As an author, I’m fascinated with the fictional quest for power and the challenges and changes that journey both entails and provokes. Progression fantasy, beyond all the numbers and formalized rankings, is about the character first… not just people growing stronger, but how that growth impacts them on a fundamental level. It's something central to my own fiction, and as I’ve explored the progression fantasy genre, I’ve loved seeing the different ways other authors tackle that same idea. The worlds, people, and magic systems vary wildly between different series in the genre, but that central conflict’s impact on those engaged in it remains uniquely compelling.
Iron Prince is unique in this list (and among most progression fantasy books) in that it takes place in the distant future, on one of many planets in a galaxy at war.
Instead of mystical cores or game or system-imposed leveling constructs, individuals are given CADs (combat assistance devices) that largely do the same thing.
What I love about the book is that the main character, Rei, is the ultimate underdog. He’s done everything he could to achieve success despite his shortcomings, only to get crushed by peers and a governing system that abhors weakness.
His determination to push on is one of my favorite traits in characters, and ensures that we, the audience, remain engaged, even as he learns to leverage his unique gifts. Smart and never boring, I can’t wait for the sequel!
Reidon Ward will become a god. He doesn't know it yet, of course. Reidon was born weak, sickly and small. Afflicted with a painful disease and abandoned by his parents because of it, he has had to fight tooth and nail for every minor advantage life has allowed him.His perseverance has not gone unnoticed, however, and when the most powerful artificial intelligence in human history takes an interest in him, things began to change quickly. Granted a CAD—a Combat Assistance Device—with awful specs but an infinite potential for growth, Reidon finds himself at the bottom of his class at the…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
It takes a certain kind of person to succeed in the sport of cycling, and The Rider is possibly the closest I’ll ever get to understanding that mindset. This book tops every list of recommendations of cycling novels that I’ve ever seen and with good reason.
Told in the first person, it’s completely immersive. We follow the narrator through a single day’s race, and we feel all of it as he does: the slog, the suffering, the drive to win. I might have wondered why he kept going, but the simple act of reading the book answers that question: you can’t stop. I barely drew breath.
At the start of the 137-kilometre Tour de Mont Aigoual, Tim Krabbe glances up from his bike to assess the crowd of spectators. 'Non-racers,' he writes. 'The emptiness of those lives shocks me.' Immediate and gripping from the first page, we race with the author as he struggles up the hills and clings on during descents in the unforgiving French mountains.
Originally published in 1978, The Rider is a modern-day classic that is recognised as one of the best books ever written about the sport. Brilliantly conceived and best read at a break-neck pace, it is a loving, imaginative and…
For those mourning the conclusion of the ten-book Kate Daniels series, rejoice! Ilona Andrews gifts us with Magic Tides, a riveting extension set a few years after we last left our fierce heroine.
Kate's brilliance, unyielding spirit, and savviness have cemented her as an iconic figure in urban fantasy (and my personal fave). Now outside of Atlanta, she and her family plunge into fresh adventures, but with that familiar kickass flair and intricately woven mythology that's unparalleled in the genre. This isn't just an urban fantasy—it's the gold standard.
I have taught philosophy and film for almost 40 years, first at Ohio State and then at Notre Dame. My focus had been German cinema, but I was drawn to Hitchcock for three reasons: first, he received his origins in Weimar Germany and owes much to German expressionism; second, his films are so cinematically beautiful and effective that I began teaching them again and again, and the students loved them; finally, I thought it worthwhile and a fun project to address the extent to which his films raise deep and engaging philosophical questions.
If one wants to hear Hitchcock’s voice, this set of interviews provides the gold standard. The book, which was also important for Hitchcock’s reception, includes discussions of every major film.
Hitchcock talks informally about what his intentions were, how he created individual scenes, and what kinds of meanings lie hidden in the works. Most readers are drawn to Hitchcock criticism after being engaged by an individual film, and they will find welcome orientation here.
One is ravished by the density of insights into cinematic questions...Truffaut performed a tour de force of tact in getting this ordinarily guarded man to open up as he had never done before (and never would again)...If the 1967 Hitchcock/Truffaut can now be seen as something of a classic, this revised version is even better. Phillip Lopate The New York Times Book Review
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
Britain, America, and France collectively adopted deflationary policies after 1920 to reestablish the gold standard at the pre-World-War-I parity. Japan's government joined in. The ensuing Japanese deflation retarded growth, produced widespread economic hardship, precipitated a banking crisis in 1927, and ultimately contributed to the sharp swing in Japan's politics towards fascistic, right-wing reactionaries, punctuated with an exclamation mark by the “Manchuria incident” of 1931. Metzler describes in granular detail this historical arc, with special attention to the key persons—including Innoue Junnosuke, Takahashi Korekiyo, and Thomas W. Lamont—and their own written justifications or critiques for the policies they or others implemented. It is not an economic analysis (like much of my book is) but a historical narrative, and a gripping one.
If you already know the economics of the gold standard, it’s even more gripping, because those behind the return to the gold standard in Japan, particularly including Innoue Junnosuke, were…
This book, the first full account of Japan's financial history and the Japanese gold standard in the pivotal years before World War II, provides a new perspective on the global political dynamics of the era by placing Japan, rather than Europe, at the center of the story. Focusing on the fall of liberalism in Japan in late 1931 and the global politics of money that were at the center of the crisis, Mark Metzler asks why successive Japanese governments from 1920 to 1931 carried out policies that deliberately induced deflation and depression. His search for answers stretches from Edo to…
Childhood is a special time but can also be wrought with severe challenges for some children. Children vary in emotional health and resilience, so we must provide extra support to those who struggle. I learned so much from the parents and therapists I interviewed for my book, about their experiences building resilience and emotional health in adopted children. I have a PhD in social work and have worked on federally funded child welfare and child trauma grants. Currently, I am a freelance writer and researcher and teach social policy and research courses at several graduate schools of social work, but my most demanding and rewarding job is being a mom!
My coauthor Gloria Russo-Wassell introduced me to the wonderful world of Dr. Kazdin. I was skeptical at first about his all positive rewards, no negative punishment techniques, but the more I read, the more I realize he is right on the mark. When you associate positive rewards, praise, and feelings with specific children’s behaviors they will remember those events much more than the memories of being punished. We need to move past punishment as a cornerstone of parenting and discipline, and consider Dr. Kazdin’s ABC method.
Alan Kazdin's The Kazdin Method for Parenting the Defiant Child is the gold standard for research-backed advice on being a better parent for difficult children. But what about children who are not "defiant"? Now, in The Everyday Parenting Toolkit, Dr. Kazdin addresses how parents can deal with the routine challenges that come with raising a child. Dr. Kazdin's methods are based on the most up-to-date research and are implemented in real-world ways. From getting ready for school on time to expanding the palates of picky eaters to limiting computer time, no parenting book does a better job at helping parents…
As a practicing psychologist for the past twenty years, I have treated hundreds of children and teens who have behavior problems, as well as provided help for parents who want to improve their parenting skills. Central to many, if not most, of the problems I see revolve around poor communication. Many parents don’t know how to effectively communicate about certain issues, which often causes even more problems with their children. However, when parents learn how to approach their children without reacting in frustration and anger, I’ve witnessed amazing improvement in both behavior and the parent-child relationship.
Dr. Phelan strikes a home run with his 1-2-3 Magic program for disciplining children, by teaching parents how to use calm communication as opposed to that infused with frustration. The strength of his approach centers on getting toddlers to listen by using mild language and consistency, while refraining from exhibiting the strong emotions that often accompany attempts to reign in negative behavior. Phelan’s approach encourages parents to refrain from reactive communication, by replacing it with a much more effective method of redirecting little ones away from negative behavior. If you want to increase your toddler’s compliance, give 1-2-3 Magic a try. You may think counting doesn’t work, but done correctly, it can add up to amazing results!
"Everywhere you go, you keep overhearing other moms say to their misbehaving children, 'That's one. That's two. That's three.' And then you watch in disbelief as their kid actually stops!" - PopSugar Moms Are you the parent of a strong-willed child? Is bedtime a nightly battle? Are you looking to get your kids to behave without yelling? Whether you have a toddler, preschooler, or school-aged child, this parenting book can help you create a calm, happy home. "Phelan's method has a proven track record of ending the negotiations and getting kids back on track...1-2-3 {Magic} is the gold standard of…
I’m an artist, designer, writer. I usually work in collage. I enjoy how the constraints of collage generate more inventive thinking, forcing me to come up with unexpected solutions. I also like how the found material retains traces of its original context. I’ve always been interested in the interplay between words and images – for 15 years I did the weekly Lost Consonants series in the Weekend Guardian – and that gradually led me to writing fiction. All my books have visual or structural elements designed to bring an additional narrative dimension to the story. Over the years, I’ve become fascinated by what makes great stories great. Hence this list.
Syd Field is revered as the original master of screenplay story structure, and this guide continues to be the industry's gold standard for learning the foundations of screenwriting. Even if you’re not writing a screenplay, read this book.
I have learned over the years that the principles of three-act structure can be recognised in, or applied to, almost every form of storytelling, whether you are making a film; telling a joke; designing a firework display; writing a novel, a play, a song; performing a magic act or making a speech. No one explains 3-act structure more clearly than Syd Field. He doesn’t offer it as a failsafe formula, but I have found his paradigm invaluable as both a writer and a teacher, especially for identifying narrative flaws in a story that is not working. (Usually mine).
Hollywood's script guru teaches you how to write a screenplay in "the 'bible' of screenwriting" (The New York Times)—now celebrating forty years of screenwriting success!
Syd Field's books on the essential structure of emotionally satisfying screenplays have ignited lucrative careers in film and television since 1979. In this revised edition of his premiere guide, the underpinnings of successful onscreen narratives are revealed in clear and encouraging language that will remain wise and practical as long as audiences watch stories unfold visually—from hand-held devices to IMAX to virtual reality . . . and whatever comes next.
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
The gold standard source for what life was like for the hardy souls arriving in Upper Canada in the early 19th century. Although writing from a position of relative privilege, Moodie writes of hardships and deprivations that make the modern reader blanch. We wonder whether we could have survived what she and her family endure. She writes with richness and great humanity so that we can vividly imagine what it must have been like for her to be taken from the relatively comfortable life she’d known and to make a life in the bush. Despite her trials and tribulations, she comes to have a great love for the beauty and wildness of her adopted home.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Long out of print and expensive, this classic of illustration techniques has been republished. Although it was first published over 70 years ago, the sections on color and painting will prove useful for any artist, whether they work for concept art, galleries, or illustration. Loomis was a top magazine illustrator and devoted his later years to writing encouraging and practical guides that covered all the key topics.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
