100 books like Body Counts

The United States was conceived as a place of refuge, and the nation has accommodated many different types of refugees since its founding. Despite these ideological origins, a distinct and permanent track for refugee admissions within the immigration bureaucracy was not institutionalized until the Cold War. 

Bon Tempo examines the reasons why this distinct track emerged during the late 1940s, how the track evolved over the next forty years, and how the track was used to accommodate millions of people fleeing communism during the Cold War. By the end of the Cold War, US refugee policy had become intertwined with Cold War foreign policy, and the term “refugee” had become synonymous with anti-communism.

The recent arrival of unaccompanied minors at US ports of entry is not a new phenomenon. In this book, Anita Casavantes Bradford examines the history of child migration to the United States since World War II.

Readers learn about the foreign policy, domestic, and humanitarian concerns that shaped U.S. policies towards unaccompanied minors; the governmental and nongovernmental actors who advocated on children’s behalf; and the emerging notions of children’s rights in U.S. society that contributed to the often-heated debates on immigration policy. She provides a much-needed historical context for understanding the challenges child migration poses today.

Laura Madokoro offers a fascinating discussion of Chinese refugees during the Cold War as they sought protection in the United States, Canada, Australia, New Zealand, and South Africa. These historically white settler societies had long restricted or barred Chinese migration for racist reasons, so the accommodation of Chinese refugees fleeing war and persecution was never guaranteed. Indeed, even their refugee status was questioned.

The book examines the governmental, humanitarian, and faith-based actors who shaped national responses to this migration and, ultimately, determined the fates of millions of displaced people.

Jana Lipman examines the Vietnamese refugee camps in Guam, Malaysia, the Philippines, and Hong Kong in the decades after the fall of Saigon. She asks us to consider how camps function as liminal social and legal spaces where refugees forfeit rights with the hope of eventually securing membership (and rights) in a resettlement society. It is in the camps that refugees try to prove their ‘worthiness’ for admission to society, and where they navigate a cumbersome—and often hostile—bureaucracy that ignores their humanity, often with dire consequences. 

The book examines the implementation of refugee policy at the local level by local actors, as well as the role of Vietnamese activism—in the camps and in the diaspora—in asserting refugee rights.

This is a superb personal memoir about the Vietnam War and its impact on four generations of one South Vietnamese family. Unlike the legion of memoirs told from the U.S. perspective, Vietnam-born American author Thi Bui gives us the harrowing local view. By compressing her sprawling story into a tight, gripping, intimate tale, she demonstrates the storytelling power of the graphic-novel form. Here hope triumphs and tragedy is merely a runner-up. 

In this book, Andrew Pham tells the story of his father’s life through three wars for Vietnam—the brutal Japanese occupation of the country during the Second World War, the French colonial assault on Ho Chi Minh’s Vietnam, and the failed American intervention in South Vietnam to protect it from communism.

We see each war through the eyes of Pham Van Thong, from his experiences growing up as a child in contested areas south of Hanoi to his family’s exodus to the south after the division of Vietnam into two halves in 1954.

It’s a tragic story of a wealthy, non-communist family in central Vietnam uprooted by the vagaries of war, but it’s also the record of extraordinary human resiliency. This powerful memoir will not leave you indifferent.

Lê Thi Diem Thúy’s novel tells the story of a young refugee girl in San Diego. The novel is a lyrical accounting, full of disjointed narrative and poetic language, that captures her thoughts and feelings as a Vietnamese immigrant to San Diego in 1978. Early on in the war, most of the literature was written by soldiers and correspondents and dealt strictly with the military side of the war. Later in the eighties and nineties, the scope and quality of the writing about Vietnam has vastly improved, as different perspectives are brought to bear on the war. Lê Thi Diem Thúy writes about refugees whose experiences were much more traumatic compared to the American soldiers who never actually saw combat. Originally published in 2003, it is imminently relevant today.

Le Li Hayslip’s wrenching memoir traces the arc of the Vietnam War as she experienced it, first as a 12-year-old, then through her teens and twenties, and finally as an American returning to her homeland.

Her tranquil childhood in a rural village explodes into smithereens with the arrival of American troops, followed by warring between the trifecta of government, Viet Cong, and the US military. This being war, children and civilians were viewed as battleground assets and recruited as spies, agitators, and saboteurs.

Le Li was one of the recruits and suffered every imaginable horror of war except death. Her resilience as a child, teenager, and woman as she endured the seemingly unendurable and unspeakable is a testament to faith and hope in humanity. Le Li Hayslip’s body was a container and reliquary for the atrocities of the Vietnam War. That she outlived her sorrow and suffering is nothing short… show more.

I love how hard-working and dedicated this immigrant father is in feeding his family. When the child joins their father early one morning to go fishing for breakfast, hardships from the past are revealed while consistently making the best of today. The resilience of this family gives me strength and hope.

Decadent Old Shanghai was never going to survive a Communist takeover. It wasn’t easy to leave—in her family, my mother was told she was the lucky one, and so was the mother of author Helen Zia. An accomplished journalist, Zia masterfully captures what it was like for four young people—including her mother—to make the wrenching decision to leave their homes for places unknown, the chaos and distress of boarding that fabled “last boat” out of Shanghai, and what came after. The core of the story unfolds through the authentic accounts of the main characters Benny, Annuo, Bing, and Ho. Additionally, Zia uses detailed research and extensive interviews with hundreds of émigrés from all strata of Shanghai society, bringing to life this last of a generation to embark on a largely forgotten mass exodus.