The most recommended saga books

Having worked bank robberies as a former FBI Special Agent, I have a keen sense as to what makes these people tick. Most are quite ignorant, however, occasionally clever planning takes place by those as brazen as Hogan has portrayed here. A true masterpiece, Chuck Hogan does a splendid job bringing his characters to life in all the real-life depictions you will enjoy. This is a gut-wrenching roller coaster mixing crime with romantic infatuation to the point you can’t stop reading. I’ll admit, once the movie came out, I had to get the book and now it’s one of my all-time favorite crime thrillers.

Even though The Lord of the Rings is recognized as the classic of high fantasy, Tolkien himself was deeply influenced by Eddison’s book. It is here that the first concepts of the hero’s journey, while encased in a thrilling saga of protagonists against impossible odds are sown, and of the great worldbuilding that encapsulates such an epic.

Even though the story itself (a never-ending war between the honorable demon princes and an immortal witch king) is pure simplicity, Eddison added an amazing twist: he wrote it in 16th-century English. If you can imagine William Shakespeare writing Lord of the Rings, then this is it.

Some people may get turned off by the archaic prose, but once you get into it, the novel becomes a highly enjoyable romp, filled with action and adventure.

This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.

Williams is another of my absolute favorite authors. I love anything she writes, but I chose to showcase the Schuler Sisters series because, again, it consists of an overarching saga with some fantastic mystery elements. Williams’ strength is that she is able to place the reader directly in the scene with her perfect attention to detail without overdoing it. She expertly weaves multiple storylines in different eras to produce one delicious book.  

So many brilliant authors have explored the Arthurian legends that I had trouble believing that there could be more to say. Signe Pike, though, researched the earliest appearance of the legend of Merlin and traced it, surprisingly, to 6th-century Scotland where she set this tale. Merlin and his sister are given their early Celtic names, Lailoken and Languoreth and there is a Scottish/Celtic feel to the book that evokes that historical time and place. I was particularly moved by Pike’s exploration of the dilemma of the peace-weaving queen, forced to choose between loyalty to her birth family and loyalty to the family into which she married. Sadly, that was the bitter fate of many peace-weaving brides as rival tribes vied against each other for power and ultimate control.  

Hernán Díaz’s first novel, In the Distance, was a finalist for the Pulitzer Prize. The book is gorgeously written and meticulously researched. The West’s huge, startling landscapes loom on every page. But the real genius here is the novel’s “reverse epic” structure—how Díaz takes a young Swedish immigrant who gets off his ship at the wrong port (San Francisco) and sends him traveling east, against the migrant tides, in search of his brother. The journey doesn’t go as planned. Håkan makes friends and stymies enemies. Stereotypes warp and tumble as Håkan (and the reader) are forever transformed. The descriptions of California gold fields, science expeditions, questing Mormons, and other frontier communities delight and confound. You’ll never cross a Western desert the same way again.

E.R. Eddison was an early fantasy novelist best known for The Worm Ouroboros, but like Poul Anderson, he also took a serious interest in bringing the ancient stories of the North into the modern age. Styrbiorn the Strong was his effort to capture the adventure of the old sagas by recreating a presumably lost full-length saga about the titular character. With Styrbiorn the Strong, Eddison built a convincing and original saga-inspired story from the fragments that exist about him (remaining references to Styrbiorn exist in Flatey Book, Eyrbyggja Saga, and the Heimskringla). The book was originally published in 1926 and features the sort of verbose and eloquent language typical of novels of that era, which itself is very un-saga-like, but is a joy to read. 

Another fantasy book inspired by dark-age Britain and the Viking world. But this one has zombies, a plague, and as much darkness as you can handle.

The creepy atmosphere was great. I also enjoyed the multiple points of view in this one, as individuals of all backgrounds slowly learn what is happening to their world. As I read, I wondered who would become heroes, and who would succumb.

Much like my first pick, this is an incredible novel that has stayed with me for years. It’s another go-to recommendation for me if anyone asks what my all-time favorite WWII novels are. Alexandra is a Russian-born Australian author, and I’m a huge fan of her other books too. Once again, she creates characters that are impossible not to fall in love with, and she’s a natural storyteller who artfully blends historical detail with fiction. 

Thomas’s 2015 novel revolves around Eileen Leary, a tough Irish American nurse yearning to break the middle-class mold in which her life is set when her husband, Ed, a neuroscientist, develops early-onset Alzheimer’s.

Thomas describes his slow deterioration and the ravages inflicted on Eileen and their son, Connell, in drawn-out moments and exquisite detail. In an especially harrowing scene, Eileen stays up all night watching her once brilliant husband struggle with the simple task of tabulating the final grades in his community college class.

Though the narrative sometimes gets bogged down in minutiae, it is as unsparing an account of Alzheimer’s as I have ever read.