I constantly found myself at points throughout the day when I wasn’t reading, thinking of the characters and how they would deal with the looming pressures. I was so unsettled at points that I even felt the tingling of fear when walking past windows, my hair standing on end when I was left alone, and in my brain thinking of The Watchers.
Soon to be a MAJOR MOTION PICTURE produced by M. NIGHT SHYAMALAN and starring DAKOTA FANNING.
You can't see them. But they can see you.
This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams.
Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the Watchers…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Jewel thieves, undercover investigation, and - a fake engagement? I seriously could not predict the twists and turns aplenty in this book from Erin Swann which made me gasp several times, and then frantically keep reading.
I adored the clever descriptions that Erin crafted, and it became impossible not to fall in love with her characters. Grab it now.
Mystery and crime novels have always been my favorite genre. I love the suspense and intrigue, the intricate storylines, and the clever plot twists. In middle school, while my friends were reading more age-appropriate books, I was reading The Godfather and The Spy Who Came In from the Cold. Is it any wonder then that Siena Ricci, the main character of my debut novel Gullible, is a shrewd and cunning female con artist? I had so much fun developing Siena’s story arc and creating the criminal world she inhabits that I decided to continue her narrative in a sequel, with plans for a third novel to round out the trilogy.
Not to brag, but I can usually spot whodunit early on in most murder mysteries. This novel, however, kept me in the dark as, one by one, each of the characters fell off Foley’s guest list and onto my suspect list.
The writing is suspenseful, the plot is fast-paced, and the story is cleverly told from numerous characters’ points of view. I truly did not see this ending coming! As a diehard murder mystery fan, Lucy Foley is my new Agatha Christie. I highly recommend this novel.
*The brand new thriller from Lucy Foley - THE PARIS APARTMENT - is available to pre-order now*
The No.1 Sunday Times bestseller
*Over 1 million copies sold worldwide*
*One of The Times and Sunday Times Crime Books of the Year*
*Goodreads Choice Awards winner for Crime & Mystery 2020*
A gripping, twisty murder mystery thriller from the No.1 bestselling author of The Hunting Party.
'Lucy Foley is really very clever' Anthony Horowitz 'Thrilling' The Times 'A classic whodunnit' Kate Mosse 'Sharp and atmospheric and addictive' Louise Candlish 'A furiously twisty thriller' Clare Mackintosh
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.
It is a powerful first-person narrative follows the story of a young Irish girl from her earliest memory to around twelve years of age, tracing the shaping of "the Dublin Angela" into "the English Angela" and ultimately Angela of Lysterby, "the Irish rebel." This tale is told from the perspective of her older self, now "a hopeless wanderer" with youth and optimism behind her. The narrative opens with a startling sketch of Angela's mother, "a handsome, cold-eyed woman, who did not love me," before relating fragmented memories of an idyllic time spent in rural Kildare while "put out to nurse"…
Like
many of Lovric’s novels, Venice features prominently in this book, too, when the
seven Harristown sisters, known as the Swiney Godivas, travel there to present
their peculiar stage show showcasing their extraordinarily long hair.
Their
story originates in Ireland and brings them to London as they scramble their
way out of poverty and try to find love. Lovric’s stories always include some
gothic, some grotesque, and some pure and enlivening love.
I was drawn into the
narrator Manticory’s hopes for a better future while also, at times, feeling
squeamish about the more unsavory lengths her sisters go to to find release
from their poverty and, later, their eldest sister’s authoritarian rule.
Venice
provides the backdrop for the dramatic denouement. Gruesome and gripping, but also
beautiful storytelling.
It is the age of the Pre-Raphaelite Brotherhood, when Europe burns with a passion for long-flowing locks. And when seven sisters, born into fatherless poverty in Ireland, grow up with hair cascading down their backs, to their ankles, and beyond, men are not slow to recognise their potential.
It begins with a singing and dancing septet, with Irish jigs kicked out in dusty church halls. But it is not the sisters' singing or their dancing that fills the seats: it is the torrents of hair they let loose at the end of each show. And their hair will take dark-hearted…
I grew up in this place, born here when the Troubles began. In one form or another, the conflict was everywhere. It was built into the infrastructure, into attitudes. It infested conversations, hurt friendships, killed old folks, children, friends, and family. Fiction from and about Northern Ireland was inevitably hamstrung by that dominant, terrible story. Since the 1994 ceasefires, our fiction has come charging forward. It’s analytical, bullish, enlightening, funny as hell, and it moves us forward by taking honest stock of what came before. I love this emerging place and its new voices. And I love to read and write stories about it. It’s a stubborn home, often maddening, truly kind, forever breath-taking.
How to address the bloody past is constantly debated in Northern Ireland. The lawyers can’t get it right, nor the politicians or police. Yet this writer does. The book strips everything away and leaves, well, the bones. It’s a father-and-son story. The former, an ex-paramilitary, takes in the troubled latter. The prison veteran father has been trying to be better. The lovesick son is trying to be normal. Both remain curiously opaque, their stories not quite gelling. These are precision-hewn Troubles characters, murderer and son, never as disappointed in each other as they are with themselves. Theirs is a small house filled with history and filling up with paranoia and mistrust. And we learn it all via a prison diary. A mighty debut novel.
Thrown out of university, green-tea-drinking, meditation-loving Scott McAuley has no place to go but home: County Down, Northern Ireland. The only problem is, his father is there now too.
Duke wasn't around when Scott was growing up. He was in prison for stabbing two Catholic kids in an alley. But thanks to the Good Friday Agreement, big Duke is out now, reformed, a counselor.
Squeezed together into a small house, with too little work and too much time to think about what happened to Scott's dead mother, the tension grows between these two men, who seem to have so little…
As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.
In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.
`the ideal reading...for the hours after midnight'
Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant.…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Long before traveling to Ireland, I wanted to learn all I could about those who live there.
I have found that the best way to achieve that goal is to read historical fiction novels that present an incisive portrait of the Irish people—their often-tragic history, rich culture, traditions, and day-to-day living. The human stories bring the book to life, involving you directly in the characters’ lives. Trinity made me feel that I was living in the past, experiencing history firsthand.
Leon Uris’s beloved Irish classic, available in Avon mass market.
From the acclaimed author who enthralled the world with Exodus, Battle Cry, QB VII, Topaz, and other beloved classics of twentieth-century fiction comes a sweeping and powerful epic adventure that captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable cost—a magnificent portrait of a people divided…
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
The renowned Rosemary Sutcliff examines the life and times of legendary hero, Finn MacCool in this modern and compelling book. Her descriptive writing and attention to detail makes the writing flow effortlessly across the page. The book doesn’t read like a collection of legends, but like a modern thriller. I highly recommend it, along with its companion book, The Hound of Ulster.
Set more than a thousand years ago in the soft green hills of Ireland, in a shifting time when enchanted creatures and the Fairy Kind still flickered in and out of the lives of men, the ancient stories of Finn MacCool and the brotherhood of the Fianna shimmer with magic. Here Rosemary Sutcliff breathes new life into adventures of these Irish heroes and their battles with strange and supernatural beings.
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
To understand the history of Irish immigrants in America, you first need to study the country they left.
Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.
His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.
From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or…
