When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.
In the summer of 1966, aspiring artist Kevin Sacco learns that his family is moving from New York City to London-and that he will be attending
Sevenoaks, a traditional boarding school in the English countryside.
At first considered a "Yank" outsider with limited academic or sports acumen, Sacco gradually comes to experience and understand this life of rugby, cold showers, new friendships and discipline. Letters between Sacco and his best friend in New York serve to compare his cloistered life at Sevenoaks to the life that he would be living back home: a life touched by drugs, anti-war sentiments and…
I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.
This book is almost too beautiful for words, and reading it you feel like you are falling into a haunted magic mirror where identity and race are explored alongside a host of deep simmering emotions: anger and forgiveness, fear and vanity. A sort of dizzying intergenerational retake on Snow White.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
I’ve always had a passion for animals since I was nine years old and wrote my first ‘book’ on animals for a school library competition. I went on to study animal behavior at university and complete a doctorate in conservation biology and seabirds in the Scottish Outer Hebrides. I’ve worked in zoos and museums, written twelve books on animals as various as killer whales and koalas, extinct megafauna, and marine reptiles. Learning more about the natural world, the people who study it, and the importance of protecting it, has been the driving force behind all of my books and a joy to share with readers.
This genre-busting debut novel by Tasmanian writer Robbie Arnott defies all attempts to describe or classify it. The writing is vibrant and beautiful. It’s a book that fills your lungs with a blast of fresh air, the scents of the cool southern rainforests and dazzles you with clouds and sun and rain and fire. It seamlessly blends realism with a spirit world, binding the human to the animal in an evocatively magical and disturbing story that brings Australian nature and animals into focus in an entirely new literary landscape. I defy anyone to read this book and not fall in love with the Rakali and weep a little the next time it rains. Quite the most remarkable book I’ve read.
Robbie Arnott's mad, wild debut novel is rough-hewn from the Tasmanian landscape and imbued with the folkloric magic of the oldest fireside storytellers.
A young man named Levi McAllister decides to build a coffin for his twenty-three-year-old sister, Charlotte-who promptly runs for her life. A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire.
The answers to these riddles are to be found in this tale of grief and love and the bonds…
Dr Dee has designs for a British Empire that will dominate the world for ages to come ushering in Revelation, and with the aegis of the Angels, he has the power to make it a reality.
But, two elements are missing, and through blackmail and occult ritual, infamous swordswoman Captain Lament Evyngar and her giant Dutch comrade are forced to journey to the war-ravaged Spanish Netherlands on a quest that will reveal the truth about strange entities that use humans to fight out their eternal conflicts and in doing so alter Lament and the course of history forever.
Infamous swordswoman Captain Lament Evyngar awaits execution in the Tower of London, charged with heresy and attempted regicide, but all is not as it seems. Unwittingly entangled in the schemes of the Angels, she recounts her tale to the Queen's sorcerer, Dr Dee, who is more than a little responsible for her predicament.
Dr Dee has designs for a British Empire that will dominate the world for ages to come, and with the aegis of the Angels, he has the power to make it a reality. But, two elements are missing, and through blackmail and occult ritual, Lament and her…
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
This novel is less well-known, and much more accomplished, than the movie based on it – Field of Dreams. Where the movie is sappy, the book is lyrical and warmly nostalgic for a time and place – rural Iowa in the 1970s. There is a clear magical realism vibe to the whole thing. The plot structure of the novel is a very shaggy dog involving a baseball field in a corn field, the kidnapping of a famous novelist and numerous dead people coming back to life. The book is big-hearted and much of the writing is luminous.
The inspiration for the beloved film Field of Dreams, Shoeless Joe by W. P. Kinsella is the story about the beauty and history of baseball, and the power and endurance of a dream.
“A moonlit novel about baseball, dreams, family, the land, and literature."—Sports Illustrated
“If you build it, he will come.” These mysterious words, spoken by an Iowa baseball announcer, inspire Ray Kinsella to carve a baseball diamond in his cornfield in honor of his hero, the baseball legend Shoeless Joe Jackson. What follows is both a rich, nostalgic look at one of our most cherished national pastimes and…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I've always loved stories. After years of observing the importance of stories, and their role in creating our reality, the determination to write my own clicked into place. Storytelling is very much at the heart of my first novel, Strange Gods. Strange Gods features a multiverse of powerful gods, but humans still stand out for their ability to tell self-defining stories. From the inciting incident where Carcass kidnaps Spooky to be his storyteller, to the decisions she makes along her journey, the stories Spooky tells others and herself determine her outcomes. I hope the books on this list inspire you to reflect on the power of any stories you tell, as they've inspired me.
I read The Hazel Wood while writing my own book, and the vibe immediately struck me as similar. It takes the protagonist, Alice, on a journey between our world and a world of dark, original fairytales, where stories are the very fabric of the universe. The more entangled the story becomes in the fairytale world, the more the book itself reads like one...it feels like a dream, with events unfolding unpredictably as we learn the rules of the new world and what the characters from it want.
One of The Observer's Best Children's Books of 2018!
Fans of Miss Peregrine's Home for Peculiar Children and The Children of Blood and Bone have been getting lost in The Hazel Wood...
"The Hazel Wood kept me up all night. I had every light burning and the covers pulled tight around me as I fell completely into the dark and beautiful world within its pages. Terrifying, magical, and surprisingly funny, it's one of the very best books I've read in years". -Jennifer Niven, author of All The Bright Places
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Seventeen-year-old Alice and her mother have spent most of…
I’m not usually a fan of short story anthologies, but the author’s command of descriptive language and ability to keep the theme of humanity throughout swept me away.
The question of what it is to be human is left for the reader to decide. The collection is thought-provoking while still engaging the imagination and remaining entertaining. This book is a rare treasure.
I am an American author and have been an avid reader of science fiction for nearly forty years. I studied science fiction in college, along with biology and other subjects. My undergraduate honors thesis was a discussion of postwar Japanese science fiction that included a translation from the original. I have a Ph.D. in Cognitive Psychology and have published papers on learning in machines, humans, and humpback whales. I have taught and studied in Japan and Singapore, and critiqued fiction for several years with critters.org. I have published many science fiction stories from various perspectives. The Hugo finalist, "Asymmetrical Warfare" tells the story of an alien invasion of Earth from the invader’s perspective.
This Japanese novel is actually two interleaved and interconnected stories, one set in the bustling, alienating landscape of contemporary Japan and the other taking place… well, as the title suggests, at the End of the World. It makes for a gripping page-turner with a unique perspective on the human mind.
A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following.
Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.
This book is so much fun and so light-hearted. It’s a perfect example of cozy fantasy romance.
It starts at the moment when our group of heroes slay the evil overlord; instead of following the usual fantasy content of battles and enemy attacks, it follows the friends as they inexpertly struggle to run the country they just inherited by accident, all while the new king secretly pines for his best friend.
It’s quirky and delightful, and it helped me escape the darkness of the real world for a few hours each day.
Carry On meets Arthurian legend in this funny, subversive young adult fantasy about what happens after the chosen one wins the kingdom and has to get married to keep it...and to stay alive.
Arek hadn't thought much about what would happen after he completed the prophecy that said he was destined to save the Kingdom of Ere from its evil ruler. So now that he's finally managed to (somewhat clumsily) behead the evil king (turns out magical swords yanked from bogs don't come pre-sharpened), he and his rag-tag group of quest companions are at a bit of a loss for…
I’ve always been fascinated by things paranormal and supernatural. There is so much in the “real” world that we don’t understand and can’t prove their existence, but there is enough video and photos, as well as stories, that I don’t see how we can say there’s not more beyond our five senses. Many of my own books center on paranormal abilities and events, and I do love reading about them as well!
Carmen has created a more “ordinary world” in which extraordinary people exist in the shadows. There is romance and danger and suspense, but I like that there’s no graphic violence here. Each book in this series focuses on a different couple.
Derrick's desire to save one human girl will ignite a war...
For four thousand years, creatus have concealed themselves from the humans who hunted them almost to extinction. Unwittingly, one creatus will endanger them all...
As with most of his family, Derrick Ashton knows his future and what position he's destined to fill within his unique society. Everything changes, however, when he breaks one of his family's strictest laws and falls in love -- with a human.
In his quest to protect the woman he can never have, a twist of fate propels him into a new role that will…
