The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
The book collects the stories of sixty-four women the writer has known during his idiosyncratic and exploratory life. These women are keen, strange, ardent, and their labors and playfulness in our world and in our time are a testimony of mischief, invention, laughter, and magical initiative. They are everywhere. They do everything: they are doctors, writers, burglars, investment bankers, rebels, painters, college students, bartenders, hikers, healers in the rain forest of Jamaica, securities attorneys in San Francisco….
Each has their own destined work. And they show us, each of them, the hidden reality of that work in a very few pages of revelation.
One of the most radical and life-giving books ever written, this compilation of the verse of Dickinson holds almost all the poems she wrote out in what she called “fair copy”, bound in small booklets, and put all together in a chest in her room. She published only six poems in her lifetime. The complete work was not collected until 1951. Now she is read and honored worldwide and recognized as one of the most intuitive, powerful, and original poets of any country or any century.
Though generally overlooked during her lifetime, Emily Dickinson's poetry has achieved acclaim due to her experiments in prosody, her tragic vision and the range of her emotional and intellectual explorations.
It is something of a commonplace that the most important subjects in life are somehow the least amenable to the long essay. Where are the great books on love, grace, revelation, understanding, or peace?
And what about childhood? Everyone has one, and many people want to be parents, but where are the transformative and indispensable books on this subject? Now we have one, at last, this capacious, passionate, searching, learned book, by one of the most gifted prose stylists writing in English in the present day. It’s beautiful to read, and essential for our cultural moment.
While traveling the world in order to write her award winning book Wild, Jay Griffiths became increasingly aware of the huge differences in how childhood is experienced in various cultures. One central riddle, in particular captured her imagination: why are so many children in Euro-American cultures unhappy – and why is it that children in traditional cultures seem happier?
In A Country Called Childhood, Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic as well as the UK, and delving…
An extraordinary book by an extraordinary woman. Saira Shah recounts her journeys in Pakistan and Afghanistan, in the context of her upbringing in a family with deep roots in the region. She is on the ground during the rise of the Taliban and the fight against the Russian occupation, and the story is hair-raising, enlightening, revelatory, informed, and insightfully detailed. Ms. Shah went on to make the celebrated documentary Beneath the Veil, risking her life daily to shoot video during the first phase of Taliban control. Unforgettable, and indispensable for understanding Afghanistan.
Imagine that a jewel-like garden overlooking Kabul is your ancestral home. Imagine a kitchen made fragrant with saffron strands and cardamom pods simmering in an authentic pilau. Now remember that you were born in London, your family in exile, and that you have never seen Afghanistan in peacetime.
These are but the starting points of Saira Shah’s memoir, by turns inevitably exotic and unavoidably heartbreaking, in which she explores her family’s history in and out of Afghanistan. As an accomplished journalist and documentarian–her film Beneath the Veil unflinchingly depicted for CNN viewers the humiliations forced on women under Taliban rule–Shah…
A book about a saint of the eighth century, whose life and declarations offer an in-depth and clear portrait of the Sufi path. Her miracles were casual and instrumental, her encounters serve for all of us as material for reflection, and her sayings are beautiful and transformative of the mind. Two examples: “I will not serve God as a laborer, in expectation of my wages.” And “Lord, if I worship you from desire for Paradise, deny me Paradise; if I worship you from fear of Hell, cast me into Hell.”
Born in Basra in the 8th century of an impoverished family, orphaned and sold into slavery, Rabia al-Adawiyya, rose to become one of the greatest Sufi teachers. An extraordinary kaleidoscope of myth and reality, of imagination and fact... is it not of importance that a woman of such stature and independence of mind existed so early in the story of Islam, to show what women could be, and how they could be regarded?
This rare book is a collaboration between Ms. Sabella, an artist, and Rosemerry Trommer, a poet. A series of drawings, all distinct and all of three lines only, are given corresponding three-line poems, and the result is enlivening, mischievous, moving, full of insight and subtlety, and graced with declarations of love and startling bolts of beauty. It’s a short book and it’s a most excellent companion and a gentle powerhouse.
Poetry. Art. Illustrated by Jill Sabella. EVEN NOW pares Rosemerry Wahtola Trommer's expansive work down to three lines, each paired with a spare 'japanese-style' brush-stroke drawings by artist Jill Sabella. The image-poem pairs float on the page and evoke fundamental thoughts, feelings of long ago, bonfires burning out of control, tough hope, and the possibility of Spring.
"I like this book a lot, EVEN NOW, by Rosemerry Trommer & Jill Sabella. It shows some of their wonderful talent. And the title- poem brings to mind a Rumi translation that I feel is of such worth it may someday appear in…
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of his own.
Mitchell, a former NFL quarterback, doesn't need the complication of encountering Stella again so long after the messy end to their relationship, but as each tries to build a new life, they are drawn together and find their chemistry is just as strong as ever.
Will their love be stronger the second time around?
When two old flames come back to their home town, sparks are bound to ignite. A rural romance from USA Today bestselling author Alyssa J. Montgomery.
A horrific car accident ended former world number-one Stella Simpson’s tennis career, and a betrayal ended her relationship with her fiancé/coach. When a family friend offers to sell her half of a property in the rural community where she grew up, it seems like the perfect place to escape, heal and begin the next phase of her life. Until she discovers that the man who broke her heart ten years ago has bought the…
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