the process of truth-seeking. Discovering this book was huge for me because it discusses in depth so many of the impediments to constructive dialogue that I (and most of us) have encountered. Its subject is the motivational and cultural bases of disagreements and how we value and manage them, and there are of course some sound recommendations for how we can do better by shifting from what has become an automatic adversarial approach to one of ‘meaningful dialogue’.
In her number one bestseller, You Just Don't Understand, Deborah Tannen showed why talking to someone of the other sex can be like talking to someone from another world. Her bestseller Talking from 9 to 5 did for workplace communication what You Just Don't Understand did for personal relationships. Now Tannen is back with another groundbreaking book, this time widening her lens to examine the way we communicate in public--in the media, in politics, in our courtrooms and classrooms--once again letting us see in a new way forces that have been powerfully shaping our lives. The Argument Culture is about…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
This is a remarkable book, truly a modern epic poem. The verse is not strictly formal but somehow throughout its length Glaysher maintains interest, so that although his language can seem archaic in places, yet because the poetry is about such current issues that concern us – the fate of planet Earth and humanity more specifically – and because the linguistics are so varied and skillful, we realize that this is a poet working for deliberate effects, and not one who has only read poetry from three hundred years ago. One fabulous quality of this poem is its clarity and luminous quality. I love the fact that this poem is easy to understand and follow: it is a poet writing for people, not one trying to show off.
"Gazing from the moon, we see one Earth, without borders, Mother Earth, her embrace encircling one people, humankind."
Thirty years in the making, The Parliament of Poets: An Epic Poem, by Frederick Glaysher, takes place partly on the moon, at the Apollo 11 landing site, the Sea of Tranquility.
Apollo, the Greek god of poetry, calls all the poets of the nations, ancient and modern, East and West, to assemble on the moon to consult on the meaning of modernity. The Parliament of Poets sends the main character, the Poet of the Moon, on a Journey to the seven continents…
I’m a citizen of both the US and the UK, and in 2016, I watched as both my countries were suddenly pulled in shocking political directions, with Brexit in the UK and Trump’s election in the US. In both cases, strong pre-existing norms against openly racist speech seemed to vanish overnight. As a philosopher of language who worked on both deception and racism, I wanted to know how this happened. This has led me to an enduring interest in the ways that manipulative language can change norms around racism, allowing what was once unthinkable to become normal.
I was fascinated to see an anthropological linguist turn her analytic lens on her own culture (and mine), that of White America. What she finds is a fascinating pattern of ways that White Americans talk about race.
The observations she makes will change the way you see conversations around you. I found myself first saying, “No, surely that doesn’t happen,” but then noticing that very thing happening again and again.
In The Everyday Language of White Racism, Jane H. Hill provides an incisive analysis of everyday language to reveal the underlying racist stereotypes that continue to circulate in American culture.
provides a detailed background on the theory of race and racism
reveals how racializing discourse-talk and text that produces and reproduces ideas about races and assigns people to them-facilitates a victim-blaming logic
integrates a broad and interdisciplinary range of literature from sociology, social psychology, justice studies, critical legal studies, philosophy, literature, and other disciplines that have studied racism, as well as material from anthropology and sociolinguistics
Part of the Blackwell…
I've been writing since I was 7 years old. Star Wars had a big influence on me, but as I got older I gravitated toward Halo: Combat Evolved and Starship Troopers. Modern stories by the likes of Jason Anspach and Nick Cole, JN Chaney, and Rick Partlow...these are the stories that keep me up at night, my mind reeling with the insanity of what I've just read, pondering how close we are as a society to achieving the outlandish adventures contained in these books. I was in the Air Force for 14 years as an F-16 mechanic. I found my voice by combining my experiences and my passion for Science Fiction.
Looking at the cover of this book, you might be scratching your head, wondering, "just what the hell is that?" It's a delicious, genre-bending twist on Fantasy and Military SF that is a must-read, I assure you.
Army Rangers, as part of a top-secret DARPA program, travel a few years into the future...to find out they're accidentally 10,000 years in the future, and the world they knew is now a Forgotten Ruin (see what I did there?) filled with monsters, magic, and mayhem.
Navigating these disastrous circumstances takes some serious ranger grit and a lot of firepower.The story is told from the perspective of a young ranger who is a linguist, and his communication skills are essential to the ranger's survival. But more than that...the Ruin changes people.
Orcs. Trolls. Wraith riders. Dark wizards. Together, they form an unstoppable force. Or so they thought.
Dark Army… meet the U.S. Army Rangers.
When a Joint Task Force of elite Rangers are transported to a strange and fantastic future where science and evolution have incarnated the evils of myth and legend, they find themselves surrounded, pinned down, and in a desperate fight for their very survival—against nightmares of flesh and blood made real. Which means only one thing.
I am a professor in Urban Mobility Futures and, as such, am fascinated by how we think about our mobility present and past and how this limits us in imagining different futures. The problems in our mobility system are so urgent and overwhelming that I like to actively search for alternative ways of seeing and acting and teach others to do the same. Personally, I love to experience the incredible freedom of mind that I find in doing this. Also, see the Shepherd list of recommendations by my co-author, Thalia Verkade.
Did you ever say, "Time is Money?" And do you believe it is true?
This book offers a deep dive into the philosophy of how our language is full of useful and less useful metaphors. Human communication is built on them since it makes it easier to talk about complex topics, such as life, love, and time. But they do not create a mirror of reality, but a lens.
These metaphors make us act in accordance with them. If time is money, we can exchange one for the other. But is it really? Think about it. And that is also the overall tip from this book: think about it!
People use metaphors every time they speak. Some of those metaphors are literary - devices for making thoughts more vivid or entertaining. But most are much more basic than that - they're "metaphors we live by", metaphors we use without even realizing we're using them. In this book, George Lakoff and Mark Johnson suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning. Bringing together the perspectives of linguistics and philosophy, Lakoff and Johnson offer an intriguing and surprising guide to some of the most common metaphors…
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
It’s a tough nut to crack, but totally worth it when you finally read it.
Although I write historical texts myself, I hadn’t considered how these texts are structured and mediated by historians. H. White showed me and many others that writing a historical text does not differ in form from writing a literary one.
Through a thoroughly structured argument, the book is a trip in the history of historiography and a careful analysis of the most important people who formed the way we look at our past today. Definitely one of the most influential theoretical texts of the last century.
In White's view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and specifically linguistic in nature. This deeper content - the metahistorical element - indicates what an "appropriate" historical explanation should be.
I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
Desmond, a retired teacher, is embarrassed by increasing deafness which he tries to hide. Hearing loss is a constant source of domestic friction with his busy wife and of social malaise, leading Desmond into mistakes and follies, and to find himself in incongruous situations. Comes Alex, a student whom Desmond has agreed to help after a misunderstanding at a party… Despite sensitive topics (deafness, confrontation with death), Deaf Sentence manages to be deeply entertaining with a lame love story and a disillusioned portrait of contemporary society. I recommend it to everyone, because we all feel overwhelmed from time to time.
The subject of enthusiastic and widespread reviews, David Lodge's fourteenth work of fiction displays the humor and shrewd observations that have made him a much-loved icon. Deaf Sentence tells the story of Desmond Bates, a recently retired linguistics professor in his mid-sixties. Vexed by his encroaching deafness and at loose ends in his personal life, Desmond inadvertently gets involved with a seemingly personable young American female student who seeks his support in matters academic and not so academic, who finally threatens to destabilize his life completely with her unpredictable-and wayward-behavior. What emerges is a funny, moving account of one man's…
