Jane and Maria Porter were the true founders of the historical novel, but they remain in the shadow of Sir Walter Scott.
This book is the first full-length biography of the sisters and how their novels, including The Scottish Chiefs (Jane) and The Hungarian Brothers (Maria) were forerunners of the genre. In my opinion, The Scottish Chiefs equals or excels anything Sir Walter Scott wrote. Looser does a wonderful job of making the sisters feel like real people through her extensive research and quoting from their letters.
We feel sympathy for the sisters who felt compelled to write to support their family, and we find out the details of their relationship with Sir Walter Scott, allowing us to draw our own conclusions on whether or not they influenced him.
For readers of Prairie Fires and The Peabody Sisters, a fascinating, insightful biography of the most famous sister novelists before the Brontës.
Before the Brontë sisters picked up their pens, or Jane Austen's heroines Elizabeth and Jane Bennet became household names, the literary world was celebrating a different pair of sisters: Jane and Anna Maria Porter. The Porters-exact contemporaries of Jane Austen-were brilliant, attractive, self-made single women of polite reputation who between them published 26 books and achieved global fame. They socialized among the rich and famous, tried to hide their family's considerable debt, and fell dramatically in and out…
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
This is a novel about life in the London slums in the 1880s. You really get a sense of just how hard it was to make ends meet in these communities. I loved it for the details about what people ate, where they lived, and the language. I trawled books like this for authentic words and expressions that I could put in the mouths of my characters in my own books.
An exploration of the class struggle in nineteenth century London where a potential inheritance turns family and friends into desperate foes eager to escape their circumstance. A compelling story about greed, deception and the innate need to survive. Michael Snowdon lives like a pauper despite inheriting a massive fortune. He plans to leave his money to Jane, his neglected granddaughter, in hopes that she will spend it on charitable causes. Yet, Michael's estranged son Jonathan wants to acquire the funds for himself. He tries to create a wedge between his father and Jane, making it easier for him to make…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.
In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.
Think being a superhero is hard? Try being the first one.
Will’s life is a proper muddle—and all because he was “accidentally” inflicted with the ability to run faster and leap higher than any human ever. One minute he’s a blacksmith’s apprentice trying to save his master from debtor’s prison. The next he’s accused of murder and hunted as a black-hearted highwayman.
My fascination and emotional connection with animals have been lifelong. However, it wasn't until my second year as an undergrad student that I realized that human-animal relationship could be examined from philosophical, historical, and anthropological perspectives. Over the past couple of decades, the conversations around the roles of non-human animals in diverse cultural, social, and material contexts have coalesced under the interdisciplinary field known as Animal Studies. I draw upon this literature and use my training in law and PhD in the history of science to explore the ties between knowledge and ethics in the context of animal law.
In this field-defining classic, Ritvo boldly showed the academic world that the relations between humans and other animals are worthy of historical inquiry.
The book delves into various subjects in Victorian life: hunting and the designation of nature reserves, the emergence of pet shows and their relations to class formation, meat consumption, and its national symbolism. The book’s impressive breadth of sources spans from popular newspapers’ illustrations to agricultural studbooks.
While primarily focused on nineteenth-century England, Ritvo's insights have inspired researchers, including myself, to examine similar themes in different cultures and historical periods.
When we think about the Victorian age, we usually envision people together with animals: the Queen and her pugs, the sportsman with horses and hounds, the big game hunter with his wild kill, the gentleman farmer with a prize bull. Harriet Ritvo here gives us a vivid picture of how animals figured in English thinking during the nineteenth century and, by extension, how they served as metaphors for human psychological needs and sociopolitical aspirations.
Victorian England was a period of burgeoning scientific cattle breeding and newly fashionable dog shows; an age of Empire and big game hunting; an era of…
As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!
Bly was a brilliant investigative journalist best known in the United States for her exposé of the Women’s Lunatic Asylum based on her feigning of insanity as an undercover patient … until she became even more famous for her circumnavigation of the globe, inspired by Jules Verne’s fictional Around the World in 80 Days. Sponsored and encouraged by Joseph Pulitzer (editor of the tabloid newspaper, The New York World) and written in a witty, breezy style, Bly’s pithily-told tale upends every stereotype of fragile Victorian womanhood; her gutsy candor about her madcap race around what was supposed to be a wholly man’s world still stuns and delights!
"She was part of the 'stunt girl' movement that was very important in the 1880s and 1890s as these big, mass-circulation yellow journalism papers came into the fore." -Brooke Kroeger
Around the World in Seventy-Two Days (1890) is a travel narrative by American investigative journalist Nellie Bly. Proposed as a recreation of the journey undertaken by Phileas Fogg in Jules Verne's Around the World in Eighty Days (1873), Bly's journey was covered in Joseph Pulitzer's popular newspaper the New York World, inspiring countless others to attempt to surpass her record. At the time, readers at home were encouraged to estimate…
Historical romance author Emmanuelle lives on the bonny banks of Loch Fyne with her husband and beloved haggis pudding Archie McFloof—connoisseur of bacon treats and squeaky toys. While waiting on her own country house party invitation [sending a wink to Inveraray Castle—which is just down the road, and boasts a duke!] she makes do by serving up imaginary shenanigans.
In this ‘last chance for love’ romance, our gently bred heroine allows herself to be courted by a London merchant for the sake of her family’s dwindling coffers. The courtship of convenience isn’t going well, however, as the darkly handsome hero keeps his emotions so much under wraps that Sophie despairs of him ever declaring himself. Will an invitation to their Christmas family gathering inspire the necessary proposal? Sophie is almost ready to throw in the towel, but her heart whispers that her suitor may not be as reluctant as he first appears.
"Readers will easily fall for Sophie and Ned in their gaslit surroundings." -Library Journal, starred review
A Courtship of Convenience
Sophie Appersett is quite willing to marry outside of her class to ensure the survival of her family. But the darkly handsome Mr. Edward Sharpe is no run-of-the-mill London merchant. He's grim and silent. A man of little emotion--or perhaps no emotion at all. After two months of courtship, she's ready to put an end to things.
A Last Chance for Love
But severing ties with her taciturn suitor isn't as straightforward as Sophie envisioned. Her parents are outraged. And…
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
I love a book that upends my assumptions. Valerie Steele applies science and common sense to “history’s most controversial garment.” In her hands, long-standing Victorian myths unravel. Gone are fainting, wasp-waisted women whose corsets cut their livers in two and fairy tales about the cosmetic removal of ribs to produce a trimmer waistline.
The book is a visual delight, richly illustrated with period advertisements and humorous, anti-corset cartoons from popular journals. Steele traces the garment’s history across the centuries and explores what finally killed the “lethal” corset; it wasn’t its deadly health effects.
The corset is probably the most controversial garment in the history of fashion. Although regarded as an essential element of fashionable dress from the Renaissance into the twentieth century, the corset was also frequently condemned as an instrument of torture and the cause of ill health. Why did women continue to don steel and whalebone corsets for four hundred years? And why did they finally stop? This lavishly illustrated book offers fascinating and often surprising answers to these questions. Valerie Steele, one of the world's most respected fashion historians, explores the cultural history of the corset, demolishing myths about this…
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
Having worked with Anna Mason on the May Morris exhibition and catalogue and admiring her talents, I am delighted to see them devoted to this comprehensive updating of William Morris's creativity in so many spheres. A real tour de force. And a volume that both forms the bedrock of Morris's studies and beckons forward toward new explorations.
William Morris's interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris's various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy.
A pioneer of the Arts & Crafts Movement, William Morris (1834-1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker.…
I grew up with books like Dinotopia, Goosebumps choose your own adventures, Harry Potter, and Lord of the Rings, growing me into a lover of intricate world-building. I've always been passionate about magic and science. Interweaving magic into everyday life is part of who I am and I love seeing it in writing. After writing ten fantasy detective novels, buckets of short mysteries, and over a decade of world-building I know a passionate writer when I read it. As an avid audiobook consumer, organizer, and progenitor for the Logan Writers Festival, and twice-a-week professional Dungeon Master, I love the way these books intricately lay down their clues in the places they didn’t think we’d look.
This book by Pip Ballantine and Tee Morris is one that you skip other books in your TBR pile for! It’s impossible to put it down. The story takes place in an alternate Victorian era where the world is powered by steam and magic. The plot is filled with so many threads of clues and mysteries weave you into the world and before you know it you’re as tangled as the characters. The secret agent and medium characters are brilliant, and their chemistry is just amazing. The world-building is superb, the steampunk universe is so rich and fascinating. The balance of mystery, fantasy, and adventure are just perfect. If you love steampunk and mystery, you have to read this book! It's simply fantastic!
There's something rotten in the city of London. Women are disappearing - young and old, rich and poor, from all walks of society. The only thing they have in common is their belief that women also deserve the vote. It's up to the Ministry of Peculiar Occurences to find out why these women are vanishing, but agents Books and Braun have their own challenges. There's a turncoat with nefarious plans within the Ministry itself, and the reappearance of an old flame means their growing friendship is threatened. To say nothing of the queen of the underworld, tassassins-attacking-on-ornithopters, and a conspiracy…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I love this novel so much that I named my son Phineas in homage.
Anthony Trollope might seem the ur-English novelist because of his much-loved series of Barhhester novels set among clerics in a provincial town, but he spent much of his working life in Ireland and wrote passionately about the country in many of his books.
Phineas Finn is a kind of alter ego, a young Irishman equipped with charm, good looks, and very little money. He becomes a Member of Parliament and sets out to find his way through the challenges and dilemmas of high society in Victorian London. His moral compass sometimes goes slightly awry, but it generally comes right in the end.
Trollope’s psychological subtlety draws out the ambiguities and prejudices that Phineas encounters and reminds us of the central part played by Ireland in the British Empire. He died long before Ireland’s separation from Britain,…
