My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.
"A must reader for all the romantic people out there." - Amazon Reader
Enter a world of glamour, wealth and beautiful people. Enter the world of the Sehgals!
He made a mistake and now he will pay the price for it...with his heart. KABIER SEHGAL, scion of the Sehgal empire, has returned to India to take over the helm of his companies from his grandfather. His first mission is to find out who is selling his company's secrets. When the suspicion falls on KEYA KARIA, he decides to work closely with her to expose her fraud. He accuses her of…
Percy wrote this comic take on the dissolution of American society in the late 1960s, but his apocalyptic descriptions of a galvanized and fragmented citizenry now seem almost prophetic.
The protagonist, Dr. Thomas More (a descendant of Sir Thomas More), is a brilliant doctor and inventor who is also a drunk, a melancholic, and a womanizer. While I am only one of those (I’m not telling you which), I related to More’s psychological profile and general attitude perhaps more than to any other fictitious character with which I am familiar.
Love in the Ruins is a book with several LOL moments, and the masterful way that Percy wrote it will keep you in delightful suspense until the very last page. An immensely satisfying read.
A pair of profound dystopian novels from the “brilliantly breathtaking” New York Times–bestselling and National Book Award–winning author of The Moviegoer (The New York Times Book Review).
Winner of the National Book Award for The Moviegoer, the “dazzlingly gifted” Southern philosophical author Walker Percy wrote two vividly imagined satirical novels of America’s future featuring deeply flawed psychiatrist and spiritual seeker Tom More (USA Today). Love in the Ruins is “a great adventure . . . so outrageous and so real, one is left speechless” (Chicago Sun-Times), and its sequel The Thanatos Syndrome “shimmers with intelligence and verve” (Newsday).
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
I should preface this with some bit of transparency. One reason I love Tinsmith is because I personally know the author. Not only is she a great writer, but she’s one of the only female tinsmiths working in the United States. She makes her own cookware, and it is amazing.
The main character, Marie Kotlarczyk, moves to the Dakota territories with her tinsmith family. When the family encounters disaster, Marie has to learn the family trade in order to survive. It’s not an easy task when women were not meant to do such things.
Sarah puts so much of herself in this book, it’s enchanting. Since she’s a professional tinsmith, every scene is tangible. I can’t recommend it enough.
When her tinsmith father and brothers head West, Polish immigrant Marie Kotlarczyk has no choice but to go along. Family, after all, is family. The Dakota Territories are anything but welcoming to the Kotlarczyks, and as the months trip by, Marie must pick up the hammers she’s secretly desired but also feared. When she faces the skeptical people of Flats Town, the demands of the local Army commander, and her public failures, her inner voice grows destructively, forcing Marie to decide exactly who she is and what it means to be a woman smith.
I’m an Irish writer who is completely hooked on anything sci-fi related. I used to race home from school to do my homework as fast as possible so I could watch Star Trek: The Next Generation. The first character I ever wrote about began his life in my head as part of the Star Trek: TNG world before deciding he was too big and created his own. It’s still an area I am passionate about. Shows like Firefly, Dark Matter, Picard, etc are on my favourites list. I just love the endless possibilities with the genre. Endless exploration, hi or low tech, and incredible ships. What’s not to love?
I read this book a few years ago and again recently. I still love it. The whole series in fact. The main character, Grant Justice is instantly captivating. I have to admit his name is pretty great too! Like all my favourite heroes, Grant is a man who can look after himself. In fact, he can look after the whole planet. He’s that kick-ass. Loads of action, a bit of romance, and a lot of Grant. I think I’ll have to go and read it again…
It’s the mid-21st century when Sergeant First Class Grant Justice is killed during an ambush on an enemy tank column.
Six hundred years later, his body is retrieved from the frozen, arctic lake where he perished. Re-animated by a team of scientists, Grant awakens to a civilization that has abolished war. A civilization that has outlawed violence and cherishes Peace above all else. A civilization that has been enslaved by an alien race called the Minith.
Grant is humankind’s final hope against the alien menace. He must be the... Peace Warrior.
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
This collection of short stories left me a bit depressed but in a good way. Cook writes with pure beauty and poetry. The ideas of this collection were, at times, odd and uncomfortable, but they succeeded in making me consider the darker elements that exist within all of us as humans. These stories kept me engaged through their balance of settings as well. Some stories felt present, while others crafted bleak futures that were all too believable. A few of the stories had some racy elements too, so if you’re into that kind of thing, you won’t be disappointed.
*SHORTLISTED FOR THE GUARDIAN FIRST BOOK AWARD 2015*
SHORTLISTED FOR THE LA TIMES BOOKS PRIZE 2015
A SAN FRANCISCO CHRONICLE NOTABLE BOOK OF 2014
A BOSTON GLOBE BEST FICTION OF 2014
ROXANE GAY'S TOP TEN BOOKS OF 2014
AN AMAZON BEST SHORT STORY COLLECTION OF 2014
AN iBOOK BEST OF 2014
Perfectly pitched and gorgeously penned, this astonishingly bold collection of stories explores the boundary between the wild and the civilized. Pitting human beings against the extremes of nature, Diane Cook surgically peels back the layers of civilization to lay bare our vulnerabilities and the ease with which our darker,…
A while ago I lived with the extraordinary spiritual Findhorn community in Scotland and that experience opened my eyes to the mysteries that we are and that surround us. Subsequently, I became a professional travel guide writer and as I visited churches and megaliths, it gradually occurred to me that the ancients may have recorded information useful to us if only we could work out how to interpret it. Twenty years ago I settled in France, a country densely packed with extraordinary places. Here, I have been able to deepen my understanding of the universal, greater reality of which we are part.
The late great Alan Watts was the master of reminding us not to take reality – or ourselves – at face value. His prose manages to be simple and profound at the same time and he always has his feet on the earth. I could recommend any of his books but this is the one with which I began. No one else can ever tell me who or what I am. My experience of the world is always subjective, whatever science says; and the best way to see accurately is to get to know myself.
The Book On the Taboo Against Knowing Who You Are explores an unrecognised but mighty taboo - our tacit conspiracy to ignore who, or what, we really are. Alan Watts, key thinker of Western Zen Buddhism, explains how to reconsider our relationship with the world.
We are in urgent need of a sense of our own existence, which is in accord with the physical facts and which overcomes our feeling of alienation from the universe. In The Book On the Taboo Against Knowing Who You Are, Alan Watts asks what causes the illusion of the self as a separate ego…
I’m a misplaced law professor, you might say: I never wanted to be a lawyer; I went to law school almost by accident; and for four decades I’ve used law as a window into my deeper interests– religion, history, and philosophy. I couldn’t make myself write books unless the subjects were personally engaging; and in defiance of editors, I insist on writing readable prose. If this adds up to “dilettante,” so be it. My books, published by the university presses of Harvard, Oxford, Notre Dame, Duke, and NYU, as well as Eerdmans, have dealt with constitutional law; Roman, medieval, and modern history; legal philosophy; and religious freedom.
Barzun, who lived to be 104, was in his lifetime possibly the most erudite human being on the planet.
And this book, published when he was much younger (as a spry 93-year-old) is an almost perfect history of the modern age: a superb, readable sort-of survey that is not surveyish but rather earnestly engaged with themes that were important in the 16th-century beginnings of our modern civilization and are important still.
Barzun doesn’t seem to be a gloomy naysayer, and he admires and appreciates the achievements of Western civilization; but as his title suggests, he came to believe that the culture is exhausted and unraveling. An informative and provocative read!
"A stunning five-century study of civilization's cultural retreat." — William Safire, New York Times
Highly regarded here and abroad for some thirty works of cultural history and criticism, master historian Jacques Barzun has set down in one continuous narrative the sum of his discoveries and conclusions about the whole of Western culture since 1500.
Barzun describes what Western Man wrought from the Renaissance and Reformation down to the present in the double light of its own time and our pressing concerns. He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
I love the way this book brings together two seemingly unrelated topics, art, and socio-political organization, to offer a new perspective on the development of human societies—linear, of course. The policies and practices of development agencies do not just draw on the latest fads of economics, rather, our thinking about the shape and trajectory of ideal societies has long been influenced by the way we quite literally see and perceive the world.
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This "worldview" is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.Art, Politics, and Development examines this process by pulling from a range of disciplines, including…
I like books that aren’t easy to categorize by genre because that’s the kind of book I like to write. Most of my novels are defined as science fiction for marketing purposes and placed on the science fiction shelves of book shops, but they aren’t very typical of science fiction and don’t necessarily always appeal to those looking for a lot of futuristic tech, or tales of galactic empires. In some ways, the things I write about are more typical of the concerns of readers of non-SF ‘mainstream’ (I hate the term, but there it is!) literary fiction, but many such readers will find them too science fictional.
Doris Lessing is one of the genuinely great authors of the 20th century. A true visionary, she moved effortlessly between naturalistic writing and her own unique variety of science fiction/fantasy—the latter written with such conviction that it seems completely real (while her naturalistic writing is so vivid is to seem almost more than real). In this book, a middle-aged woman looks out of her window at a civilization that is rapidly falling apart. As the woman retreats into her own inner world, a strange girl comes to live with her, bringing an animal called Hugo that is somewhere in between a dog and a cat. It’s a spell-binding piece of world-building and a reminder that everything that seems permanent will one day crumble.
In a beleaguered city where rats and roving gangs terrorize the streets, where government has broken down and meaningless violence holds sway, a woman -- middle-aged and middle-class -- is brought a twelve-year-old girl and told that it is her responsibility to raise the child. This book, which the author has called "an attempt at autobiography," is that woman's journal -- a glimpse of a future only slightly more horrendous than our present, and of the forces that alone can save us from total destruction.
I’m
a sucker for a sapphic historical romance! I love all the secret glances and
tortured moments that play such a part of stories set in times long before now.
This one, while a relatively short novel, packs a mighty punch. Kallmaker’s two
main characters are so very different, yet so obviously right for each other
from the moment it becomes a possibility. Set against the backdrop of the
colonization of the West in America, there’s realistic yet not too heavy
brutality, acerbic observations on the vast gulf between the sexes at that
time, and authentic settings and action.
