Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.
Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
I’m a sucker for science fiction novels set on ice
worlds, and that’s even before you add some of my other favourite tropes:
robots, biotech, giant ice monsters, AI, and families gone horribly wrong.
Happily, for a story supposed to be a tribute to something much older, I found
it fresh, original, masterfully written, and extremely satisfying. Who do we owe
our loyalty to, our blood relations or our moral convictions, anyway?
Yorick never wanted to see his homeworld again. He left Ymir two decades ago, with half his face blown off and no love lost for the place. But when his employer's mines are threatened by a vicious alien machine, Yorick is shipped back home to hunt it.
All he wants is to do his job and get out. Instead, Yorick is pulled into a revolution brewing beneath Ymir's frozen surface, led by the very last person he wanted to see again-the brother who sent him off in pieces twenty years ago.
Tamim Ansary is the son of an Afghan father and an American mother. As a writer, growing up in Afghanistan and growing old in America has drawn him to issues that arise from cultural confusion in zones where civilizations overlap. His books include histories and memoirs, which he considers two sides of the same coin: a memoir is history seen up close, history is memoir seen from a distance. Much of his work explores how perspective shapes perceptions of reality—a central theme of his best-known book, Destiny Disrupted, A History of the World Through Islamic Eyes.
Culture is how we group ourselves. Culture is how we see. To make ourselves understood by people of other cultures, we have to lend them our eyes. That’s hard, but Yu Hua meets that challenge for me. His book China in Ten Words offers ten essays about China, each with a one-word title: Revolution. Reading. Copycat. Words like that. Each essay surrounds its title-word with content until one understands what the word means, not to oneself, but to Hua. The essays work like a fusion of memoir and history. They draw the reader into one man’s experience; and at the same time they illuminate a broad patch of history—Maoist and post-Maoist China.
People. Leader. Reading. Writing. Revolution. Grassroots. Through these and other common vernacular words and phrases, Yu Hua - widely regarded as one of China's greatest living writers - frames powerful personal stories of the Chinese experience from the Cultural Revolution to the 2010s. With wit, insight and courage, he presents a refreshingly candid vision of the 'Chinese miracle' and its consequences, and reveals a unique perspective on the world's most populous yet misunderstood nation.
Growing up and still today, I read a lot of fantasy, including reading the covers right off my copy of The Lord of the Rings boxed set. I’ve also written two major epic fantasy series each more than a million words in length. So I know a thing or two about what makes compelling epic fantasy stories. And these five books (and the series that follow) go above and beyond any measure. Trust me, you won’t be disappointed, but your REM cycle might suffer!
Melatonin alert! If you start reading this book, you’re going to require a sleep aid to get some shuteye. Sullivan has a way of constructing characters and plotlines that, on their surface, are simple. And yet the more you read, the more complex and three-dimensional they become, until you realize that the characters and their motivations are never what they seem to be until the moment they are revealed, leaving you breathless and satisfied. Losing a little (or a lot) of sleep to read Age of Myth is well worth it!
One of fantasy’s finest next-generation storytellers continues to break new ground.
Michael J. Sullivan’s trailblazing career began with the breakout success of his Riyria series: full-bodied, spellbinding fantasy adventures whose imaginative scope and sympathetic characters won a devoted readership and comparisons to fantasy masters Brandon Sanderson, Scott Lynch, and J.R.R. Tolkien himself. Now Age of Myth inaugurates an original five-book series.
Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans…
I became passionate about this subject when I was at university and I realised that so many revolutions that were conducted in the name of high ideals ended up involving considerable suffering and death on the part of the ordinary people. And not just the ordinary people, but the revolutionaries as well. Why, I wondered, was this the case, and did it mean, as many in the 1960s and 1970s argued, that revolution was ultimately self-defeating? The quest to answer these questions remains on-going, but the books I have suggested have helped me to make some headway towards a resolution.
This is a terrific book that transformed our thinking about revolution. A comparative study of France, Russia, and China, it adopts a structural approach to revolution rather than seeing it as a result of the actions of particular revolutionaries.
What I found stimulating about this book was the way it brought together the role of the state and the impact of international factors in bringing about revolution. Its argument, while not without shortcomings, moved our understanding of revolution onto a richer and more complex theoretical basis than it had been before. A major work bringing the study of the state and the study of revolution together in an intellectually exciting way.
State structures, international forces, and class relations: Theda Skocpol shows how all three combine to explain the origins and accomplishments of social-revolutionary transformations. Social revolutions have been rare but undeniably of enormous importance in modern world history. States and Social Revolutions provides a new frame of reference for analyzing the causes, the conflicts, and the outcomes of such revolutions. It develops a rigorous, comparative historical analysis of three major cases: the French Revolution of 1787 through the early 1800s, the Russian Revolution of 1917 through the 1930s, and the Chinese Revolution of 1911 through the 1960s. Believing that existing theories…
More
than anything, this book put me in the shoes of a young person who has no idea
how to know the difference between truth and lies. He doesn’t know who to
trust. I was fully immersed in this terrifying world.
Šepetys made me feel what
it was like to live during a dictatorship leading
up to the Romanian Revolution in 1989.
I came away feeling profoundly grateful
for my freedom and in awe of those who fought for theirs.
A gut-wrenching, startling historical thriller about communist Romania and the citizen spy network that devastated a nation, from the #1 New York Times bestselling, award-winning author of Salt to the Sea and Between Shades of Gray.
Romania, 1989. Communist regimes are crumbling across Europe. Seventeen-year-old Cristian Florescu dreams of becoming a writer, but Romanians aren’t free to dream; they are bound by rules and force.
Amidst the tyrannical dictatorship of Nicolae Ceaușescu in a country governed by isolation and fear, Cristian is blackmailed by the secret police to become an informer. He’s…
Carol R. Byerly is a historian specializing in the history of military medicine. She has taught American history and the history of medicine history at the University of Colorado, Boulder, was a contract historian for the U.S. Army Office of the Surgeon General, Office of History, and has also worked for the U.S. Congress and the American Red Cross. Byerly’s publications include Fever of War: The Influenza Epidemic in the U.S. Army during World War I and Good Tuberculosis Men: The Army Medical Department’s Struggle with Tuberculosis. She is currently working on a biography of Army medical officer William C. Gorgas, (1854-1920), whose public health measures, including clearing yellow fever from Panama, enabled the United States to construct the canal across the Isthmus.
McNeill, William McNeill’s son, examines the intersection of disease, ecology, race, and international politics to show how infectious disease shaped the fortunes of colonial empires in the Caribbean. In the wake of the encounter between Europeans and the New World which destroyed up to 90 percent of the Amerindian population, European empires restructured the region into a colonial economy of sugar and slavery. Mosquitos bearing malaria and yellow fever flourished in this environment and McNeill shows how anyone seeking power in the region had to reckon with both them and disease.
This book explores the links among ecology, disease, and international politics in the context of the Greater Caribbean - the landscapes lying between Surinam and the Chesapeake - in the seventeenth through early twentieth centuries. Ecological changes made these landscapes especially suitable for the vector mosquitoes of yellow fever and malaria, and these diseases wrought systematic havoc among armies and would-be settlers. Because yellow fever confers immunity on survivors of the disease, and because malaria confers resistance, these diseases played partisan roles in the struggles for empire and revolution, attacking some populations more severely than others. In particular, yellow fever…
I became passionate about this subject when I was at university and I realised that so many revolutions that were conducted in the name of high ideals ended up involving considerable suffering and death on the part of the ordinary people. And not just the ordinary people, but the revolutionaries as well. Why, I wondered, was this the case, and did it mean, as many in the 1960s and 1970s argued, that revolution was ultimately self-defeating? The quest to answer these questions remains on-going, but the books I have suggested have helped me to make some headway towards a resolution.
I found this comparative study of England, France and Russia an elegant and theoretically sophisticated analysis of three of what are considered to be the “great revolutions”.
It is a 2014 reworking of the 1938 classic by Crane Brinton and, like its predecessor, its great strength is in its comparative historical analysis. I loved the depth of historical analysis of each of the case studies, with sufficient detail to enable me at times to reach different conclusions from the author.
It was also able to go beyond Brinton’s original, in terms both of its historical detail and theoretical sweep. Its ambition, grounded in the case studies, was exhilarating.
After a relatively short career in research science, Helen Azar switched gears and returned to graduate school to fulfill a dream of becoming a reference librarian. She worked at the Free Library of Philadelphia for ten years, during which time she became a published author. While researching for her first book, The Diary of Olga Romanov, Helen visited Russia several times, and worked in the Rare Book Fund at the Museum at Tsarskoe Selo, which holds the imperial book collection. Today, Helen lives on the beautiful far south coast of New South Wales, Australia; she continues writing about Russia's last imperial family and leads Romanov history tours. She also administers The Romanov Family website and is the content creator for a YouTube channel In the Steps of the Romanovs.
It is generally not easy to find quality historical fiction, and this goes tenfold for fiction about the last Russian imperial family. This book is a definite exception to the rule. Historically accurate down to minute details, and at the same time very well written, the story in The Lost Crown starts just before the revolution and covers the events that lead up to the assassination of the Russian imperial family.
Seen through the eyes of the four historically neglected daughters of the last Tsar - Olga, Tatiana, Maria and Anastasia (OTMA), who are usually treated as a collective whole (unless you count trashy novels like Tsarina's Daughter or Anastasia-"survivor"-pseudo-non-fiction, which of course you shouldn't). In this novel, the sisters are portrayed sensitively and realistically, and most importantly as individuals. They are depicted as neither saints, nor as brats, but as normal girls/young women, as they most certainly were.…
Olga, Tatiana, Maria, and Anastasia. Like the fingers on a hand--first headstrong Olga; thenTatiana, the tallest; Maria the most hopeful for a ring; and Anastasia, the smallest. These are the daughters of Tsar Nicholas II, grand duchesses living a life steeped in tradition abd priviledge. They are each on the brink of starting their own lives, at the mercy of royal matchmakers. The summer of 1914 is that precious last wink of time when they can still be sisters together--sisters that link arms and laugh, sisters that share their dreams and worries, and flirt with the officers of their imperial…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
As someone who moved to Egypt in 2012 I only experienced the 2011 Revolution in the past tense, in a secondhand way but this book puts this story in a clear, factual way. This is a meticulous work of journalism and passionate study of the time from someone who lived through the street protests and the book has combined on-the-ground reporting with wider investigation of the causes and the revolution’s achievements. The heart of the book is with the struggle of the Egyptian people during 2011 and the author knows Cairo as a city to bring alive this historic narrative for political freedom.
In The Egyptians, journalist Jack Shenker uncovers the roots of the uprising that succeeded in toppling Hosni Mubarak, one of the Middle East's most entrenched dictators, and explores a country now divided between two irreconcilable political orders. Challenging conventional analyses that depict contemporary Egypt as a battle between Islamists and secular forces, The Egyptians illuminates other, equally important fault lines: far-flung communities waging war against transnational corporations, men and women fighting to subvert long-established gender norms, and workers dramatically seizing control of their own factories.
Putting the Egyptian revolution in its proper context as an ongoing popular struggle against state…
