I’m an avid reader and writer of children’s literature, though I find it difficult to read anything that isn’t diverse these days. Being able to experience the world from the perspectives of other cultures is a true delight, and I learn something every time. After having read dozens of these diverse books, especially diverse fantasies, I find that nothing inspires my creative soul more. That’s why I’m able to speak on this topic for large conferences and schools, spreading this inspiration to others. And, as a published author of diverse children’s literature, I’ve done the same in my writing with praise from Kirkus, Booklist, Publisher’s Weekly, and many others.
Khan’s Pakistani-inspired heroine Nura proves uniquely cunning as she goes from being a child laborer to discovering an entrance into the world of the jinn.
If you don’t know anything about the jinn, it is that they are tricksters who will try and trap you, and that’s exactly what happens to Nura. Only, what makes Nura so special is that she is cunning too.
I loved watching her outsmart the immortal beings in this supernatural world.
A magical adventure rooted in Muslim culture and tradition, Nura and the Immortal Palace follows a young girl's journey from modern-day Pakistan into the world of the jinn.
Nura has worked all her life in the mica mines, earning just enough to keep her family afloat - and enjoy the odd delicious gulab jamun from the market. Some day she's going to find the Demon's Tongue, a legendary treasure buried deep in the mines, and her family will never have to worry about money again.
But when a terrible accident buries her best friend below ground, Nura goes in search…
I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.
Now here is a fantasy mixed with Rom-Com like you’ve never known before. I laughed and felt my heart throb the entirety of this book.
Sometimes it’s good to step away from the morally gray love interest and fall for the sweet one. Velis is a hot genie who becomes attached to his “master” (the conjurer of his genie lamp). Dolly is a heavily self-disciplined girl with a tragic story. With a deep need of mending her struggle, Velis is the supportive, compassionate, and respectful love interest perfectly capable of such a task.
Add in a hot genie bad boy brother and you have a dramatic story worth reading.
★A jaded girl. A persistent genie. A contest of souls.★
Recent college graduate Dolly Jones has spent the last year stubbornly trying to atone for a mistake that cost her everything. She doesn't go out, she doesn't make new friends and she sure as hell doesn't treat herself to things she hasn't earned, but when her most recent thrift store purchase proves home to a hot, magical genie determined to draw out her darkest desires in exchange for a taste of her soul, Dolly's restraint, and patience, will be put to the test.
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I enjoyed Mafouz’s marvelous retelling of the Thousand and One Nights.
Although Mafouz sets the time in mediaeval era, the novel is a
political fable with contemporary overtones for any authoritarian
government.
Arabian Nights and Days,
tells the story of the Sultan, Shahriyar, and his entourage of rotating
police chiefs, spies, and informers. Many of the same characters from A Thousand and One Nights
appear in his version: Sindbad the Sailor, Aladdin, Shahrazad and her
sister, Dunyazad. And characters do tell stories to one another, but
Shahrazad is not as prominent.
The “jinn” or evil spirits do take
over each of the most noble characters, who are tempted by money, sex,
and power. Many “fall into the abyss” either in this world or the next.
There are disappearances, robberies, murders, purges—and those who are in favor might have their fortunes drastically changed in the course of…
The Nobel Prize-winning Egyptian writer Naguib Mahfouz refashions the classic tales of Scheherazade into a novel written in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories from the tradition of The One Thousand and One Nights, made new by the magical pen of the acknowledged dean of Arabic letters, who plumbs their depths for timeless truths.
It’s Seb’s last day working in Turkey, but his friend Oz has been cursed. Superstition turns to terror as the effects of the ancient malediction spill over, and the lives of Oz and his family hang in the balance. Can Seb find the answers to remove the hex before it’s too late?
Journey with Seb, Oz, and Deniz across ancient North African cities as they seek to banish the Shadow of the Hidden.
It’s Seb’s last day working in Turkey, but his friend Oz has been cursed. Superstition turns to terror as the effects of the ancient malediction spill over and the lives of Oz and his family hang in the balance. Can Seb find the answers to remove the hex before it’s too late?
From Kev Harrison, author of The Balance and Below, journey with Seb, Oz and Deniz across ancient North African cities as they seek to banish the Shadow of the Hidden.
A lot of people feel intimidated by fantasy. Admittedly, the classics of the genre can be hard to get into, with their epic worldbuilding and thousand-page counts. But what made me fall in love with fantasy was the way it made me feel. Growing up queer, Jewish, fat, and chronically ill in the American South made it impossible for me to relate to the people around me. But fantasy, with its stories of outcasts becoming saviors, resonated with me. That’s why I started writing Queen of All when I was only twelve years old—I wanted to make people feel seen and understood. That’s what these books have done for me.
The conclusion to a charming middle-grade trilogy about a quick-witted demon named Bartimaeus, this book also depicts love and loss with an intensity and realism that resonates with readers of any age. I first read this book when I was about nine years old, eager to find out what would happen to the hilarious characters I’d loved so much in the first few books. I’ll never forget how hard I cried on that school bus home. I was just old enough to understand what that kind of loss would feel like, and still young enough to be moved by the story’s idealism and for the fantastical world to feel real for me. But I think, no matter who you are, this is a story at once heartbreaking and hilarious.
Three years on from the events in The Golem's Eye, the magicians' rule in London is teetering on a knife-edge, with strikes, riots and general unrest. The Prime Minister is largely controlled by two advisers, one of whom is 17-year-old Nathaniel. Meanwhile, living under a false identity, Kitty has been researching djinn; she has come to believe that the only way to destroy the magicians is with an alliance between djinn and ordinary people.
Kitty seeks out Bartimaeus and embarks on a terrifying journey into the djinn's chaotic domain - the Other Place…
Omar Sakr is a poet. Son of Sin is his first novel and his prose reflects his poetic style.
You can see this in extracts such as:
“…the staggered and warped back and forth of people who don’t know how to talk to each other without trying to win, to force the other to concede.”
And this is what appealed to me about this work. It’s less of a narrative and more of a meditation on identity. Yes, there are story elements, but the words make you muse on what it means to ‘fit in’.
One message I took away is the idea that our identity is linked to memory, and memory fades. And it’s reflections like this that makes this novel stay with you long after the final page.
Poet Omar Sakr’s debut novel is a fierce and fantastic force that illuminates the bonds that bind families together as well as what can break them.
An estranged father. An abused and abusive mother. An army of relatives. A tapestry of violence, woven across generations and geographies, from Turkey to Lebanon to Western Sydney. This is the legacy left to Jamal Smith, a young queer Muslim trying to escape a past in which memory and rumour trace ugly shapes in the dark. When every thread in life constricts instead of connects, how do you find a way to breathe? Torn…
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
The pretense for modern fantasy and supernatural suspense is rooted in the concept of folklore and fairytale. Harkening back to those days, Byatt weaves an intricate world of wonder and spirits the reader away to become enveloped within it. Byatt stands on the shoulder of the giants who came before to tell these five songs and expertly uses imagery and allegory to make the reader think about the deeper meaning of these stories.
A stunning collection of fairy tales for grown-ups from the Booker Prize-winning author of Possession, a "storyteller who could keep a sultan on the edge of his throne for a thousand and one nights" (The New York Times Book Review).
Includes the story “The Djinn in the Nightingale's Eye”—the basis for the George Miller film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton
A.S. Byatt portrays the strange relationship between an intelligent heroine—a world-renowned scholar of the art of storytelling—and the marvelous being that lives in a bottle, found in a dusty shop in an Istanbul bazaar.…
My favorite books—to read and to write—have always been funny Christian romances. But all four of my kids prefer fantasy. They want me to read with them, and they’ve been asking me to read nothing but fantasy for years. Now I can say it’s my second favorite genre. In fact, I learned to like it so much I eventually started writing a children’s fantasy series of my own, in between all the mushy stuff. Beyond Wisherton is the first in that series.
There is a fine line between silly and slapstick. This book manages to stay just barely on the good side of that line. Basically, we have two kids with genies being chased by bad guys. The danger motivates the kids to make wishes. The wishes are unlimited, but so are the consequences. Little wishes have little consequences while a big enough wish comes with death. Reading about the kids being forced to hop up and down, clap their hands and make weird noises as a result of the wishes is highly entertaining. But there are also a lot of openings for serious discussion as the kids try to negotiate smaller wishes to achieve similar results. Which consequences would you accept?
"Looking for a fantastically fast-paced and funny read? Your wish is granted!" -Chris Grabenstein, #1 New York Times bestselling author of Escape from Mr. Lemoncello's Library
Twelve-year-old Ace's life is about to change in the most unexpected and magical ways-all because of a peanut butter jar.
When he opens it, he inadvertently releases a genie named Ridge. Now a Wishmaker, Ace is given a week to complete a seemingly impossible quest, and if he fails the world will end in the most tragic (but cuddly) way imaginable.
Luckily, Ridge can help by granting Ace an unlimited number of wishes...as long…
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
The start of an epic fantasy adventure. Filled with djinn, magic, and myth, Dalen Pax and the Beads of Fire pulls you into an engaging fantasy world where time unravels and reforms a world of wild imagine. The protagonist begins his adventure as a normal teenager trying to find his place in the world. A world that expands with the revelation that magic exists, that time is a construct. Joined by a band of engaging characters I highly recommend joining the adventure.
Dalen Pax and the Beads of Fire is a delightfully inventive Fantasy novel, a remarkably touching and insightful coming-of-age story, and a philosophical tour de force.
Dalen Pax is a typical high school misfit who has always wished that magic was real. One fateful night, he found that it was when he risked his life to save Mathias, a man he didn't know. A man with the ability to wield real magic. After their meeting, Mathias enlists Dalen to help him retrieve a powerful artifact known as the Beads of Fire, which connects its wearer to the Fire Jinn, a…
Once I met Maeve Merritt, a rebellious young girl tired of abiding by uptight school rules in London, I couldn't help but root for her fiery spirit. And when fate leads her to stumble upon a sardine tin hiding an ornery Genie within, well, let's just say chaos ensues in the most delightful way possible.
As Maeve tries to navigate this newfound magical world while outsmarting those who seek to claim her treasure for themselves - including an endearing orphan boy named Bennet - every page is brimming with excitement and endless possibilities.
With each twist and turn, Julie Berry effortlessly captures Maeve's quick wit and audacious personality that, made her feel like a true friend throughout my reading journey.
From New York Times bestselling and award-winning author Julie Berry comes a middle-grade fantasy adventure full of humor and heart.
Be careful what you wish for ...
Maeve Merritt chafes at the rigid rules at her London boarding school for "Upright Young Ladies." When punishment forces her to sort through the trash, she finds a sardine tin that houses a foul-tempered djinni with no intention of submitting to a schoolgirl as his master.
Soon an orphan boy from the charitable home next door, a mysterious tall man in ginger whiskers, a disgruntled school worker, and a take-no-prisoners business tycoon are…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
