Here are 100 books that Consciousness fans have personally recommended if you like
Consciousness.
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I’m a freelance science reporter and Contributing Writer at The New Yorker, with degrees in cognitive neuroscience and science writing. Growing up, I wanted to understand the fundamental nature of the universe—who doesn’t?!—and grew interested in physics, before realizing our only contact with outside reality (if it exists) is through consciousness. Today I cover psychology and artificial intelligence, among other topics. Can machines be conscious? I don’t know. Why does consciousness exist at all? I don’t know that either. But if there’s anything at all that’s magic in the universe, it’s consciousness.
We tend to picture an observer inside our heads experiencing consciousness as if watching a movie. But that just pushes explanation back a level: What’s inside that observer? The prolific philosopher Daniel Dennett dismantles many common intuitions about awareness, showing them to be illusions hiding the intricate and deceptive mechanics of the mind and brain. This was one of the first books on consciousness I read. I don’t agree with everything Dennett has to say on the matter, but he’s a great guide to think with.
In Consciousness Explained, Daniel C. Dennett reveals the secrets of one of the last remaining mysteries of the universe: the human brain.
Daniel C. Dennett's now-classic book blends philosophy, psychology and neuroscience - with the aid of numerous examples and thought-experiments - to explore how consciousness has evolved, and how a modern understanding of the human mind is radically different from conventional explanations of consciousness.
What people think of as the stream of consciousness is not a single, unified sequence, the author argues, but 'multiple drafts' of reality composed by a computer-like 'virtual machine'.
I have worked on the brain in Oxford since 1970, and my job also required me to teach students, not just in lectures but also in tutorials. This taught me how to communicate clearly.
In my own scientific work, I was amongst the first to use functional brain imaging to visualize the
human brain at work. I have written seven books and edited an eighth. My particular specialisation is decision making and the brain areas (such as the prefrontal cortex) that support it. I have just published a monograph of nearly 500 pages on the prefrontal cortex, aimed at other scientists in the field. I am a Fellow of the Royal Society.
Ramachandran is famous for studying some of the disorders that can be produced for the brain. One such is phantom limb pain. Some people who have had an arm amputated continue to feel that arm, and even to have pain in it. Ramachandran devised an ingenious experiment to try to abolish that feeling. This and other clever ideas are described in this book. Readers will quickly appreciate that science is like the humanities in requiring creativity.
Neuroscientist V.S. Ramachandran is internationally renowned for uncovering answers to the deep and quirky questions of human nature that few scientists have dared to address. His bold insights about the brain are matched only by the stunning simplicity of his experiments -- using such low-tech tools as cotton swabs, glasses of water and dime-store mirrors. In Phantoms in the Brain, Dr. Ramachandran recounts how his work with patients who have bizarre neurological disorders has shed new light on the deep architecture of the brain, and what these findings tell us about who we are, how we construct our body image,…
I am now a Professor of Cognitive Science at the University of Sheffield, UK. I co-wrote Mind Hacks with technologist Matt Webb; we had great fun doing it. My research has always been in cognitive psychology and cognitive neuroscience, using experiments to understand the mind and brain and how they fit together.
A brilliant and accessible explanation for one of the central mysteries: how and why do we feel like we decide to act? Sometimes, we think we cause events when we don’t; other times, we act without knowing it. What gives?!
Through the story of his research programme, Wegner shows how each experiment fits together to build a satisfying explanation for how the mind fabricates for us a feeling of agency. As well as experiments, the book covers a set of fascinating phenomena, Ouija boards, hypnosis, and possession, and tries to show how they can be made sense of.
The whole thing is a window into how experimental psychologists do their work, as well as a compelling account of the nature of conscious will.
A novel contribution to the age-old debate about free will versus determinism.
Do we consciously cause our actions, or do they happen to us? Philosophers, psychologists, neuroscientists, theologians, and lawyers have long debated the existence of free will versus determinism. In this book Daniel Wegner offers a novel understanding of the issue. Like actions, he argues, the feeling of conscious will is created by the mind and brain. Yet if psychological and neural mechanisms are responsible for all human behavior, how could we have conscious will? The feeling of conscious will, Wegner shows, helps us to appreciate and remember our…
David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
This book is a joyous exploration of the mind and its thrilling complexities. It will excite anyone interested in cutting-edge science and technology and the vast philosophical, personal, and ethical implications of finally quantifying what consciousness is. How does our brain generate conscious thoughts? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
From the acclaimed author of Reading in the Brain and How We Learn, a breathtaking look at the new science that can track consciousness deep in the brain
How does our brain generate a conscious thought? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
In this lively book, Stanislas Dehaene describes the pioneering work his lab and the labs of other cognitive neuroscientists worldwide have accomplished in defining, testing, and explaining the brain events behind…
My background is in academic film analysis, although this has opened doors to many subjects: literature, music, philosophy, political economy… My students are always encouraged to think beyond their "home" discipline when they come to university. I believe that if you study a subject deep enough, it will lead to all the others. So far, my research has led me from classical music through Hollywood biopics and Romanic philosophy to some of the most fundamental questions about the construction and social organisation of creative labour in the modern world. I find that the most enjoyable books explain the world to us whilst reflecting upon what that act of explanation means.
As a writer, Adorno learned much from music–both what it says and what it fails to say. Each page is packed with enough ideas to inspire a dozen discussions.
For me, philosophy makes the most sense in this "continental" (as opposed to "analytic") style. The fragmentary, anti-systemic approach developed from the Early German Romantics, extending through Friedrich Nietzsche down to the poststructuralists.
Although falling short of the grandeur of his magnum opus, Negative Dialectics, Adorno’s most accessible book maintains a keen critical edge alongside an appealing balance between clarity and richness––reason and imagination.
Written between 1944 and 1947, Minima Moralia is a collection of rich, lucid aphorisms and essays about life in modern capitalist society. Adorno casts his penetrating eye across society in mid-century America and finds a life deformed by capitalism. This is Adorno's theoretical and literary masterpiece and a classic of twentieth-century thought.
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Sartre was not a good philosopher in the classical sense. He wasn’t great at constructing arguments. But what he was unquestionably great at was intuitions. He had them, and they were usually spot on, and as a result he was right about most things. In this large book, we find a sustained development of a single brilliant, intuition: anything you are aware of is not you. You are the awareness rather than anything you are aware of. You are nothingness. One implication of this helped me get through the second half of my first marathon. Experiential unpleasantness is a motive to stop, but not part of me, and it is up to me how I interpret it. My motives can never compel me. I am in this sense free.
I have been interested in purpose and meaning since I snuck into a high school philosophy class when I was 10 years old. Since then, I have not only worked on my own quest for meaning in my life but also helped dozens of others through these types of questions as an executive coach and business leader. I believe that having an answer to the question “why am I here?” is the crucial ingredient to living a happy and fulfilled life, and I’ve been working for years to distill all that I have learned on the subject into a useable and accessible collection of insights.
This is an amazing and brief explanation of what existentialism is and why it should matter to anyone looking for meaning in their life.
I love that Satre demystifies his philosophy, making it accessible and understandable to anyone. The book is actually the transcription of a lecture he gave, so it is wonderfully readable and full of examples and situations that I learned a lot from.
He also defends existentialism from some of its common critiques, which makes the book even more useful as an introduction. Many of my questions were answered here!
It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture ("Existentialism Is a Humanism") was to expound his philosophy as a form of "existentialism," a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
To this day, Adorno’s pathbreaking Heidegger-critique, The Jargon of Authenticity, remains one of the most insightful and lucid exposés of fascist ideology ever written.
To begin with, Adorno wrote as an insider: as a scholar who had witnessed the implantation and criminality of German fascism firsthand. In Jargon, he used the Heideggerian's notion of “authenticity” as the point of departure for a brilliant semantic and rhetorical unmasking of the way that fascist linguistic habitudes suffuse the discourse of everyday life. After reading Adorno’s critique, it is impossible read Heidegger naïvely: that is, without careful attention to the ideological distortions of his Denkhabitus.
As Adorno deftly shows, Heidegger’s idiolect of “authentic” being-in-the-world masks a deep-seated longing for German geopolitical supremacy.
Theodor Adorno was no stranger to controversy. In The Jargon of Authenticity he gives full expression to his hostility to the language employed by certain existentialist thinkers such as Martin Heidegger. With his customary alertness to the uses and abuses of language, he calls into question the jargon, or 'aura', as his colleague Walter Benjamin described it, which clouded existentialists' thought. He argued that its use undermined the very message for meaning and liberation that it sought to make authentic. Moreover, such language - claiming to address the issue of freedom - signally failed to reveal the lack of freedom…
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didn’t occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now I’m looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
I’ve read a lot of biographies of Simone de Beauvoir.
But this is the one that best brought out her importance as a philosopher, the many ways in which her thought differed from Sartre’s and the ways in which this has been obscured by a posterity that just wants to see her as his sidekick.
One thing that this book did for me that others on Beauvoir didn’t was to reconcile me with the unpleasant aspects of her life and relationships – she was human, she was flawed, but so were her male peers!
"One is not born a woman, but becomes one", Simone de Beauvoir
A symbol of liberated womanhood, Simone de Beauvoir's unconventional relationships inspired and scandalised her generation. A philosopher, writer, and feminist icon, she won prestigious literary prizes and transformed the way we think about gender with The Second Sex. But despite her successes, she wondered if she had sold herself short.
Her liaison with Jean-Paul Sartre has been billed as one of the most legendary love affairs of the twentieth century. But for Beauvoir it came at a cost: for decades she was dismissed as an unoriginal thinker who…
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
When I first watched the Rosencrantz and Guildenstern Are Dead film starring Gary Oldman and Tim Roth, I was enamoured by the rhythm and dialogue. Reading the play, however, is even more brilliant. It’s fast-paced, confusing, and hilarious. In fact, it played a huge hand in inspiring my latest book. I would never have grasped the English language so tightly had it not been for this book.
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz…
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