When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.
In the summer of 1966, aspiring artist Kevin Sacco learns that his family is moving from New York City to London-and that he will be attending
Sevenoaks, a traditional boarding school in the English countryside.
At first considered a "Yank" outsider with limited academic or sports acumen, Sacco gradually comes to experience and understand this life of rugby, cold showers, new friendships and discipline. Letters between Sacco and his best friend in New York serve to compare his cloistered life at Sevenoaks to the life that he would be living back home: a life touched by drugs, anti-war sentiments and…
Raised when unsupervised kids roamed freely in the woods, my friends and I became adept at finding fun. My 20s were spent in New York in the 1980's zeitgeist of exploration and excess. A lifelong fan of comedy, I worked at the Comedy Cellar, where I booked and watched countless standup comics. Later, I left NYC’s glamor for Vermont’s nature. Since then, my Vermont newspaper column, "Upper Valley Girl," has amused and astonished (and possibly appalled) readers with humor and candor. Ever adventurous to the point of risk, making awful mistakes, and enduring impossible people, I learned limits the hard way. I advise young people not to do the same.
Advice by way of memoir, which I liked more as it went along. Maybe it was a slow start for me because she had seemingly lucky breaks, and I’ve had struggles. By the end, I was in LOVE.
She is frank, ballsy, unapologetic, kickass riotous, with an apparent ability to moonwalk, all of which is to say totally New York City in a way that I badly miss, having left 30 years ago.
I relived some of my youth. I learned things and laughed.
What does it take to grow up cool and popular, master adulthood, fast track your success, and always be your best? Laura Belgray wouldn't know.
Her wildly relatable coming-of-age stories include hate-following her 6th grade bully on social media decades later; moving home post-college to measure her self-worth in hookups with Upper West Side bartenders; dating a sociopathic man-baby; proving herself in the early '90s at New York's coolest magazine (as the world's worst intern); falling for get-rich-quick schemes on the Internet; and, most of all, saying "tough titties" to the supposed-to's in life: driving a car,…
I'm a contemporary romance writer who does some series in paranormal romance and some in romantic suspense. I know lots of romance is about the fantasy and I write to that, but I want each of my romances to have you walking away believing in real-life love, too. I want heroes and heroines who could walk right off the page! I want to acknowledge smart women finding men who love a snappy comeback and a sharp brain. My favorite stories come together when our heroine is the only one who could solve this crime or mystery. I was first invited to write RS in the Dark Falls series and I shockingly won a Maggie for my first book. I loved the genre so much that I went on to build a whole series of my own!
The Evidence series will pull you under from the first page. This is the kind of romantic escapism that we love, but with the smartest, most reliable heroines. These women are scientists, always prepared and making the best choices. They are pulled from their everyday work into a maelstrom of intrigue and romance. And the heroes? Exactly the kind of men smart women love!
"Full of secrets, deadly intrigue and steamy romance. A MUST read." - Elisabeth Naughton, New York Times Bestselling Author
A year ago she lost everything. Now she wants revenge…
Accused of stealing artifacts from a five-hundred-year-old shipwreck, underwater archaeologist Erica Kesling is determined to clear her name. She’s concealed her past and taken a job certain to give her access to the buyer of the missing antiquities. She's finally closing in on her goal when she's distracted by a sexy, charismatic intern who makes her want something other than revenge.
Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.
I was so overwhelmed by the perfection of this American masterwork that I sought out the founder of The Thomas Wolfe Society, the greatest Thomas Wolfe collector who ever lived and who will ever live, and became his very close friend.
This is a huge book, with the music of pitch-perfect prosody from beginning to end, and yet it's only part of a much greater whole—every one of Wolfe's books connect together in some way, forming a massive cadency of music in words. If you examine them, there's only two main branches (Eugene Gant as the protagonist in one, and Monk Webber as the protagonist in the other). But it's really all one big expanding fable. This volume has, in my opinion, the richest writing, from the opening proem to the tiny diamond-sharp moving-picture painting of the final line.
The sequel to Thomas Wolfe's remarkable first novel, Look Homeward, Angel, Of Time and the River is one of the great classics of American literature. The book chronicles the maturing of Wolfe's autobiographical character, Eugene Gant, in his desperate search for fulfillment, making his way from small-town North Carolina to the wider world of Harvard University, New York City, and Europe. In a massive, ambitious, and boldly passionate novel, Wolfe examines the passing of time and the nature of the creative process, as Gant slowly but ecstatically embraces the urban life, recognizing it as a necessary ordeal for the birth…
I’m a full-time novelist now, but for twenty-plus years, I was a practicing attorney. I was a business litigator, representing companies that were suing or being sued by other companies. I toiled away in high-rise office buildings, danced around office politics, and got up close and personal views of how people of every stripe navigate their work and lives in the office. I witnessed sexual harassment, bloodless coups, financial scandals, and professional disgrace—but I also enjoyed the support and encouragement and lifelong friendships that can come from collaborative work experiences. I like to think of the office environment as a petri dish to examine the full range of human behavior.
This is a very modern take on the office thriller, because the office in question is a feminist take on work-share facilities like WeWork. It’s an exclusive, women-only coworking space launched by celebrity entrepreneur Eleanor Walsh. Millennial women are dying to be accepted—at least until Eleanor herself is found dead. This is a fun, glitzy book full of beautiful young women making their stilettoed way in the world. It’s Emily in Paris, set in New York, Sex and the City, for millennials, but with enough murder and mayhem to keep the thrills coming.
Why did the founder of a glamorous coworking space for women disappear? Her best friends will risk everything to uncover the truth.
“Perfect for fans of Big Little Lies.”—The Washington Post
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Real Simple • Marie Claire • Good Housekeeping • CrimeReads
As CEO of the Herd, an elite women-only coworking space, Eleanor Walsh seems to have it all: close friends, a sweet husband, and the most glamorous and successful female-empowerment-based company in New York City. Then she vanishes on the night of a glitzy press conference—and the police suspect foul…
I’m a lifelong reader who cut my teeth on Narnia and Nancy Drew. Buffy the Vampire Slayerwas a later-in-life revelation, combining the fantasy and mystery elements I’d loved in childhood with a butt-kicking heroine and plenty of romance. I’m always seeking that same blend of humor and action in the paranormal romances I read, as well as the ones I write. It can be tough to find paranormal romances that aren’t deeply intense and moody, so I hope this list will help you enjoy the lighter side of paranormal.
I picked this one up on the recommendation of a friend, and was she ever spot-on. I loved the empathetic narrator and her distinctive voice, as well as the heartfelt relationship between the two witches. But there was also something eminently cozyabout the reading experience. Maybe it was the small-town setting, maybe it was the Happily Ever After. It read like a spicy chai—and that’s the perfect beverage to sip on while spending a few rainy afternoons with Emmy and Talia.
Chilling Adventures of Sabrina meets The L Word in this fresh, sizzling New York Times bestselling rom-com by Lana Harper.
Emmy Harlow is a witch but not a very powerful one—in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.
I was an avid reader as a child. Then I became a teenager and started hating it! Why? Because the teachers at school started pushing classical literature on me. I didn’t read for years until a friend introduced me to fantasy. I fell in love and haven’t looked back. I love commercial fantasy fiction that has lots of action, where the writer focuses less on elegant prose and more on plot and characters. I aim to write the kind of books that readers get addicted to, where they can disappear into another world and forget they are reading – the kind of books I love to read!
This is a dystopian fantasy set in a future world in which a virus has wiped out most of the planet except those left behind have magical powers.
I love dystopian future books. I also love fantasy so this was a match made in heaven for me. Nora created such a detailed yet believable universe. There is a powerful female lead and she is pitted against the evil version of herself in a battle to end or save the world.
It’s got magic, it’s got action, it’s got romance, it’s got everything! I was hooked from start to finish and devoured all three books in a couple of weeks.
A stunning new novel from the #1 New York Times bestselling author Nora Roberts―Year One is an epic of hope and horror, chaos and magick, and a journey that will unite a desperate group of people to fight the battle of their lives…
It began on New Year’s Eve.
The sickness came on suddenly, and spread quickly. The fear spread even faster. Within weeks, everything people counted on began to fail them. The electrical grid sputtered; law and government collapsed―and more than half of the world’s population was decimated.
This is a hefty graphic novel, but it never feels like too much. It’s a snapshot of a time and place, three college girls visiting New York City for five days, and there’s not an overload of plot, but it still flows along sweetly.
It’s printed in tri-tone, and there are pages that simply evoke the sights and sounds (and even smells) of New York. The characters are presented simply, but their complexities are brought to life through their interactions with each other and their surroundings.
I went in with zero knowledge of who these kids were and came out feeling as though I knew them personally. It brought back memories of kicking around a city, at once aimless and with purpose, where nothing much changes, but everything’s different.
Spring Break, 2009: Five days, three friends, and one big city. Roaming marks a triumphant return to the graphic novel and a deft foray into new adult fiction for Caldecott Medal authors Jillian Tamaki and Mariko Tamaki. Over the course of a much-anticipated trip to New York, an unexpected fling blossoms between casual acquaintances and throws a long-term friendship off-balance. Emotional tensions vibrate wildly against the resplendently illustrated backdrop of the city, capturing a spontaneous queer romance in all of its fledgling glory. Slick attention to the details of a bustling, intimidating metropolis are softened with a palette of muted…
I love mysteries, especially series with a female sleuth. I discovered Miss Marple when I was a midwifery student and was instantly hooked. Over the years, I have sought out mysteries with women Sherlocks and am always thrilled to find a series. I was so enchanted that I wanted to add to the genre and now write the Modern Midwife Mysteries featuring Maeve O’Reilly Kensington, a modern nurse midwife. Try any of the books I’ve recommended. You’re in for a treat!
I love a New England mystery, especially one that includes recipes.
Katherine Hall Page fills the bill with her twenty-six delightful Faith Fairchild mysteries. Faith is a high-end New York City caterer who falls in love and marries a minister from a New England village. Will she be bored? Can love conquer all?
It turns out that this sleepy New England town has murders aplenty, but luckily, Faith is on the scene. I have tried her recipes, and they are wonderful!
The Body in the Belfry, the first volume in Katherine Hall Page's cozy mystery series featuring amateur sleuth Faith Fairchild
During her years spent in New York City, Faith Fairchild was convinced she had seen pretty much everything. But the transplanted caterer/minister's wife was unprepared for the surprises awaiting her in the sleepy Massachusetts village of Aleford. And she is especially taken aback by the dead body of a pretty young thing she discovers stashed in the church's belfry. The victim, Cindy Shepherd, was well-known locally for her acid tongue and her jilted beaux, which created a lot of bad…
I wrote on the mob early in my career as a newspaper reporter, investigating organized crime’s infiltration of politics, unions, and the toxic-waste industry in New Jersey in the late 1970s and early ‘80s, then covering some of the major mob trials in New York during the 1980s (starting with the case depicted in the movie Donnie Brasco). In more recent years, I’ve returned to the subject in two books: The Italian Squad: The True Story of the Immigrant Cops Who Fought the Rise of the Mafia and An Unlikely Union: The Love-Hate Story of New York’s Irish and Italians. I like work that is careful, specific, and presented in a smoothly written narrative.
The history of organized crime is often subject to exaggeration and outright myth, in part because some of the source material, such as old newspapers, tends to be sensationalized.
For readers who prize accuracy, this scholarly account is the go-to choice. Author David Critchley filled the void in what’s been written about the formative years of the American Mafia, straightening out what was previously known from hyped-up news coverage.
Everything he writes is documented and so specific: a wealth of period photos, and information from a wealth of sources, including court documents and many other government records, such as birth certificates and passport records.
While the later history of the New York Mafia has received extensive attention, what has been conspicuously absent until now is an accurate and conversant review of the formative years of Mafia organizational growth. David Critchley examines the Mafia recruitment process, relations with Mafias in Sicily, the role of non-Sicilians in New York's organized crime Families, kinship connections, the Black Hand, the impact of Prohibition, and allegations that a "new" Mafia was created in 1931. This book will interest historians, criminologists, and anyone fascinated by the American Mafia.
