There are so many reasons to love this book, but my top is the story of David Bingham, who lives in New York City with his older lover and who is secretly a descendant of Hawaiian royalty.
The book makes three big leaps in time, and David’s portion is set in the early nineties. As the AIDS crisis rips through their community, he privately tries to contend with the pain of being abandoned by his father, who left his family to join the Hawaiian independence movement.
When I set out to write my book, I wanted to write a contemporary story set in Hawaiʻi but didn’t trust that the issues driving the plot would be clear without historical context. Hanya Yanagihara does no such thing. She treats Hawaiʻi as a place whose history is known, which allows her to turn her attention toward imagining its future.
First, Chee is a beautiful writer. He’s so deft and brings you right in.
But I also loved this book because it was inspirational to me. He made an essay
collection seem simple and accessible in a way it hadn’t before. I’m working on
one now!
Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Named a Best Book of 2018 by TIME, Washington Post, Entertainment Weekly, Wired, Esquire, Buzzfeed, Paste, Bitch, Bustle, The Chicago Review of Books and iBooks
As a novelist, Alexander Chee has been described as 'masterful' by Roxane Gay, 'incendiary' by the New York Times, and 'brilliant' by the Washington Post. With How to Write an Autobiographical Novel, his first collection of nonfiction, he secures his place as one of the finest essayists of his generation.
How to Write an Autobiographical Novel is the author's exploration of the entangling of…
I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
AIDS was the pandemic before Covid. Unlike Covid, it mobilized people to take the science and efforts to find a cure into their own hands – especially people on the fringes of society. Nothing like this had ever happened before. It appeared to mark a watershed where medicine would become a servant of the people rather than people being enslaved to its commercial priorities. Sadly this is not how things worked out. The discovery of Triple Therapy was a high point of modern medicine but we have gone downhill since then with few if any drugs saving lives the way Triple Therapy did. Impure Science shows you vividly what we are up against.
In the short, turbulent history of AIDS research and treatment, the boundaries between scientist insiders and lay outsiders have been crisscrossed to a degree never before seen in medical history. Steven Epstein's astute and readable investigation focuses on the critical question of "how certainty is constructed or deconstructed," leading us through the views of medical researchers, activists, policy makers, and others to discover how knowledge about AIDS emerges out of what he calls "credibility struggles." Epstein shows the extent to which AIDS research has been a social and political phenomenon and how the AIDS movement has transformed biomedical research practices…
I come from worlds that look much like the worlds in these books: raised in poverty, absent father, generational trauma, and mental illness running strong in my genes. I’ve always been interested in the ways our opportunities shape us, and the coping mechanisms we wield—secrecy, denial, anger, violence, even love—as we try to survive.
Marais does an excellent job of moving among these three point-of-view characters: a Black woman and two white sisters, all brought together by a child and the question of parentage. At the heart of the story is life in apartheid-era South Africa. A must-read for anyone who loves messy families and complex characters.
From the author of the beloved Hum If You Don't Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.
In a squatter camp on the outskirts of Johannesburg, seventeen-year-old Zodwa lives in desperate poverty, under the shadowy threat of a civil war and a growing AIDS epidemic. Eight months pregnant, Zodwa carefully guards secrets that jeopardize her life.
Across the country, wealthy socialite Ruth appears to have everything her heart desires, but it's…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
Jill Nalder is one of the great heroes of the AIDS crisis in eighties Britain. Her story features in the TV series It’s A Sin. This is her memoir and it’s an uplifting and heartbreaking read. Jill is one of those miraculous allies for gay men who fought to get more information about AIDS distributed more widely. It’s thanks to people like her that AIDS is no longer a death sentence.
'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES
'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH
'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIES
A heartbreaking, life-affirming memoir of love, loss…
My interest in global issues developed when I was a student. What was my conviction already then became more obvious every year since then. In order to solve our most urgent problems, we need to have a strong and legitimate global governance system. Global governance, therefore, became the core of my research. I am Michael Zürn, the Director of the Research Unit Global Governance at the Berlin Social Science Center (WZB) and a Professor of International Relations at Free University of Berlin. I have also been the co-spokesperson for the Cluster of Excellence "Contestations of the Liberal Script" (SCRIPTS) since 2019.
This anthology is highly recommended if you are looking for profound and multidimensional analyses of authoritative rule-making systems beyond the nation-state that emerged within the dynamics of globalization.
Readers will find general investigations on the structure and development of the institutional framework of “global governance” next to case studies focusing on how specific issues, e.g., the HIV/AIDS epidemic or transnational finance hazards, are governed within these frameworks. Furthermore, this volume is of great value as it depicts the controversial academic debates on how practices of “global governance” should be interpreted on a theoretical level. One can learn from both: “realist” and “Marxist” critiques on the concept of global governance and its proponents from “liberal institutionalist” and “functionalist” perspectives.
Alongside the explanatory level, the book is rounded off by some normative investigations on how global governance should look in the future in order to overcome patterns of global injustice.
Since the UN's creation in 1945 a vast nexus of global and regional institutions has evolved, surrounded by a proliferation of non-governmental agencies and advocacy networks seeking to influence the agenda and direction of international public policy. Although world government remains a fanciful idea, there does exist an evolving global governance complex - embracing states, international institutions, transnational networks and agencies (both public and private) - which functions, with variable effect, to promote, regulate or intervene in the common affairs of humanity.
This book provides an accessible introduction to the current debate about the changing form and political significance of…
I lived in Ethiopia for 7 years and arrived expecting to find a country beaten down by war and famine, I could not have been more wrong. Ethiopia covers a vast territory and is as deep in history and culture, while its myriad peoples speak over 80 different languages. It remains one of the most mysterious, misunderstood, and least visited countries on the planet, and a paradise for both physical and armchair travelers alike to explore one of the last great largely undiscovered places on earth. I continue to write articles for both national and international newspapers and magazines about Ethiopia and its many wonders.
Leader? Hero? Saint? It’s difficult to find the words to define Haregewoin Teferra, the subject of this book, but somehow I feel these still fall short. A woman living in relative comfort in Addis Ababa, Ethiopia, her life is turned upside down when she is given two young children to care for whose parents died due to HIV/AIDS. In time Haregewoin becomes a mother to many more just like them. In opening her doors, Haregewoin opened her heart to hundreds of orphaned children and gave them the chance of new and happy lives. This is a book that moved me to tears. Tears of rage at the injustices in the world and tears of relief that people like Haregewoin still exist.
In a tin-walled compound outside Addis Ababa, Ethiopia, a middle-class woman named Haregewoin Teferra suffers terrible personal losses. In grief, she turns to the church, and is presented with two orphans and asked to house them. Haregewoin agrees. Once she opens her gate, she never manages to close it again. Here is a woman who does not run away from HIV-positive and AIDS-orphaned children, brought to her on foot, by bus or by donkey cart. There are over a million AIDS orphans in Ethiopia; "There Is No Me Without You" tells a few of their remarkable stories through the eyes…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
This book affected me very deeply because it’s set in the 80s and 90s when I was in my twenties and thirties. It describes with astonishing accuracy the political cruelty that abounded at that time. For me, the real hero of the book is Leo. He’s not only gay but also Black which makes him a double target for the prejudice of the time. The way he tackles it head on in the book is breathtaking.
In the summer of 1983, 20-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: Tory MP Gerald, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions.
As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese…
Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
This memoir by the artist David Wojnarowicz deeply impacted me when I was a young queer man just setting off to make his way in the world in the early ‘90s. It’s a look at America during the AIDS crisis, and also delves into the author’s rage and lust and creativity and hope for a better world. The prose is electric, confrontational, and not at all concerned with decorum or coddling delicate sensibilities. It’s a raw and honest deep dive into the heart and soul of an artist living life on the edge of a society actively antagonistic to his existence and is a testament to art as a mechanism of survival. I can only hope to write something this invigorating one day. Bonus points for existing.
I am glad I am alive to witness these things; giving words to this life of sensations is a relief. Smell the flowers while you can.
Close to the Knives is the artist, writer and activist David Wojnarowicz's extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.
I began college as a science major, but then switched to literature from a minor to my major. In graduate school, as I worked on my dissertation (which became my first book), I found that metaphors of the body and health were everywhere in the literary field in the mid-nineteenth century. Suffice it to say that the sciences, including the rapid development of modern medicine, are both fundamental to this period and deeply shape its literary culture. In Mapping the Victorian Social Body, I became fascinated with the history of data visualization. Disease mapping completely transformed the ways we understand space and how our bodies exist within it.
This collection of previously published essays by Charles Rosenberg elaborates many of his ideas about how people make meaning out of epidemics, including his famous theory that epidemics are understood in a dramatic tripartite structure (see “What Is an Epidemic? AIDS in Historical Perspective”). Rosenberg shows not only how the history of medicine illuminates larger themes, but why it matters, both to those of us interested in history and those interested in medical science itself.
Medicine has always had its historians; but until recently it was a history written by and for practitioners. Charles Rosenberg has been one of the key figures in recent decades in opening up the history of medicine beyond parochial concerns and instead viewing medicine in the rich currents of intellectual and social change of the past two centuries. This book brings together for the first time in one place many of Professor Rosenberg's most important essays. The first two sections of essays, focusing on ideas and institutions, are meant at the same time to underline interactions between these realms. The…
