The most recommended drama books

I love writing about families and what makes them tick: the minor dramas being played out behind every front door, make for intriguing reading. As a journalist, I have interviewed so many people with fascinating stories to tell, and with my fiction I throw my characters into a tricky situation and see what unfolds. Inevitably, if you pull one playing card from the bottom, the whole house of cards comes tumbling down. When faced with unexpected challenges, my characters often behave badly, make poor decisions and get themselves into the kind of mess that makes you want to read one more chapter before turning out the light at night. 

I have written seven novels to date that have at their heart the idea that there is a wider, unseen game afoot that is being played out in realms about which normal humans are unaware. Six of them form the Allie St Clair ‘Black’ series, and the seventh is a stand-alone novel called The Unforgiver. Why do I write about these things? Very probably my teenage reading of Stephen King’s early work, HP Lovecraft’s collection, and my personal connection to Satan. Just kidding. I’ve never read any Lovecraft. To be serious, how can you not gaze into the infinite cosmos above and not wonder if there’s a lot more going on than we comprehend?

I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.

I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.

I write what I know. My life has given me so much to write about that people seem to connect with. I started this journey as a writer to share my personal story but instead, what I authored was a novel about my life, but as a fictional story. A lot of situations that my characters find themselves in are things that I have endured or seen personally in my life and in my travels. My passion is broken people I guess, because I have been surrounded by so many of them, in my life.

I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.

My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell. 

I’ve always loved all things Elizabethan, and I especially love spending time with books and manuscripts where voices from the period speak to us directly. Wanting to understand how Shakespeare and his contemporaries understood themselves led me to investigate their ideas about relations between mind and body, about emotions, about the imagination, and about the minds of women and those of other races. I’ve learned that the Elizabethans grappled with many conflicting ideas about the mind, from classical philosophies, medieval medicine, new theologies, and more – and that this intellectual turmoil was essential fuel for the extraordinary literary creativity of the period.

I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.