When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.
In the summer of 1966, aspiring artist Kevin Sacco learns that his family is moving from New York City to London-and that he will be attending
Sevenoaks, a traditional boarding school in the English countryside.
At first considered a "Yank" outsider with limited academic or sports acumen, Sacco gradually comes to experience and understand this life of rugby, cold showers, new friendships and discipline. Letters between Sacco and his best friend in New York serve to compare his cloistered life at Sevenoaks to the life that he would be living back home: a life touched by drugs, anti-war sentiments and…
In school, science and reading were always my favorite subjects so is it any wonder that I grew up to be a scientist who writes? Before I entered my teens, I entered the realm of science fiction through the stories of Asimov, Bradbury, and Le Guin, and I never willingly left that realm. Back then, the one thing I hungered for but so rarely found was a compelling female character. Avid readers all want to find that character to identify with, don’t we? Fortunately, our sci-fi world is now populated with many great female MCs so I’m sharing five of my favorites here with you. I hope you enjoy them as much as I did.
C.J. Cherryh‘s Hugo-winningDownbelow Station is on a lot of people’s TBR pile but I suspect due to its intimidating size, it never gets any further. Which is a damn shame. Once you get into it, the story is completely absorbing. Cherryh’s world-building is outstanding, presenting a convincing 24th Century society, with just enough enriching detail to draw you in. The politics and tactics of the warring factions are familiar yet not derivative. If you loved Alien’s Ripley as much as I did, then I suspect you will love the character of Captain Signy Mallory. She is presented as a badass in the best possible way: tough, smart, resolute, and unfailingly loyal to her crew. Though this is classic space opera, filled with war, intrigue, and politics, the emphasis is on the people not the pew-pew space battles. If that’s a plus for you like it is for me,…
The Hugo Award-winning classic sci-fi novel about interstellar war.
The Beyond started with the Stations orbiting the stars nearest Earth. The Great Circle the interstellar freighters traveled was long, but not unmanageable, and the early Stations were emotionally and politically dependent on Mother Earth. The Earth Company which ran this immense operation reaped incalculable profits and influenced the affairs of nations.
Then came Pell, the first station centered around a newly discovered living planet. The discovery of Pell's World forever altered the power balance of the Beyond. Earth was no longer the anchor which kept this vast empire from coming…
I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.
This book is almost too beautiful for words, and reading it you feel like you are falling into a haunted magic mirror where identity and race are explored alongside a host of deep simmering emotions: anger and forgiveness, fear and vanity. A sort of dizzying intergenerational retake on Snow White.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
Imagine for a moment that you receive an email that states the following: “Liquidate everything and return immediately.” Now imagine you are a North Korean spy who has lived in South Korea for almost twenty years, and after your handler disappeared more than a decade ago, you’ve heard nothing. Until this email. Is it real? Or has the South Korean CIA found you out and is trying to trick you? What about your wife and your daughter, both completely unaware of your true identity? Your Republic Is Calling You takes place entirely in a single day of this unfortunate spy’s life, and now you’ll have to read it to see how it ends: does he stay or does he go?
A foreign film importer, Gi-yeong is a family man with a wife and daughter. An aficionado of Heineken, soccer, and sushi, he is also a North Korean spy who has been living among his enemies for twenty-one years.
Suddenly he receives a mysterious email, a directive seemingly from the home office. He has one day to return to headquarters. He hasn’t heard from anyone in over ten years. Why is he being called back now? Is this message really from Pyongyang? Is he returning to receive new orders or to be executed for a lack of diligence? Has someone in…
John Banville, who won the Booker Prize in 2005 for The Sea, may have retired from literary fiction in favour of more commercially-focused crime novels, but this book proved he has been able to take his extraordinary writing with him–elevating the crime novel to new heights, rather than dumbing-down his own output.
This is the third installment of the Strafford & Quirke mystery series under his own name–he had written others previously with the same characters under his pseudonym, Benjamin Black. Pathologist Dr. Quirke and Detective Inspector Strafford make an unlikely partnership in tackling the darkest crimes of 1950s Dublin, but Banville’s lyrical prose draws you in so all-consumingly it’s easy to forget you exist in your own time period while you have your head in the novel.
'Crime writing of the highest quality.' DAILY MAIL
'Atmospheric and sinister with simmering tension . . . Once you start reading, it's impossible to stop.' DAILY EXPRESS
The Sunday Times bestselling author of Snow and April in Spain returns with Strafford and Quirke's most troubling case yet.
1950s Dublin. The body of a young woman is discovered in a lock-up garage, an apparent suicide. But pathologist Dr Quirke and Detective Inspector Strafford soon suspect foul play.
The victim's sister returns from London to help the two men, but, with…
I’ve always had a passion for animals since I was nine years old and wrote my first ‘book’ on animals for a school library competition. I went on to study animal behavior at university and complete a doctorate in conservation biology and seabirds in the Scottish Outer Hebrides. I’ve worked in zoos and museums, written twelve books on animals as various as killer whales and koalas, extinct megafauna, and marine reptiles. Learning more about the natural world, the people who study it, and the importance of protecting it, has been the driving force behind all of my books and a joy to share with readers.
This genre-busting debut novel by Tasmanian writer Robbie Arnott defies all attempts to describe or classify it. The writing is vibrant and beautiful. It’s a book that fills your lungs with a blast of fresh air, the scents of the cool southern rainforests and dazzles you with clouds and sun and rain and fire. It seamlessly blends realism with a spirit world, binding the human to the animal in an evocatively magical and disturbing story that brings Australian nature and animals into focus in an entirely new literary landscape. I defy anyone to read this book and not fall in love with the Rakali and weep a little the next time it rains. Quite the most remarkable book I’ve read.
Robbie Arnott's mad, wild debut novel is rough-hewn from the Tasmanian landscape and imbued with the folkloric magic of the oldest fireside storytellers.
A young man named Levi McAllister decides to build a coffin for his twenty-three-year-old sister, Charlotte-who promptly runs for her life. A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire.
The answers to these riddles are to be found in this tale of grief and love and the bonds…
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A philosopher writes about love in the most extraordinarily ordinary way. It is a story about a couple and how they fall in love and why the two of them fall in love with each other. That is fascinating in itself. Then he follows how the love between them develops—and he comments on it as they move along. It is a book that gives a deep insight into how love works when it works—and when it doesn’t. I felt much better about the mistakes I’ve made in love when I read his book.
“An engrossing tale [that] provides plenty of food for thought” (People, Best New Books pick), this playful, wise, and profoundly moving second novel from the internationally bestselling author of How Proust Can Change Your Life tracks the beautifully complicated arc of a romantic partnership.
We all know the headiness and excitement of the early days of love. But what comes after? In Edinburgh, a couple, Rabih and Kirsten, fall in love. They get married, they have children—but no long-term relationship is as simple as “happily ever after.” The Course of Love explores what happens after the birth of love, what…
I love books that take the reader to another country. Travel (even vicariously in a book) takes us out of our comfort zones and inspires us to open our minds to other cultures, ways of life and thought. These books constantly challenge us, not only to understand different surroundings, but also to understand unique people, to embrace adventures, glamour and romance and to share these new and meaningful thoughts and ideas with others.
A Theatre for Dreamers captures the halcyon days of the 60s artistic community on the Greek Island of Hydra. It focuses on the international bohemian set, including the authors Charmian Clift and George Johnston. Among the artists, poets and hangers-on are a Norwegian couple—Axel Jensen and Marianne Ihlen—and a young, charismatic Canadian by the name of Leonard Cohen. It is narrated by the likable ingenue Erica, a novitiate novelist in her late teens whose mother’s dying wish was for her daughter to go off on an adventure. Erica is like Nick Carraway, mainly on the periphery of events, observing and learning from the more experienced, glamorous people she has fallen in with. Interesting fact: author, Polly Samson, is married to David Gilmour of Pink Floyd.
'Delicious' Nigella Lawson 'Clever and beguiling' Guardian 'Sublime and immersive' Jojo Moyes
Erica is eighteen and ready for freedom. It's the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever.
'A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality' Observer 'Heady armchair…
I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.
The Long Drop is a Scottish crime book like no other.
It features an imagined night featuring two key figures in the terrible world of one of Scotland’s most notorious murderers Peter Manuel.
In this long night of the soul Peter Manuel and William Watt wander through Glasgow and its underbelly as Manuel leads Watt on a journey of lies, drink, and trickery.
It is Tartan Noir at its most terrifying. A Jekyll and Hyde story of a night based on true events.
'A masterpiece by the woman who may be Britain's finest living crime novelist' Daily Telegraph
'Absorbing... this is a bravura performance, a true original' Ian Rankin
Glasgow, 1957. It is a December night and William Watt is desperate. His family has been murdered and he needs to find out who killed them.
He arrives at a bar to meet Peter Manuel, who claims he can get hold of the gun that was used. But Watt soon realises that this infamous criminal will not give up information easily.
Inspired by true events, The Long Drop follows Watt and Manuel along back…
I’m a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. That’s when I decided to head down to the PDC’s “turf” in a small corner of south London because if you are going to try and tackle this crimewave it’s best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.
As a young kid reading Dickens for the first time I was mesmerised by this journey into the underworld of Victorian London. I would go on my own imaginary adventures with the Artful Dodger and his gang of thieving street urchins. Years later, when writing my own book about modern street gang members I had the same sense of going on a thrilling journey of discovery and escapades.
'The power of Dickens is so amazing, that the reader at once becomes his captive' WILLIAM MAKEPEACE THACKERAY
The story of the orphan Oliver, who runs away from the workhouse to be taken in by a den of thieves, shocked readers with its depiction of a dark criminal underworld peopled by vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic romance, the Newgate novel and popular melodrama, Oliver Twist created an entirely new kind of fiction, scathing in its indictment of a cruel society and pervaded…
