Ever since I read 1984 when I was a teenager, I’ve been fascinated by this idea of how we as humans respond to desperate situations, and where better to find those situations than in the dystopia and post-apocalyptic genres? Novels in these categories are often, at their core, underdog stories. As a reader, I love seeing a character battle and overcome situations that, in the real world, would give any of us nightmares. But more than that, I love stories that touch me emotionally, that balance the line between tragic and beautiful.
The entire Forgotten Lands trilogy is amazing, but I cannot gush enough about Tide and Tempest. I have a weakness for the enemies to lovers trope, and when set against a post-apocalyptic wasteland, I was utterly sold. Fantastic writing and world-building paired with unforgettable characters you will want to root for. This author is an auto-buy for me!
Lightning decimates the land, but the people of Ebonpeak know there are greater threats than tempests and firestorms. Raiders pillage the coastline, destroying everything and leaving none unscathed.
Six years ago, Desolation Day stole everything from Samara—except the drive to be stronger, fight harder, and never look back. But her greatest test is yet to come. When the enemy washes ashore with the rising tides, upturning Samara’s world once again, can she shed the scars of her past to save her people, or will her hatred destroy her completely?
I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.
Fireborne is the first book of a YA crossover fantasy series called The Aurelian Cycle trilogy.
The primary narrators – dragon riders Annie and Lee – are best friends born on opposite sides of a class uprising and civil war that ripped their lives apart. Annie and Lee’s world is complicated. There are no easy choices or untarnished heroes – including Annie and Lee.
By telling this story through two very different points of view, Munda forces us to draw our own conclusions about right and wrong. She doesn’t make it easy. I can’t promise you won’t throw the book across the room in outrage at least once, but you will chase after it and keep reading until the (not that bitter, I promise) end.
"Fireborne is everything I want in fantasy." -Rachel Hartman, New York Times bestselling author of Seraphina
Game of Thrones meets Red Rising in a debut young adult fantasy that's full of rivalry, romance . . . and dragons.
Annie and Lee were just children when a brutal revolution changed their world, giving everyone-even the lowborn-a chance to test into the governing class of dragonriders.
Now they are both rising stars in the new regime, despite backgrounds that couldn't be more different. Annie's lowborn family was executed by dragonfire, while Lee's aristocratic family was murdered by revolutionaries. Growing up in the…
When I was a doctoral student in historical musicology, I went to Paris to study postwar government budgets for music, but it was really boring. So I started hanging out listening to Parisian songbirds instead. The more I learned about birdsong, the more I realized it raised some really big questions, like why biologists and musicians have completely different standards of evidence. Those questions led me to write my book, which is about what it means to sing if you’re not considered fully human, and most of my work today is about how thinking about animals can help us understand what we value in those who are different.
Butler is known for bringing a black, feminist, and queer perspective to science fiction, a genre of futuristic and outer-space storytelling that traditionally features white male protagonists.
But what really captivates me about this book, which is set in a post-apocalyptic future where human survivors are mated with their alien rescuers (really!), is the way it asks icky-yet-intensely-meaningful questions. What does it mean to “be human” in a future of genetic hybridity and gender fluidity? What does it mean to love a partner or children whose genetics and culture are radically different from your own? When is violence futile, and when is it the only way to be heard?
I’m pretty much obsessed with this book, and I promise that any reader who has thought deeply about what it means to be really different will love it too.
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto in the grips of severe water scarcity.
Single mother and limnologist Lynna witnesses disturbing events as she works for the powerful international utility CanadaCorp. Fearing for the welfare of her rebellious teenage daughter, Lynna sets in motion a series of events that tumble out of her control with calamitous consequence. The novel explores identity, relationship, and our concept of what is “normal”—as a nation and an individual—in a world that is rapidly and incomprehensibly changing.
Centuries from now, in a post-climate change dying boreal forest of what used to be northern Canada, Kyo, a young acolyte called to service in the Exodus, discovers a diary that may provide her with the answers to her yearning for Earth’s past—to the Age of Water, when the “Water Twins” destroyed humanity in hatred—events that have plagued her nightly in dreams. Looking for answers to this holocaust—and disturbed by her macabre longing for connection to the Water Twins—Kyo is led to the diary of a limnologist from the time just prior to the destruction. This gritty memoir describes a…
I’ve always had a passion for story-telling, particularly when it involves a moral tale, or a strong moral theme. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and to write fiction and non-fiction. I wrote my first novel, An Accident of Birth,after reading a scientific study showing a generation-on-generation decline in male fertility. My second novel is the space opera, Galactic Alliance: Betrayal,and I’ve written a non-fiction reference book Brass and Glass: Optical Instruments and Their Makers. I live in Kent, England with my wife, Margo, and our cat.
In this tale, the world is in post-apocalyptic decline, and human fertility has collapsed to zero. A family set up a cloning facility, hoping to overcome the odds and produce a fertile population. The clones, once mature, have other ideas. They take over the facility and marginalise the non-clones. Only rarely is a fertile clone produced, and they are kept as ‘breeders’. As the story progresses, the desire of a naturally born individual for self-determination, and conflicting values between individual and clone, lead to a tension that cannot go unresolved. The storytelling cleverly slips between omniscient in the scenes with the clones, and third person in the scenes with the individual characters.
The Sumner family can read the signs: the droughts and floods, the blighted crops, the shortages, the rampant diseases and plagues, and, above all, the increasing sterility all point to one thing. Their isolated farm in the Appalachian Mountains gives them the ideal place to survive the coming breakdown, and their wealth and know-how gives them the means. Men and women must clone themselves for humanity to survive. But what then?
I have been fascinated by the zombie genre since I was a child. No other genre has influenced and inspired me as much. I am also a very critical consumer of zombie content, as I have great respect for the genre. I began writing my own stories to fill in gaps that I felt had not yet been addressed by previous works. Since the release of my first novel, I have enjoyed meeting with zombie genre fans, writers, crafters, and creators at horror cons, zombie cons, comic cons and have participated in many panels and podcasts. It is a subject that I will never grow tired of discussing. The zombie genre is truly undying.
Wastelands is an anthology of short stories, all obviously focused on the apocalypse, but not all including zombies. One memorable story was titled When Sysadmins Ruled the Earth by Cory Doctorow, which features the communications between tech geeks who are safely ensconced within blast-resistant data hosting centers when the apocalypse begins. Working in server hosting centers are equipped with their own power sources, air filtering systems, and an abundance of junk food vending machines, the author creates a scenario where truly the geeks shall inherit the earth.
The definitive anthology of the best post-apocalyptic literature of the last two decades. Featuring New York Times bestsellers Stephen King, George R.R. Martin and Orson Scott Card, edited by award-winning anthologist John Joseph Adams.
Prescient tales of Armageddon and its aftermath, by twenty-two of today's finest writers, including:
Paolo Bacigalupi Neal Barrett, Jr. Tobias S. Buckell Cory Doctorow David Grigg Dale Bailey Elizabeth Bear Richard Kadrey John Langan Jerry Oltion James Van Pelt
Together they reveal what it will mean to survive and remain human after the end of the world...
There are so many reasons to love this book, but my top is the story of David Bingham, who lives in New York City with his older lover and who is secretly a descendant of Hawaiian royalty.
The book makes three big leaps in time, and David’s portion is set in the early nineties. As the AIDS crisis rips through their community, he privately tries to contend with the pain of being abandoned by his father, who left his family to join the Hawaiian independence movement.
When I set out to write my book, I wanted to write a contemporary story set in Hawaiʻi but didn’t trust that the issues driving the plot would be clear without historical context. Hanya Yanagihara does no such thing. She treats Hawaiʻi as a place whose history is known, which allows her to turn her attention toward imagining its future.
Between Blade Runner and The Terminator, I was hooked on Cyberpunk. Throw in some Ghost in the Shell and Black Mirror, and the obsession was complete. With the rise of Synthwave as a musical genre and as a retro-futuristic aesthetic, I had both the soundtrack and the visual cues to which I could write Cyberpunk. I also feel strongly about our increasing reliance on technology and the blurring lines between biology and technology. This is something I explore in my writing.
This book stands out because of its great world-building, terrific characters (Chicken Thumbs and Patchwork are personal favourites), and brilliant action—this is cyberpunk at its best. The attention to detail, such as the names of corporations and logos is impressive. There are also a couple of well-conceived and executed twists (no spoilers!).
When a corporate lacky discovers a terrible secret that exposes his illusions, will his hidden fire dwindle or ignite a rebellion?
Orphaned and alone, Moss is happy to have found a place in the world. But his humdrum working routines take a terrifying turn when a mysterious woman breaks into his apartment and hands him a data chip from his dead parents. Suddenly hearing messages revealing his benevolent employer has a far darker side, he braves the dangerous megacity streets in search of the truth.
Surrounded by outcasts and criminals and running on instinct, Moss stumbles onto a rebel group…
As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.
This book fascinated me with its title, a contradiction in my Dutch mind. It proved to be a rewarding and intriguing read.
I loved to be on the other side and be in the mind of the child, affected by the cruel history of WW2, and feel how to make a life afterward. It made me grateful for my own life in Canada.
In November 1939, a German anti-fascist named Georg Elser came as close to assassinating Adolf Hitler as anyone ever had. In this gripping novel of alternate history, he doesn’t just come close—he succeeds. But he could never have imagined the terrible consequences that would follow from this act of heroism.
Hermann Göring, masterful political strategist, assumes the Chancellery and quickly signs a non-aggression treaty with the isolationist president Joseph Kennedy that will keep America out of the war that is about to engulf Europe. Göring rushes the German scientific community into developing the atomic bomb, and in August 1944, this…
Growing up in a household with a fantasy author dad and a philosophy professor mom, I learned to appreciate stories that expressed big ideas. I realized the books and movies I liked weren’t just vehicles for ideology, but that ideas are the hooks that draw me into a story. I’ve also always loved animals and monsters. Like Miyazaki and C.S. Lewis, I was attempting to create a narrative that brought my beliefs and interests together. Now I live in Southern California with my husband, son, and cat, surrounded by rattlesnakes, tarantulas, hawks, and coyotes. It’s an imperfect, beautiful world!
Written in Soviet Russia in 1972, but only published in 1989, this is the story of a bizarre experimental city populated by strangers from all over the last century. All have made a deal with mysterious mentors who are trying to find out…something, by subjecting the city’s inhabitants to apparently arbitrary torments like plagues of baboons. Our hero, Andrei, tries to take it in stride like a good Soviet boy, but finds himself increasingly doubtful as the conditions of the experiment just get weirder and weirder. The humor and situations are very Russian while the emotions will be familiar to anyone dealing with seemingly incoherent orders from above. Reading it at the height of the pandemic was certainly a trip.
The magnum opus of Russia’s greatest science fiction novelists translated into English for the first time
Arkady and Boris Strugatsky are widely considered the greatest of Russian science fiction masters, and their most famous work, Roadside Picnic, has enjoyed great popularity worldwide. Yet the novel they worked hardest on, that was their own favorite, and that readers worldwide have acclaimed as their magnum opus, has never before been published in English. The Doomed City was so politically risky that the Strugatsky brothers kept its existence a complete secret even from their closest friends for sixteen years after its completion in…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have.
I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.
With the limitless scope of Star Wars and EAST OF WEST
paired with the sociopolitical explorations of A Handmaid's Tale and MONSTRESS,
LITTLE BIRD tells the story of a young resistance fighter battling against an
oppressive American Empire while searching for her own identity in a world on
fire. A gorgeously illustrated epic from Award-winning filmmaker DARCY VAN
POELGEEST and Angouleme-nominated artist IAN BERTRAM in which one girl
risks everything to save her people, their land, and the freedom they so
desperately deserve.
