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Hide Me Among the Graves.
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Religion and horror have long appeared to me like the double helix of some mysterious, transcendental strand of DNA. This relationship has been lived out in my own life. I am simultaneously an author of supernatural horror stories, a critic and scholar of the field, and a student of religion and philosophy with a master’s in religious studies, a Ph.D. in leadership studies, and a lifetime of involvement in various Christian churches. As both a writer and a human being, I hold a special focus on the mutual implications of religion, horror, and creativity, which all seem to arise from and lead back to the same ultimate mystery.
Blatty’s classic novel is recommendable as much for its cultural impact, which is of course inextricably bound up with its legendary film adaptation, as for its own content. With the story of young Regan, a 12-year-old girl in the modern technological world who becomes possessed by an ancient demon, Blatty, a committed Roman Catholic, deliberately set out to communicate a vivid sense of supernatural evil to a modern, skeptical, jaded audience. Many people don’t realize that The Exorcistis actually a Christian novel. As Blatty himself later put it, if he could get people to believe, even fictionally/emotionally, in demons, they would also know what it feels like to live in a universe where God and angels are real. The result, regardless of your religious beliefs, is unforgettable.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Brother Wolfrepresents one of the rarest of rare combinations: great horror, great humor, and a coherent Catholic metaphysics that underlies the fantasy. The daughter of a dull, disillusioned academic finds adventure in the company of a mysterious young woman who reads minds, a Breton nun, a Dominican vampire slayer, and an English gentleman-warrior who are in hot pursuit of a feral Franciscan werewolf. Murderous gypsies and demon goddesses dog their heels. With a cast of characters like that, how could any horror-lover resist? Eleanor Bourg Nicholson is truly one-of-a-kind, showcasing an encyclopedic knowledge of literature, mythology, and Catholic doctrine alongside her inimitable prose and rollicking sense of fun. You can’t go wrong with her books.
For Athene Howard, the only child of renowned cultural anthropologist Charles Howard, life is an unexciting, disillusioned academic project. When she encounters a clairvoyant Dominican postulant, a stern nun, and a recusant English nobleman embarked on a quest for a feral Franciscan werewolf, the strange new world of enchantment and horror intoxicates and delights her—even as it brings to light her father’s complex past and his long-dormant relationship with the Church of Rome. Can Athene and her newfound compatriots battle against the ruthless forces of darkness that howl for the overthrow of civilization and the devouring of so many wounded…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Part horror novel, part hard-boiled detective story, part Hollywood summer blockbuster, Whisper Musicis an eclectic grab bag of a story that probably shouldn’t work, but it does. J.B. Toner has an unmatched ability to integrate soaring, lyrical prose with low-brow cop-speak in a book where a vampire does battle against the Virgin Mary. With both the blood of the Virgin and the blood of Satan in her veins, Danyaela Morrigan finds herself uniquely positioned to play both sides of a great spiritual battle, while at the same time being torn between them. Hold on to your hats. You’re in for a treat.
What if the Virgin Mary was bitten by a vampire? Danyaela Morrigan is an ex-Catholic, ex-college student, and ex-human, furious at the God who allowed her to be turned into a demoness. In the mountain town of Medjugorje, where the Blessed Virgin is rumored to appear, Danyaela seeks to share her eternal curse with the Mother of God. In the bitter, destructive battle that follows, she becomes afflicted with the power to enter the spirit world and touch the soul of every human being at will.
On Christmas Day, two Boston cops unwittingly find the body of a man who…
I worked as long-haul cabin crew for many years and I love travelling. I’ve really missed being able to travel (as many have too) and I dream of the places I’ll be able to visit again soon. The Ex-Husband was the book I wrote in lockdown so I loved being able to ‘escape’ to the sunny Caribbean. I had fond memories of a trip to Barbados, so the book is mostly set there. I also travelled a lot as a child and one of my first memories is of being on a plane.
InHe Started Ita group of siblings embarks on a road trip from hell in a warped trek down memory lane. The thought of being trapped in a car with unlikeable people or with those keeping dark secrets feels claustrophobic and full of tension. To me, travelling is supposed to be fun or an adventure. Not in this case! I raced through this tightly plotted thriller, unable to put it down.
SOMEONE ALWAYS TAKES THINGS TOO FAR . . . The gripping Sunday Times bestselling psychological thriller from the No. 1 bestselling author of My Lovely Wife
'So addictive it should come with a warning' Alice Feeney ________
No-one knows you better than your family.
They know the little things that make you smile.
They know your darkest secrets.
Sure, you haven't always been best friends. But if it seemed as though someone was after you, that you might be in danger, then you'd be on each other's side . . .
I admire the way children tell stories—how their imagination veers here and there, how fantasy and reality intertwine, and how magic can happen at any moment. I wrote stories like this when I was a kid and, fortunately, saved many of them. When writing The Kids of Cattywampus Street (my twentieth book), I went through these stories and recreated this narrator’s voice as the 8-year-old me with absurdity and confidence. I wanted to show a range of characters in a diverse world where kids believe in themselves, have the power to use their imagination, can get into and out of trouble on their own accord, are resilient, adaptable, strong, and just plain funny.
This young chapter book series wasn’t around when I was a kid but I would have 100 percent loved Dory, aka Rascal, and would have wanted to be just like her. I kind of still do. I love the way the author incorporates Dory’s inner zinging life—it really feels like being in the head of a six-year-old. The first-person narrative writing weaves in and out of Dory’s fantasy and reality so seamlessly that there is really no distinction—which is how life should be for every 6-year-old. This book is sweet, poignant, and absolutely hilarious to boot!
Move over, Junie B. Jones and Ivy & Bean! Here comes a lovably energetic little sister with a BIG personality-and an imagination to match!
As the youngest in her family, Dory really wants attention, and more than anything she wants her brother and sister to play with her. But she's too much of a baby for them, so she's left to her own devices-including her wild imagination and untiring energy. Her siblings may roll their eyes at her childish games, but Dory has lots of things to do: outsmarting the monsters all over the house, escaping from prison (aka time-out),…
I am a picture book author living in Los Angeles with my husband and two small children. Through my work, I hope to make children laugh, to inspire curiosity, and to create a magical world readers can lose themselves in time and time again.
When King Baby arrives, a young princess is forced to share her kingdom. The princess protests her new brother and his attention-demanding ways. She plots to break the spell King Baby holds over the rest of the kingdom until she discovers that perhaps there are benefits to co-ruling after all. Filled with humor, this voice-y princess is sure to be a hit with young rulers everywhere.
Once upon a time there was a happy family: A mum, a dad, a gerbil, and the most beautifulest, cleverest, ever so kindest Princess Marianna. Until one horrible no good day when a new ruler was born...
From two of the most revered picture book creators working today comes a unique home-grown fairy tale about a little girl with a new baby brother. Marianna, the most beautiful, ever so kindest princess, lives happily with her mum, dad and gerbil. Happy, that is, until the new baby comes along. His Royal Highness King Baby is so smelly. He's so noisy. And…
I have been asked for decades to share my story. Who would want to hear my story? When we established the fund in memory of beloved sisters Margie and Jane, the doctor connected to the fund told me to write about my sisters so others would know them. After thirty years of suppressing my grief, writing became a venue to let the walls down and let my feelings out and be compassionate to myself and others in their grief no matter the time. Grief is a difficult subject and I hope in telling my story another individual will not be alone in their grief.
When I began my grief journey after thirty years, I googled Sibling Loss and came across Brenda’s dissertation. For the first time I did not feel alone in my grief. I reached out to Brenda and she told me about her writing, Adult Sibling Loss. Brenda’s sensitivity in sharing the emotions of the loss of her brother, and three adult women who lost their sibling validated feelings I kept dormant. Layered into the stories is extensive research done by Brenda.
Brenda termed her experience “invisible griever” following the unexpected death of her brother. Siblings are often the forgotten mourners. The bookshelves have few in this category, and I am grateful to be on the road to discovering the few written are heartfelt, enlightening, and aided me in my grief.
"He was my best friend." "I feel like I've lost that one person I could always count on." Siblings know each other in ways friends and other blood relatives do not. They have shared bedrooms, bathrooms, holidays, family milestones, meals, and a way of growing up that those outside the family can never fully understand. The bond is intense, complicated, sometimes difficult, often wonderful and absolutely irreplaceable. When death interrupts what might have been a lovely, lifelong connection, the impact is tremendous. And yet, this loss is rarely the focus of research and is not well understood or recognised within…
Nothing gives me more joy than painting stories in the colors of every human emotion in our spectrum. And combining laughter and tears on the same page elicits a delicious thrill that keeps me sitting in the chair. It doesn’t happen to me on every page, (I’d be lying to say it did.) When it does, I don’t want to let it go. A former theater major (probably “a bad actor”) I started my novel-writing journey when I sent a resignation email to a few thousand employees I was managing at the time. “Hey girl, you made me laugh and cry in that email. Maybe you might think about writing.”
I love the magical realism aspect of this novel, which Benjamin handles with such a deft hand you don’t question whether or not the impossible is possible. A fortune teller’s prediction and old-world superstition create a heavy weight that exquisitely-drawn characters must navigate. The power of belief and its effect on destiny is a complex topic. Is it good or bad to know our future? Should we act on what we’ve been told? Should we ignore it? If we believe something does that make it happen? If we disbelieve does it not happen? Every character is a gem, including Klara: an extraordinary magician who convinced me we must embrace the mysteries of the world even if we can’t comprehend them.
It's 1969, and holed up in a grimy tenement building in New York's Lower East Side is a travelling psychic who claims to be able to tell anyone the date they will die. The four Gold children, too young for what they're about to hear, sneak out to learn their fortunes.
Such prophecies could be dismissed as trickery and nonsense, yet the Golds bury theirs deep. Over the years that follow they attempt to ignore, embrace, cheat…
I am a Child Psychologist and Author turned Parent Coach who often hears about the bickering, put-downs, jealousy, and conflict sapping families with multiple children. Telling them to “cut it out” clearly does nothing. Kids need not only the skills (how to talk, how to listen, how to manage feelings and resolve conflict) but also the motivation to use them, a combination I have spent my career thinking about, writing about, and teaching. All of the books I have written, and all that I recommend, include this winning combination of skills and motivation with the aim of helping children live happier lives.
This was one of the first books targeting not preschoolers adjusting to a new baby but older kids struggling to get along. It is perfectly pitched to middle-grade readers, with just the right balance of direct talk and humor. The book normalizes sibling conflict while providing solutions 8-13-year-olds can implement on their own or with the help of a parent. Written in 2010, this book stands the test of time.
Humorous yet practical advice for building positive sibling relationships. Turn sibling rivalry into positive sibling relationships with this fun, humorous pocket guide for kids. Siblings can make for great friends, and it s nice to have someone who ll love you no matter what. But kids know that sibling relationships can be hard when problems of fairness, jealousy, conflict, tattling, privacy, and other things come up and they usually do. Siblings teaches kids how to deal with sibling rivalry and more, including special situations such as siblings with special needs, step-siblings, and adopted siblings, and it focuses on building positive…
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