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A History of the Grandparents I Never Had.
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My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Yuri Slezkine’s classic book on the history of Russian Jewry is not a work of migration history strictly speaking. But there is no Jewish history without migration, and Slezkine shows us, among many other things, how Russian Jews ended up in the US, Israel, and the Soviet Union, representing three ideological choices—liberalism, nationalism, and communism.
I read this book back in university, and few works, if any, have had such a profound impact on my historical thinking.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think Scott is one of the most creative social scientists working today, and this book is probably his strongest work.
Scott flips the script and focuses attention on the strategies subordinates use to navigate and deal with the power of their social superiors. He has great faith in the abilities of ordinary people to mock and hoodwink the powerful and to create for themselves little refuges from kings, bosses, and overlords.
I go back to this book all the time because it is a treasure trove of wonderful anecdotes, too.
"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."-Natalie Zemon Davis
Confrontations between the powerless and powerful are laden with deception-the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule…
I am a scholar of European history who spent the last twenty years studying how minorities relate to each other and how their efforts to communicate their silenced histories are entwined. I remain fascinated by the many ways we think we know—and so frequently fail—to grasp the suffering and ambitions of others. All of this makes me ultimately a historian of the hidden stories of marginalized people and of the struggle to document and understand them.
Trouillot explains like no other why we need to care about how history is made.
Whatever your area of expertise or level of knowledge about Haiti, Trouillot will make you care about the country’s forgotten history. Each essay in this volume demonstrates why we remember certain aspects of the past and ignore others and how those ignored parts are so often not just forgotten but actively silenced.
I teach this book to history undergraduates and graduate students alike. They always tell me that it was one of their favorites. It’s also a book that I wished I had known when I started studying history.
Now part of the HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck
The 20th anniversary edition of a pioneering classic that explores the contexts in which history is produced—now with a new foreword by renowned scholar Hazel Carby
Placing the West’s failure to acknowledge the Haitian Revolution—the most successful slave revolt in history—alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.
This modern classic resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and…
I am a scholar of European history who spent the last twenty years studying how minorities relate to each other and how their efforts to communicate their silenced histories are entwined. I remain fascinated by the many ways we think we know—and so frequently fail—to grasp the suffering and ambitions of others. All of this makes me ultimately a historian of the hidden stories of marginalized people and of the struggle to document and understand them.
Leff’s book is the story of a Polish-born historian of French Jewish history who first salvaged lost documents after the Holocaust before eventually coming to steal and resell them to US and Israeli libraries and archives.
A great read, the book is the best kind of biography: it offers a vivid image of a largely forgotten group of post-Holocaust scholars and raises big questions about who has the right to own historical documents and the way their assembly determines what we know about the past.
I found this book inspiring because it shows how exciting a story about archives and the making of history can be.
Born into poverty in Russian Poland in 1911, Zosa Szajkowski (Shy-KOV-ski) was a self-made man who managed to make a life for himself as an intellectual, first as a journalist in 1930s Paris, and then, after a harrowing escape to New York in 1941, as a scholar. Although he never taught at a university or even earned a PhD, Szajkowski became one of the world's foremost experts on the history of the Jews in modern France, publishing in Yiddish, English, and Hebrew. His work opened up new ways of thinking about Jewish emancipation, economic and social modernization, and the rise…
I am a writer, researcher, and sometimes curator and I have a passion for history and great storytelling. While my own research has focused on the First World War, I have worked on exhibits and reports on a wide array of topics. I continue to be inspired by new ways of understanding and depicting history, and especially by the work of fellow women writers and historians. This short list is a glimpse into some of my favourite works of non-fiction writing out there that has been produced by women and that have inspired me.
I first read Auschwitz and After in a university course focused on the Holocaust. Toward the course’s end, in a section focusing on memoirs, this book followed Elie Wiesel’s Night and Primo Levi’s Survival in Auschwitz. While Weisel and Levi’s works are both undeniably masterpieces, Delbo’s work stood out to me because of its form and its feminist perspective. Delbo, a French partisan who was captured and deported to Auschwitz-Birkenau, lays bare in her work the ways in which gender affected the camp experience. It illuminated to me the different and similar ways in which men and women responded to the horrors of the extermination camps. Furthermore, Delbo’s work is not a linear narrative. Instead, it combines poetry and other non-traditional forms to create a memoir of an experience that Delbo readily admitted language was not equipped to capture. I recommend the work for the ways in which it…
The memoir of Charlotte Delbo, a French writer sent to Auschwitz for her resistance activities against the Nazi occupation of France and the Vichy government
"Delbo's exquisite and unflinching account of life and death under Nazi atrocity grows fiercer and richer with time."-Sara R. Horowitz, York University
Charlotte Delbo's moving memoir of life and death in Auschwitz and the postwar trauma of survivors, Auschwitz and After, is now a classic of Holocaust literature. Offering the rare perspective of a non-Jew, Delbo records moments of horror and of desperate efforts at mutual support, of the everyday deprivation and abuse experienced by…
Both my parents were born in Leipzig, Germany and were survivors of the Holocaust. I grew up in Upstate New York with stories my mother recounted about her family’s dramatic escape and the many harrowing moments they endured. I was fortunate enough to interview her before her death and to acquire the memoirs of her two sisters. I've always wanted to publish their astonishing story, and I'm thrilled that my readership spans many countries.This book highlights the many individual, family, and village rescuers that saved the lives of my mother’s family. I have stayed connected to the descendants of many of these rescuers and am forever grateful for the risks these heroic people took to save the lives of the Kroch family.
This is the beautifully written, spellbinding retelling of a remarkable moment in history where true humanity triumphed. A small protestant town in Southern France, in full view of the Vichy government managed to save thousands of Jewish children and adults from certain death. Phillip Hallie has masterfully captured the personalities of the major rescuers and provides a detailed account of the events that led to this most unusual story of rescue. Photographs help to capture the excitement of this incredible, riveting story.
During the most terrible years of World War II, when inhumanity and political insanity held most of the world in their grip and the Nazi domination of Europe seemed irrevocable and unchallenged, a miraculous event took place in a small Protestant town in southern France called Le Chambon. There, quietly, peacefully, and in full view of the Vichy government and a nearby division of the Nazi SS, Le Chambon's villagers and their clergy organized to save thousands of Jewish children and adults from certain death.
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
A beautifully written and meticulously researched family memoir that made me question what I would have done to survive the turbulence and brutality of the Nazi era. Themes of antisemitism and identity continue to haunt four siblings - Jehuda, Jacob, Sender, and Sala - as they leave Poland behind to establish new lives as Alex, Jacques, Henri, and Sara in Paris.
An irresistible and complex personal story that I would happily reread because I devoured this page turner too quickly! At the heart of it all is Sara, the author’s mysterious, glamorous, melancholy grandmother and a shoebox of her treasured possessions. The author, a skilled journalist, adds power to the narrative with examples of populist divisive politics and the rise of nationalism in current times.
'A near-perfect study of Jewish identity in the 20th century ... I don't hesitate to call it a masterpiece' Telegraph
After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she'd never really known. Sala Glass was a European expat in America - defiantly clinging to her French influences, famously reserved, fashionable to the end - yet to Hadley much of her life remained a mystery. Sala's experience of surviving one of the most tumultuous periods…
As a child in New York, I was interested in history to the point where by third grade I had memorized the list of U.S. presidents beginning with George Washington. The world was more Eurocentric than now, and I was taken by what I saw as the richness of European history. Surrounded later by Leftist academics, I became interested in the Right. Why were so many, especially among the lower middle classes, drawn to the Right and fascism during the first half of the twentieth century? This led to my interviewing and studying World War II pro-Nazi French collaborators. Later I branched into food history and the history of tourism.
The role of France and the activities of the French during the Second World War German occupation, spanning the range from resistance through accommodation to collaboration, has been the subject of considerable literature on both sides of the Atlantic. First published in France in 1987, The Vichy Syndromecharacterizes the memory of the war years as “a past that doesn't pass away.” The book addresses the different ways in which the war years were remembered and helped popularize the study of historical memory, meaning the study not only of the events themselves but also how they are remembered and how these memories influence political and cultural life in succeeding generations. Rousso received France’s National Order of Merit in 1995 and in 2018 was chosen by President Macron to supervise the design of France’s new Memorial Museum of Societies Facing Terrorism.
From the Liberation purges to the Barbie trial, France has struggled with the memory of the Vichy experience: a memory of defeat, occupation, and repression. In this provocative study, Henry Rousso examines how this proud nation-a nation where reality and myth commingle to confound understanding-has dealt with les annees noires. Specifically, he studies what the French have chosen to remember-and to conceal.
Sadly, there is not one Jewish family in this world who does not have a connection to the Holocaust. I imagine that my pull towards World War II heroic women is become I am a Jewish woman. I have a passion for books and many of the characters in my choices share this passion. I also have a passion for Britain. France is not too shabby either; the Parisian setting in some of the books are descriptive and gripping.
Susan Vreeland is also entranced by color, artistic creativity, and the transformative power of art. In Lisette’s List, the author portrays Impressionist and Post-Impressionist art by way of the fictional character, Lisette, in Provence, during WWII and the years after as France returns to ‘normal.’ She quotes Paul Cezanne, “Art is a religion.
Its goal is the elevation of thought,” Camille Pissarro, “Blessed are they who see beautiful things in humble places where other people see nothing,” and Marc Chagall, “Art seems to me to be a state of soul more than anything else. Color is all. When color is right, form is right. Color is everything.”
Vreeland paints a story with words of color, of resilience, and of hope.
From Susan Vreeland, bestselling author of such acclaimed novels as Girl in Hyacinth Blue, Luncheon of the Boating Party, and Clara and Mr. Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war.
In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication…
As a child in New York, I was interested in history to the point where by third grade I had memorized the list of U.S. presidents beginning with George Washington. The world was more Eurocentric than now, and I was taken by what I saw as the richness of European history. Surrounded later by Leftist academics, I became interested in the Right. Why were so many, especially among the lower middle classes, drawn to the Right and fascism during the first half of the twentieth century? This led to my interviewing and studying World War II pro-Nazi French collaborators. Later I branched into food history and the history of tourism.
First published in 1972, this book significantly altered the views of French collaboration with the Nazi German occupiers during the Second World War. During the immediate postwar years, many in France maintained that the Vichy government of Marshal Philippe Pétain and its supporters had done everything possible to resist and subvert the German occupiers and that the Resistance and the Pétain government had been part of the same struggle, the “sword and shield” of France against the German occupiers. Writing at a time when most relevant French archives were closed to historians and using German archival material that was captured during the war, Paxton showed that contrary to the Vichy government’s being a shield, it had in fact more actively supported the Germans while establishing an authoritarian government aligned in many ways with Nazi Germany and Fascist Italy. This book altered French views of the war to the point where…
Robert O. Paxton's classic study of the aftermath of France's sudden collapse under Nazi invasion utilizes captured German archives and other contemporary materials to construct a strong and disturbing account of the Vichy period in France. With a new introduction and updated bibliography, Vichy France demonstrates that the collaborationist government of Marshal Petain did far more than merely react to German pressures. The Vichy leaders actively pursued their own double agenda-internally, the authoritarian and racist "national revolution," and, externally, an attempt to persuade Hitler to accept this new France as a partner in his new Europe.
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