The most recommended books about human culture

One of my fondest childhood memories is the holiday parties that my parents threw. Lying in bed I could hear roars of laughter crash the silence and gently ebb as the grownups shared stories and made merry. Later in life, I came to realize how different that kind of drinking is from the frat-boy binging of college and the anxious bracers at singles’ bars. As an adult, I became a Catholic theologian, got married, and had a family of my own. My wife Alexandra and I have relished an evening cocktail together in order to unwind and catch up on each other’s day (Alexandra has homeschooled all six of our children, which is itself a compelling reason to drink daily).

I am an emeritus professor from Harvard and have spent decades trying to develop an anthropological mode of understanding history. Far from being “one damned thing after another,” as Henry Ford allegedly put it, history is an attempt to understand the human condition. It brings us into contact with people in the past, showing us how they thought, felt, and acted. For many decades, anthropologists have endeavored to do the same thing, concentrating on people separated from us by space rather than time. By applying anthropological insights to historical research, I think it is possible to make the past come alive to modern readers, while at the same time making it interesting and even amusing.

I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.

I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.

I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others. I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.

It is shocking how many leaders suffer from imposter syndrome, and how little practical advice is out there about how to help. It’s been my mission to identify not only precisely what leaders need to be able to do well, but also how can they learn these things in the most efficient and durable way. Leadersmithing sets out a practical path to mastery and provides the toolkit leaders will really need. After I wrote it, I took on some senior leadership roles of my own. Even before Covid I had stress-tested the wisdom of this book, and post-covid I am even more confident that this leadership book really helps.

I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïveté and caprice. You might say it would lose its raison d’être… My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain. Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.

I grew up on books, every page filling my mind with words. I have since written many novels, but WORDS ON FIRE is my love letter to books and the power of words. From the moment I first discovered the story of the Lithuanian Book Smugglers, I wanted to better understand why these brave people risked their lives to save their books. I came to understand that books were their way to preserve their language, their culture, even the very existence of their country. If it was so important to them, would it not be just as important for us to ensure that children – all children – have access to books.

I grew up devouring old Classics Illustrated comics. By the time I was 12, I’d read all the great adventure stories from H. Rider Haggard to Jules Verne. My childhood obsession became my career. My research has taken me down the Silk Road, into the jungles of Mexico and the mountains of the high Atlas, and following opium caravans through the Golden Triangle. I’ve now written more than twenty novels of historical adventure that have been translated into 25 languages.

My fascination for historical novels began long before I ever penned one of my own. As a child, I often sought out books that took me back in time. Before I was even a teenager I began gravitating toward historical novels with romantic threads (give me all the sweet romance). My love of all things historical has only grown through the years. My children have come to expect our vacations to include stops at museums and historical sites. I have four published novels (as of 2021), files of future ideas, and stacks of novels beside my bed ready to take me for a historical ride.