The most recommended supernatural books

This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!

Kylie has always played by the rules. One bad decision sends her to Shadow Falls Camp, a place for troubled teams which isn’t what it seems. Kylie finds herself surrounded by vampires, werewolves, and shifters. Believing they exist is difficult enough, facing the fact that she’s one of them is impossible. Especially when they can’t figure out what she is. 

You know that frightening jolt when a painting reaches out and grabs you? Duma Key is your own private gallery you might never (want to) escape from.  

I love this book not only because it was written by one of my all-time favorite writers but it’s about an artist and the act of creating art, which is King’s specialty (think Lisey’s Story, The Shining, or Bag of Bones).

The protagonist Edgar Freemantle is a successful contractor in Minnesota until he suffers a terrible accident. He flees to Duma Key, a lush, oppressive island packed with mystery and malevolence, and unwillingly begins to paint these amazing terrifying works with life-altering results. 

Paintings that might possess you, islands with dark pasts, curses coming true?

Now, that’s my kind of book. 

This book was so fascinating and dragged me into it immediately.

There were so many twists and turns and unexpected supernatural happenings once these travelers journey into a place called Suicide Forest where many people have gone to die. If you like books that make you think and not roam around the world clueless, this is one of them.

The strongest creatures have tried and failed to fulfill their destiny. Rather than succumb to the fallout of their actions, they ran away and hid amongst the world separately. All it took was one glance from a stranger to turn their world upside down. Can love break the curse that is their existence?

I found that the bond of family, found or born, can create a bearable existence when all hope is lost. 

When I was a student I found this book an inspiration. Beautifully written, it brings out deep affinities between the poetry and ideas of Wordsworth, Shelley, and other poets in England and the idealist philosophers in Germany, and the ways both groups rewrote the cosmic ideas of Christianity and ancient esoteric systems. It continually sets off sparks with its surprising comparisons. In the fifty years since it appeared, scholars have complained about how many writers the book leaves out, but given that its theme is “The High Romantic Argument” and not all of Romanticism, I am still impressed by how much it takes in.

Jenna Moran is an under-appreciated author who combines whimsy and darkness in equal measure, created worlds that are at once familiar and strange. This bittersweet picture book is her at her finest, accompanied by glorious artwork by Elizabeth Sherry as she tells the story of a picture-book world attacked by an invasion of terrible, otherworldly things—Ordinary Objects.

In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.

In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.

Although Bram Stoker was a fiction writer presenting us with a fantastic, supernatural story, he did meticulous research in an effort to create a convincing backdrop: history, geography, psychology, vampire lore, dreaming and somnambulism, animal behavior, the history of the Devil—yes, even seamen’s yarn was the subject of Stoker’s studies. Dracula scholar Clive Leatherdale has done a superb job by tracking the novelist’s key sources, summarizing them for us and highlighting their relevance for the making of Dracula. A decade later, Leatherdale would release Bram Stoker’s Dracula Unearthed, an annotated edition of the novel. To find affordable second-hand editions of both classics, you have to search the Internet a bit, but for everyone aspiring to become a Dracula expert, both books are indispensable.

Ok, you’ve read Cohen and Monsters and the Monstrous. This monster stuff is getting pretty good, and you might be able to feel around the edges a bit. How does it apply to contemporary America which “no longer believes in monsters?” This is where Poole’s book comes in. Poole walks through monstrosity in the US from Columbus’ first steps to just shy of 2020. All the juicy topics that Americans have used monsters for—sex, race, and politics—emerge in this monstrous tour de force of US history. This is one of the first books I recommend to my students.