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I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Andrew Loomis worked in editorial and advertising in 1930s America. At the time, most skilled artists were preoccupied with experimenting and high art. Meanwhile, the growing consumer culture required a lot of professional artists to work also on advertisements. This Andrew Loomis’ work is a manual meant to explain complicated human anatomy concepts in a simple manner – a sort of an ABCs for visual artists. It’s an excellent book for beginners!
The human head and hands are the most difficult elements in figure drawing, but world-class illustrator Andrew Loomis' classic primer offers the solution. Revered among artists for his mastery of figure drawing and clean, realist style, Loomis' hugely influential art instruction books have never been bettered. "Drawing the Head and Hands" is the second in Titan's programme of facsimile editions.
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Eliot Goldfinger’s book is very precise, reliable, and not too lengthy. Its systematic approach reminds me of a medical anatomy book, but it has been adapted for artists. The book is consistent in its depictions of human anatomy, and you will find each anatomical structure depicted from set angles: front, side, top, etc. It’s not always easy to find reliable human anatomy references, but this is one of them.
Eliot Goldfinger, a realistic sculptor and instructor of human and animal anatomy, has designed and written a reference work for artists and art students on the visual and descriptive components of human anatomy. The format is simple and accessible; all information about one aspect of a topic is set forth on facing pages. For example, the anterior leg muscle is illustrated in a series of precise anatomical drawings and well-lit photos, with text on origin, insertion, action, structure, and how it relates to creating surface form directly opposite the pictures. Unique to this book are photographs of a series of…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Frédéric Delavier is an artist and a bodybuilder, and he’s written a unique book. Although Strength Training Anatomy is popular with the bodybuilder audience, it is very useful for visual artists as well. Instead of just showing muscles in static positions, this book emphasizes motion and demonstrates how muscles look when being worked.
Over 1 million copies sold! With new exercises, additional stretches, and more of Frederic Delavier's signature illustrations, you'll gain a whole new understanding of how muscles perform during strength exercises. This one-of-a-kind best-seller combines the visual detail of top anatomy texts with the best of strength training advice.
Many books explain what muscles are used during exercise, but no other resource brings the anatomy to life like Strength Training Anatomy. Over 600 full-color illustrations reveal the primary muscles worked along with all the relevant surrounding structures, including bones, ligaments, tendons, and connective tissue.
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Dr. Paul Richer was a professor of artistic anatomy at École des Beaux-Arts at the beginning of the 20th century, and Robert Beverly Hale, an American artist and instructor of artistic anatomy, translated Richer’s text and extended it with his own valuable commentary. This book is an absolute classic. It’s somewhat similar to Goldfinger’s book, only with a more significant emphasis on the movements of upper and lower extremities. It’s got precise drawings of the skeleton, side-by-side drawings that show anatomical structures with and without the skin. Side-by-sides help you recognize anatomical structures in real life. I got a lot of inspiration from this work when I made my book.
Artistic Anatomy is widely acknowledged to be the greatest book of its kind since the Renaissance. The original French edition, now a rare collector's item, was published in 1889 and was probably used as a resource by Renoir, Braque, Degas, Bazille, and many others. The English-language edition, first published 35 years ago, brings together the nineteenth century's greatest teacher of artistic anatomy, Paul Richer, and the twentieth century's most renowned teacher of anatomy and figure drawing, Robert Beverly Hale, who translated and edited the book for the modern reader. Now Watson-Guptill is proud to reissue this dynamic classic with an…
I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!
This entire Magic School Bus series has also been a favorite of ours with our kids. I love the way that the bus goes inside of the human body and gets up close and personal with the cells of the human body. I remember thinking about how it made the difficult-to-see and -imagine immune system easy to picture in the mind of the reader.
THE MAGIC SCHOOL BUS PRESENTS THE HUMAN BODY is a photographic nonfiction companion book to the original bestselling title, THE MAGIC SCHOOL BUS INSIDE THE HUMAN BODY.
INSIDE THE HUMAN BODY taught thousands of kids about the incredible systems that work together to make the human body function. what makes us who we are. MAGIC SCHOOL BUS PRESENTS THE HUMAN BODY will expand upon the original title with fresh, updated Common Core-aligned content about our amazing bodies. With vivid full-color photographs on each page and illustrations of the beloved Ms. Frizzle and her students, the Magic School Bus Presents series…
I started practicing meditation while I was in high school and within 2 months of starting I had a metaphysical experience. That experience led me to become a scientist, I wanted to learn ways to study the spiritual using the methodologies of science. I've had a successful career with over 400 scientific publications and have had my work featured in the media and presented at hundreds of conferences and workshops around the world, including at the United Nations. Many scientists today are working to bridge the so-called gap between science and spirit and the positive effects they are having on increasing our understanding of what it is to be human.
While there have been many books written about the spiritual side of the human being, few books have proposed the specific ways in which the spiritual interfaces with the human body.
In this book Dr. Tiffany Jean Barsotti proposes a new axis in human anatomy, the Reticular Activating System-Vagus Nerve-Alta Major Chakra Axis as the nexus of communication from higher consciousness to the physical and subtle energy bodies of the human being. She draws extensively on existing neuroscience research as well as the teachings of esoteric traditions, including Tibetan.
With the goal of creating a foundation and stimulating thought regarding energy physiology, the body-mind connection, and how our intention shapes our health and environment, this provides a new perspective on awakening awareness and consciousness.
There are many important axes in human anatomy, including the Hypothalamic-Pituitary-Adrenal Axis, the Liver Triad Axis, and the Gut-Brain Axis. Less well known to Western medical scientists is a parallel system that can develop in the subtle energy body of the human being. This energy body, while not visible with our current technology, is well known in esoteric healing traditions. In The Biology of Transformation, author Tiffany Jean Barsotti proposes a new axis in human anatomy, the Reticular Activating System-Vagus Nerve-Alta Major Chakra Axis as the nexus of communication from Higher Consciousness to the physical and subtle energy bodies of…
My interest and curiosity in this topic primarily came from life experience: not fitting in as a gangly Asian girl growing up in white suburbs and picked on for how I looked, working as a teen model in the late 1990s and early aughts, becoming a mother to three girls while opening up NPR’s first-ever bureau and living in Seoul, South Korea, the plastic surgery capital of the world. Ever since graduating from The University of Missouri-Columbia’s School of Journalism, I’ve been a professional journalist. Most of my career has been as an NPR correspondent, but I’ve also worked as a reporter for VICE and appeared in The Atlantic, WIRED, Slate, and numerous other publications.
Oh my goodness, this is the most surprisingly fascinating book I’ve ever picked up, because I originally thought, how much could there be to learn about body hair removal? Well, the answer is, a lot.
It is ostensibly all about the history of body hair and body hair removal, but really it’s about abuse, freedom, and bodily autonomy and so many other sweeping topics. It’s funny, it’s fast-paced, it’s full of tidbits I continue to share with friends at cocktail parties.
Without giving too much away, I will say that as we move into an era in scientific innovation where it’s easier than ever before to genetically modify ourselves and other creatures, Herzig’s book is so evergreen and relevant.
Uncovers the history of hair removal practices and sheds light on the prolific culture of beauty
From the clamshell razors and homemade lye depilatories used in colonial America to the diode lasers and prescription pharmaceuticals available today, Americans have used a staggering array of tools to remove hair deemed unsightly, unnatural, or excessive. This is true especially for women and girls; conservative estimates indicate that 99% of American women have tried hair removal, and at least 85% regularly remove hair from their faces, armpits, legs, and bikini lines. How and when does hair become a problem-what makes some growth "excessive"?…
I am an award-winning children’s picture book author who writes stories about obstacles children encounter, focusing on the emotional and mental health of the character so children facing similar situations are able to relate. I have been writing poems and short stories since I was a child and all of my stories are written in rhyme. I love reading a rhyming book out loud and listening to the story unfold.
Parts is a hilarious and fun tale about a boy who thinks he is falling apart. After his toes start peeling, his tooth falls out, and he finds fuzz in his belly button, he thinks he will most likely have to be held together by duct tape. As the story unfolds, the boy’s parents realize they never told him all of these things are normal and soothe his worries. The rhyming scheme of this book is incredible and the illustrations capture the fun-loving nature of the message.
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I just don't know what's going onOr why it has to beBut every day it's something worseWhat's happening to me?So begins this uproarious new story from the best-selling creator of No Jumping on the Bed!,Green Wilma, and other popular books. The young narrator has discovered a disturbing trend: There's fuzz in his belly button his toes are peeling and something just fell out of his nose. The last straw is a loose tooth, which convinces him of the awful truth his parts are coming unglued!Parts deals with a subject of deepest interest to every young child: the stuff our bodies…
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.
We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.
I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."
Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love, and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different from our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or where the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule.
In this richly illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored, and experienced their physical selves in the…
Scott L. Smith, Jr. is a Catholic author, attorney, and theologian. He is the author of Pray the Rosary with Saint John Paul II, the St. Joseph Consecration for Children and Families, along with Fr. Donald Calloway, a new translation of St. Louis de Montfort's Total Consecration to Jesus through Mary. He contributes regularly to his blog, The Scott Smith Blog, and is the co-host of the Catholic Nerds podcast.
St. John Paul II was also a brilliant philosopher and theologian. Here is his answer to errors of our modern age. Here is his antidote to the deconstruction and disintegration of the family, marriage, manhood, womanhood, and even sex, itself. I would list it higher, but it's not precisely about his life—though it is his greatest life's work. Like the falling of small stones that start an avalanche, this book is slowly restoring the world.
A new critical translation of Pope John Paul II's talks on the Theology of the Body by the internationally renowned biblical scholar Michael Waldstein. With meticulous scholarship and profound insight, Waldstein presents John Paul II's magnificent vision of the human person. Includes a preface by Cardinal Schönborn, a foreword by Christopher West, a comprehensive index of words and phrases, a scriptural index, and a reference table for other versions of the papal texts. Recipient of a CPA Award!
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