100 books like How the Scots Invented the Modern World

The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheading The Scots’ Invention of the Modern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheading The True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It. It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.

I value this book because, since joining the United Kingdom in 1707, much of Scottish history has been disregarded. Even though I studied history in my Scottish school to a high level, the details of our past were replaced with English history. Well-known radio personality, Billy Kay, brings together a wealth of information about Scotland’s outside influence through the ages. Scotland was one of the first countries to see the benefit of an educated working class, and in the countries to which they emigrated, their learning stood them in good stead. Scottish culture, over hundreds of years before it was incorporated into the United Kingdom, had well-established cultural centers throughout Europe and even as far as Russia.

David Reynolds is simply one of the smartest and most original historians operating today. Do we imagine that no one thought much about the poems of Wilfred Owen until the 1960s? Do we think about how important the fiftieth anniversary of the Somme was for the politics of Ireland? This book is packed full of perceptive and original insights about the Great War’s very long legacy.

I love how Dipesh’s book shows a historian at the height of his powers explaining how history has become geological. Decades ago, Chakrabarty began as someone arguing for a history that made Europe “provincial”. Now he argues that all human history is relative to planetary time. His writing is infused with humanism and is up to date on Earth System Science.

While Trueman reviews some of the ideas covered by other thinkers on this list, his new book is notable because it focuses on how personal sexual identity (sexual orientation, gender, desire, etc.) came to be the most important site for the expression of individualism. His analysis underscores the threat that a radically subjectivized sexual ethic posed to longstanding social norms and cultural traditions. This one also includes a gushing foreword by best-selling author Rod Dreher of The American Conservative magazine.

Despite the Covid pandemic, the two biggest threats to human society are political strife and degradation of its food supply through climate change and population explosion. Darren Qualman provides an easily understood discussion of the latter. He starts with the simple closed-loop plant/animal cycle powered by the sun’s energy, which existed up until about 300 years ago. Then, explains how the discovery of coal and oil, invention of the tractor, and development of a process to convert oil into fertilizer changed all that.

As a teenager, I was taught that the population explosion would cause mass starvation in the near future. Darren explains how force-feeding plants and domesticated animals, now using over 400 million tons of oil-based fertilizer each year, forestalled that. But combined with oil, gas, and coal burned today, human society is living with a time-bomb unless we learn to live with energy now available from the sun.

I met Svetlana in the last two years of her life and was deeply impressed by her brilliance in literature and the history of ideas and cultures. She died, tragically, in her mid 50s cutting short her extraordinary career, from childhood and youth in Soviet Russia to her stellar career as a Harvard professor of comparative literature. Of her seven books, this highly original study of nostalgia has been particularly important.

A ground breaking study about longing in its positive and negative forms, focusing on post-communist cities such as St. Petersburg, Moscow and Berlin, and writers Nabokov, Brodsky, and Kabakov. Erudite, brilliant, and witty, this is a great cross-genre study of our modern condition.

While The Swerve is not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Things by Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity. 

During the early 1990s, I had the good fortune to participate in Habermas’ legendary Monday night philosophy colloquium at the University of Frankfurt.

The experience transformed my understanding of the raison d’être of Critical Theory. The Philosophical Discourse of Modernity is not a book about fascism per se. Instead, it tells the story of how, after the war, the titans of interwar German Kulturpessimismus – Nietzsche (albeit, posthumously), Carl Schmitt, and Heidegger – were canonized by the leading advocates of “French Theory” as the new maîtres à penser or “master thinkers.”

Yet, the canonization of German philosophy came at a high cost. After all, historically speaking, the philosophies in question stood in close proximity to fascist ideology.

Hence, the question arises: to what extent did such pro-fascist “ideologemes” infiltrate and inform the basic tenets of French poststructuralism?

Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”