I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A philosopher writes about love in the most extraordinarily ordinary way. It is a story about a couple and how they fall in love and why the two of them fall in love with each other. That is fascinating in itself. Then he follows how the love between them develops—and he comments on it as they move along. It is a book that gives a deep insight into how love works when it works—and when it doesn’t. I felt much better about the mistakes I’ve made in love when I read his book.
“An engrossing tale [that] provides plenty of food for thought” (People, Best New Books pick), this playful, wise, and profoundly moving second novel from the internationally bestselling author of How Proust Can Change Your Life tracks the beautifully complicated arc of a romantic partnership.
We all know the headiness and excitement of the early days of love. But what comes after? In Edinburgh, a couple, Rabih and Kirsten, fall in love. They get married, they have children—but no long-term relationship is as simple as “happily ever after.” The Course of Love explores what happens after the birth of love, what…
I love books that take the reader to another country. Travel (even vicariously in a book) takes us out of our comfort zones and inspires us to open our minds to other cultures, ways of life and thought. These books constantly challenge us, not only to understand different surroundings, but also to understand unique people, to embrace adventures, glamour and romance and to share these new and meaningful thoughts and ideas with others.
A Theatre for Dreamers captures the halcyon days of the 60s artistic community on the Greek Island of Hydra. It focuses on the international bohemian set, including the authors Charmian Clift and George Johnston. Among the artists, poets and hangers-on are a Norwegian couple—Axel Jensen and Marianne Ihlen—and a young, charismatic Canadian by the name of Leonard Cohen. It is narrated by the likable ingenue Erica, a novitiate novelist in her late teens whose mother’s dying wish was for her daughter to go off on an adventure. Erica is like Nick Carraway, mainly on the periphery of events, observing and learning from the more experienced, glamorous people she has fallen in with. Interesting fact: author, Polly Samson, is married to David Gilmour of Pink Floyd.
'Delicious' Nigella Lawson 'Clever and beguiling' Guardian 'Sublime and immersive' Jojo Moyes
Erica is eighteen and ready for freedom. It's the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever.
'A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality' Observer 'Heady armchair…
I am a huge paranormal fan, so this broke the mold for me. It isn’t paranormal, but I love the characters in this book.
The way the characters and plot unfold is unpredictable. That’s what I strive for in my own writing. It is a deeply emotional book on so many levels, and it has a twist ending, which I always enjoy. The writing is beautiful, as in all of Sparks’ books.
The international #1 bestselling author of The Notebook, Nicholas Sparks is back with his most epic story yet.
What if the person you needed most, turned up when you least expected them?
Maggie hasn't told this story in years. More than two decades ago, she fell in love. She was sixteen and far from home, waiting to give her baby up for adoption. Bryce showed Maggie how to take photographs and he didn't judge her for the way her belly swelled under her jumper. They had the perfect first kiss. Theirs was a once-in-a-lifetime kind of love.
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto in the grips of severe water scarcity.
Single mother and limnologist Lynna witnesses disturbing events as she works for the powerful international utility CanadaCorp. Fearing for the welfare of her rebellious teenage daughter, Lynna sets in motion a series of events that tumble out of her control with calamitous consequence. The novel explores identity, relationship, and our concept of what is “normal”—as a nation and an individual—in a world that is rapidly and incomprehensibly changing.
Centuries from now, in a post-climate change dying boreal forest of what used to be northern Canada, Kyo, a young acolyte called to service in the Exodus, discovers a diary that may provide her with the answers to her yearning for Earth’s past—to the Age of Water, when the “Water Twins” destroyed humanity in hatred—events that have plagued her nightly in dreams. Looking for answers to this holocaust—and disturbed by her macabre longing for connection to the Water Twins—Kyo is led to the diary of a limnologist from the time just prior to the destruction. This gritty memoir describes a…
Ever since I was a young girl, I have fallen deeply into the pages of novels that feature strong female characters, with Anne of Green Gables and Little Women capturing my imagination early. As an Australian, I’ve also always enjoyed books set here but anywhere where I can walk in a relatable character's shoes is fine by me. The magical experience of being immersed in ‘her’ world, feeling what she feels, relating to her, being frustrated with her, celebrating with her, loving with her…what are books if not gifting us such experiences? Every book I have penned has been based on this ideal, an intimate experience, a close relationship. A BFF.
Yes, she is one of ‘the’ Moriartys, and this surprise shift away from her usual young adult fiction works is more than worthy of her famous surname. This book is sublime, whimsical, dreamy, chatty, fun, sad, joyous, and all with a sense of surreality that you strangely and completely enjoy. I found myself swept away as the lead character, Abigail, seeks to find answers to the tragedy that has haunted her since she was young and oh, how I walked that path with her. The strange retreat she is on will keep you guessing and the sweetness of her story will stay with you long after the final page.
'Author Jaclyn is the sister of Liane Moriarty (Big Little Lies) and has the same talent for great plots. This unusual novel tugs at the heartstrings.' - Good Housekeeping
Twenty years ago, Abigail Sorenson's brother Robert went missing one day before her sixteenth birthday, never to be seen again. That same year, she began receiving scattered chapters in the mail from a mysterious guidebook, whose anonymous authors promised to make her life soar to heights beyond her wildest dreams.
These missives have remained a constant in Abi's life - a befuddling yet oddly comforting…
I love romantic comedies with an emphasis on comedy. I’m not in love with sugary-sweet romance because I don’t think it’s true to life. I know that I laugh daily because my life is very 'Bridget Jones'. You know a book genre is strong when you can describe yourself as a character written in the late nineties. My own books are full of awkward moments, endearing observations, and humour that pushes the boundaries. Why? Because what are we if we are not fallible and vulnerable to whatever life throws at us?
Who doesn’t immediately fall in love with Bridget Jones upon meeting her?
This book is full of laughs, tears, and now parenthood! I adored the other books in the Bridget Jones series, and this didn’t disappoint. If, like me, you like to read about a woman who feels ‘real’ and relatable, this book is just divine.
Bridget Jones is the sister to all of us women who need to hear that someone else goes through such highs and lows.
What do you do when a girlfriend's 60th birthday party is the same day as your boyfriend's 30th?
Is it wrong to lie about your age when online dating?
Is it morally wrong to have a blow-dry when one of your children has head lice?
Does the Dalai Lama actually tweet or is it his assistant?
Is technology now the fifth element? Or is that wood?
Is sleeping with someone after 2 dates and 6 weeks of texting the same as getting married after 2 meetings and 6 months of letter writing in Jane Austen's day?…
I write and tend to read stories
about contemporary relationships. Lauren Groff has recently written a fiction set
long ago about women who face extraordinary challenges, in this case, the
survival of a runaway servant, c 1609.
It is a literary action adventure of a sort with profound meaning. She grounds her stories in the landscape, while I ground
mine in the culture.
I love the contrast. She inspires me. Her descriptive
prose is spectacular in detail, and I was swept along, spellbound, on this
arduous journey as if I were there, rooting for the runaway, even knowing the
odds were against her.
No one writes like Groff – every word is a knockout –
and reading her fiction, for me, is a master class.
'Exhilarating' GUARDIAN 'Her writing has a timeless quality' THE TIMES '[Has] a visionary quality' OBSERVER
A profound and explosive novel about a spirited girl alone in the wilderness, trying to survive
A servant girl escapes from a settlement. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her. What she finds is beyond the limits of her imagination and will bend her belief of everything that her own civilization has taught her.
The Vaster Wilds is a work of raw and prophetic power…
I’m a full-time novelist now, but for twenty-plus years, I was a practicing attorney. I was a business litigator, representing companies that were suing or being sued by other companies. I toiled away in high-rise office buildings, danced around office politics, and got up close and personal views of how people of every stripe navigate their work and lives in the office. I witnessed sexual harassment, bloodless coups, financial scandals, and professional disgrace—but I also enjoyed the support and encouragement and lifelong friendships that can come from collaborative work experiences. I like to think of the office environment as a petri dish to examine the full range of human behavior.
This is a very modern take on the office thriller, because the office in question is a feminist take on work-share facilities like WeWork. It’s an exclusive, women-only coworking space launched by celebrity entrepreneur Eleanor Walsh. Millennial women are dying to be accepted—at least until Eleanor herself is found dead. This is a fun, glitzy book full of beautiful young women making their stilettoed way in the world. It’s Emily in Paris, set in New York, Sex and the City, for millennials, but with enough murder and mayhem to keep the thrills coming.
Why did the founder of a glamorous coworking space for women disappear? Her best friends will risk everything to uncover the truth.
“Perfect for fans of Big Little Lies.”—The Washington Post
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Real Simple • Marie Claire • Good Housekeeping • CrimeReads
As CEO of the Herd, an elite women-only coworking space, Eleanor Walsh seems to have it all: close friends, a sweet husband, and the most glamorous and successful female-empowerment-based company in New York City. Then she vanishes on the night of a glitzy press conference—and the police suspect foul…
Narrative history isn’t about dates, kings, and queens. It’s about deeds, actions, experiences, decisions of people great and small. It’s about putting the reader in the middle of a drama and watching events unfold around them as if they were there so they can understand, observe, and perhaps ask: what would I have done? The best history writing shouldn’t just inform, but inspire you, make you feel: laugh, cry, feel angry, flinch at horrific sights, cheer the heroes, boo the villains, because history is made by ordinary people, good and bad, who possess many similar traits to the reader.
Other, newer books on the Battle of Berlin are available. And Ryan’s other books, The Longest Day and A Bridge Too Far, are more famous. But The Last Battle is the book whose style and mood I most try to emulate in my own writings.
Ryan interviewed many of the participants, collected reams of documents from both sides—at a time when the Cold War was at its height—and the result is a wonderful book. You can smell the cigarette and gunsmoke, picture the military and political leaders talking, laugh or cry at some of the vignettes.
Beevor’s book on Berlin is better history—thanks to the sources he was able to access—but Ryan is my ‘go-to’ book if I want to feel and experience the fall of Berlin.
The Battle for Berlin was the final struggle of World War II in the European theatre, the last offensive against Hitler's Third Reich, which devastated one of Europe's historic capitals and brought an end to the Nazi regime. It lasted more than two weeks across April -- May 1945, and was one of the bloodiest and most pivotal episodes of the war, one which would play a part in determining the shape of international politics for decades to come.
THE LAST BATTLE is a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of…
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
This poignant, tragi-comedy of a novel is
both relatable and uplifting.
And though the protagonist is going through a bit
of a crisis, it’s ultimately a story of a woman finding herself and coming into
her own.
Grace’s relationship with her teenage daughter is so well described –
as mum of a teen girl I recognised the sadness she felt when she realised her
daughter needed her less than she’d used to.
I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.
I loved this book – and read it in one or two sittings – because of how skillfully the author, Megan Nolan, is able to explore the pits of a broken relationship and the attempts and failures of trying to heal.
It pulls no punches in its depiction of what we are willing to do when we believe we are in love and that that love is good, and also in its depiction of what happens to us when the bad reveals itself in all its naked ugliness. Once you’ve read this, you’ll want to read anything else Nolan writes next.
*A NEW STATESMAN, OBSERVER, IRISH TIMES, i, SPECTATOR AND STYLIST BOOK OF 2021*
'Please believe the hype ... a seriously exciting writer' Sunday Times
'Such brilliant writing about female desire... honest and visceral' Marian Keyes
Discover this bitingly honest, darkly funny debut novel about a toxic relationship and secret female desire, from an emerging star of Irish literature.
Love was the final consolation, would set ablaze the fields of my life in one go, leaving nothing behind. I thought of it as a force which would clean me and by its presence make me worthy of it. There was no…
