Writing the Olga book was a privilege in several senses. I got to hang out for five years with a remarkable human who kicked my butt (in the nicest possible way) and pulled me out of a midlife funk with the example of her indomitable spirit. Just as significantly, I got to delve deeply into the question of What makes some people almost … bulletproof? To what degree is healthy aging, well … a choice? This is really all a writer can ask for: to stumble on a subject that will never exhaust itself, that will just continue to open new angles. One way or another, I keep writing about Olga, and I suspect I always will.
An absolute denominator of life is resistance. Nietzsche had it right: adversity helps so long as it doesn’t do us in, and we make the biggest changes in our life when life pushes back. That applies to longevity too; the kites that stay longest in the air are pinned there by resistance. John Jerome gets this. This isn’t a book about longevity, it’s a book about running – slight but wise, with a kind of shopcraft-as-soulcraft turn of mind, if you think of your own body as the machine in the shop. Really, the book is a defense of stretching, in every sense of the word. You have to make periodic jaunts to “edge city,” where you eat the beans of just-manageable difficulty.
Takeaway sentence: “Heroism is endurance for one moment longer.”
All runners, from beginners to Olympians, will delight in this luminous compendium of wisdom wrought from many years of running. Applying his clear vision and wry wit to a smorgasbord of running-related topics, including stretching, dancing, bugs, falling, spaghetti, sweat, and the food police, John Jerome shares his contagious passion for the most basic of sports. Stripping the art of running down to its barest elements, he takes readers and runners with him on a joyous journey -- a run that revels in a profound affection and respect for the single sport that is as pure and simple as it…
I am adopted. I am a birth mother and also a mother through adoption. I have lived through all ‘three faces’ of adoption and know how each ‘face’ affects millions of people's lives all over the world. I am passionate that conversations around adoption need to come out of the closet and the secrecy surrounding the subject must disappear. By writing my books, I am on a mission to support adoptees, birth mothers, and adoptive parents and help them realise they are not alone. After publication of my first book in the Survival Without Roots trilogy, I am humbled that people are reaching out to say that reading Book One has helped them so much.
Fiona leaves no stone unturned as she describes the journey of her years dabbling with drugs and alcohol brought on by the trauma of growing up adopted. Fiona shows a true spirit of determination to fight through her adoption traumas of rejection and abandonment. I wondered all the way through this book whether she would succeed or if her experiences would eventually be too much for one person to bear.
The true-life story of Fiona who always felt displaced, a girl looking for belonging and security. This is Me No Darkness Too Deep, explores the ups and downs when as a young woman she roller-coasted, travelling from city to city and meeting trouble at every stop. Fiona spent many years in the depths of dark and desolate places, emotionally, physically, and spiritually. She was beaten, she slept rough and was used and abused and endured the horrors of rape. Carrying the weight of being an adoptee meant that she struggled through abandonment and rejection issues.
For those mourning the conclusion of the ten-book Kate Daniels series, rejoice! Ilona Andrews gifts us with Magic Tides, a riveting extension set a few years after we last left our fierce heroine.
Kate's brilliance, unyielding spirit, and savviness have cemented her as an iconic figure in urban fantasy (and my personal fave). Now outside of Atlanta, she and her family plunge into fresh adventures, but with that familiar kickass flair and intricately woven mythology that's unparalleled in the genre. This isn't just an urban fantasy—it's the gold standard.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
Each of the sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, and elsewhere. This is not just a history of the bull but also a view of ourselves through the eyes of the bull, illustrating our pre-literate use of myth, how the advent of writing and the urban revolution changed our view of ourselves, and how even bullfighting in Spain is a variation on the ancient sacrifice of the sacred bull.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. In I Am Taurus, author Stephen Palmer traces the story of the bull in the sky, starting from that point 19,000 years ago - a journey through the history of what has become known as the sacred bull. Each of the eleven sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, Greece, Spain and elsewhere. This is not just a history of the bull but also an attempt to see ourselves through…
In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.
The comparative mythologist, Joseph Campbell is probably best known for A Hero with a Thousand Faces, but it’s another book—Pathways to Bliss—that I turn to like a travel guide to my own spiritual journey. In prompting readers to explore archetypes to help them create their personal mythology, Campbell believes that life should be a journey to finding our bliss. This is a book about personal growth for people who want to self-discovery in a larger—mythical—context.
Joseph Campbell famously defined myth as “other people's religion.” But he also said that one of the basic functions of myth is to help each individual through the journey of life, providing a sort of travel guide or map to reach fulfillment — or, as he called it, bliss. For Campbell, many of the world's most powerful myths support the individual's heroic path toward bliss.
In Pathways to Bliss, Campbell examines this personal, psychological side of myth. Like his classic best-selling books Myths to Live By and The Power of Myth, Pathways to Bliss draws from Campbell's popular lectures and…
I am fascinated with mythology in all its shapes and forms. It fascinates me how cultures the world over have similar pantheons, for example, without any cultural cross-pollination. What I like to do in my fiction is blend various myths to create something new. And sometimes I create my own myths. It takes a curious, imaginative mind to come up with these myths, and most importantly a child-like sense of wonder, which, sadly, is extinguished by society as one is forced to “grow up”. I don’t ever want to lose that sense of wonder—to observe the world and see beauty and possibilities at every corner—so I preserve and interrogate it in my fiction.
This book is a phantasmagorical trip. This was one of the first, if not the first, African novel to be written in English.
The language, told in a broken English that is nonetheless poetic, (Tutuola’s education was incomplete) adds to the surreal nature of the story. I like it because it is the kind of story I grew up listening to: tales of people venturing into the forest and the wondrous adventures they have therein.
The basic premise goes thus: When war comes to a Nigerian village, a young boy and his brother flee into the forest and begin a surreal journey through the realm of ghosts.Folktales and legends abound in the pages of this book.
My Life in the Bush of Ghosts, Amos Tutuola's second novel, was first published in 1954. It tells the tale of a small boy who wanders into the heart of a fantastical African forest, the dwelling place of innumerable wild, grotesque and terrifying beings. He is captured by ghosts, buried alive and wrapped up in spider webs, but after several years he marries and accepts his new existence. With the appearance of the television-handed ghostess, however, comes a possible route of escape.
'Tutuola ... has the immediate intuition of a creative artist working by spell and incantation.' V. S. Pritchett,…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Black et. al. have compiled what is generally considered the definitive collection of Sumerian myths. The editors are the creme de la creme of the academic community of Sumerian literary experts, and the collection consists of works translated by them under the auspices of the University of Oxford. This book is the gold standard of mainstream literary study and understanding of Sumerian literature.
This anthology of Sumerian literature constitutes the most comprehensive collection ever published, and includes examples of most of the different types of composition written in the language, from narrative myths and lyrical hymns to proverbs and love poetry. The translations have benefited both from the work of many scholars and from our ever-increasing understanding of Sumerian. In addition to reflecting the advances made by modern scholarship, the translations are written in clear, accessible English. An extensive introduction discusses the literary qualities of the works, the people who created and copied them in ancient Iraq, and how the study of Sumerian…
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
Campbell, to me, is the dean of writers on myth. I met him once, through a professor at Hollins University who, at her graduation, had awardedAnna, my wife-to-be, the first three volumes of The Hero of a Thousand Faces, as a prize in English Literature (the fourth, Creative Mythology, was yet to be published).
After we met, I learned that Campbell had edited the Penguin Portable Jung – and it is that book that set me on a course of study and writing on myth and literature that I have pursued ever since.
As a final note, Campbell also co-authored A Skeleton Key to Finnegans Wake, a book that many years later led me into James Joyce’s masterwork, Finnegans Wake – to me, the apotheosis of mythic literature.
The author of such acclaimed books as Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
There are hundreds of good books on Goddess spirituality. This one presents a heart-centered approach that blends beautiful color plates of historical Goddess art and artifacts from around the world with an accessible explication of each Goddess’s mythology and cultural significance—as well as Hallie Iglehart Austen’s invitation to join her in a brief guided mediation for each Goddess. Her stated goal is that readers might “come into balance, reclaiming the lost feminine deep within ourselves and sharing that wisdom and power with the world.” Here’s the opening to a preface entitled “A Millennial’s Initiation”: “Every book is a teacher, yet some books reveal truths that flow into your deepest roots and stay with you forever. Reading The Heart of the Goddess was, truly, a rite of passage for me.”
I’m probably too dishonest to write a real non-fiction book, but the sort of non-fiction book that has some wiggle room for me to “improve” on reality when I think it needs tightening up, or a little more schmaltz—that’s the strange twilight area the books I write live in, and all irresponsible history books dwell in this neighborhood. Remember, kids, as long as you make it clear when you’re lying, it still counts as non-fiction!
GdS and HvD have assembled in this book such an overwhelming superflux of fascinating tidbits about ancient history, literature, and myth that reading it you barely notice that every conclusion they come to is completely bonkers and necessarily false.
There really can’t be any connection between ancient civilizations in Polynesia, Mesoamerica, India, and Finland—but the fact that someone dug up stories about whirlpools (!) from each place and located points of convergence among them is amazing! I feel like such a killjoy even bringing up my objections (that cloud doesn’t really look like a castle! that Rorschach blot doesn’t really look like your mother!) that I’ll just shut up. Hamlet’s Mill is a great work of science fiction, the most exhaustively detailed what if? you’re likely to find.
A truly seminal and original thesis, this is a book that should be read by anyone interested in science, myth, and the interactions between the two. In this classic work of scientific and philosophical inquiry, the authors track world myths to a common origin in early man's descriptions of cosmological activity, arguing that these remnants of ancient astronomy, suppressed by the Greeks and Romans and then forgotten, were really a form of pre-literate science. Myth became the synapse by which science was transmitted. Their truly original thesis challenges basic assumptions of Western science and theories about the transmission of knowledge.
Escape to the past and have a blast is definitely my motto as a Canadian young adult author. With a penchant for escapism fiction, I’ve always loved books that pull me into different places and adverse time periods. Enter time traveling and original storytelling. Legends, myths, and mysteries of the unexplained thrill me. A lover of anything arcane and ancient mysteries, I delve into our written past to give my fiction the facts I need to immerse readers into my imaginary universe—one book at a time.
Riordan had me at Norse mythology. Love it! Written in the usual tongue-in-cheek humor I’m used to with the author’s style, I loved the way he rebranded Norse myths to fit into the young adult genre he’s so famous for writing. It begins as homeless Magnus Chase (cousin to Annabeth from The Lightning Thief) is plucked from the real world (he literally dies) and taken to Hotel Valhalla, where he’s put through the gantlet over and over again (and dies many times in the process) until he teams up with an unlikely (and likable) diverse cast of characters who embark on a journey to recover his birthright—the Sword of Summer. However, what Magnus doesn’t count on is finding out the truth about who he really is, and his place in Asgard.
All three books in the best-selling Magnus Chase trilogy, collected in a gift-worthy paperback boxed set. Magnus Chase, a once-homeless teen, is on a death-defying quest across the Norse realms, literally. As a resident of the Hotel Valhalla, this son of the god Frey is now one of Odin's chosen warriors. Magnus and his friends, Hearthstone the elf, Blitzen the dwarf, Samirah the Valkyrie, and other heroic characters must use all their wits and special talents in order to defeat fearsome giants, lethal creatures, and meddlesome gods in order stave off Ragnarok. "A whirlwind of myth, action, and wry sarcasm,…
