Here are 100 books that The Cave Bear Story fans have personally recommended if you like
The Cave Bear Story.
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Telmo Pievani is Full Professor in the Department of Biology at the University of Padua, where he covers the first Italian chair of Philosophy of Biological Sciences. A leading science communicator and columnist for Il corriere della sera, he is the author of The Unexpected Life, Creation without God, Serendipity, and other books.
I loved this book because I think it is a masterpiece on the contingency of evolution and our presence.
Rewind the tape of life and times and you will get different endings: that’s a great message of freedom for me. The epic of diversity that led to the explosion of multicellular life forms in the early Cambrian concerns us too. Unmissable.
High in the Canadian Rockies is a small limestone quarry formed 530 million years ago called the Burgess Shale. It hold the remains of an ancient sea where dozens of strange creatures lived-a forgotten corner of evolution preserved in awesome detail. In this book Stephen Jay Gould explores what the Burgess Shale tells us about evolution and the nature of history.
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
Fiffer describes himself as a lawyer, journalist, and author. For the story he tells, these turn out to be perfect qualifications because he is not so much interested in telling the reader about the animal as in the scandal and intrigue that surrounded the discovery of this now-famous museum specimen. A fast-paced tale of unexpected twists and turns, when the FBI appears you start to wonder if you haven’t slipped into the pages of a David Baldacci thriller. It's a great true story and one likely to raise your eyebrows.
In 1990, the skeleton of a battle-scarred Tyrannosaurus rex matriarch was found, virtually complete, in what many call the most spectacular dinosaur fossil discovery to date. Not just another dinosaur book, Tyrannosaurus Sue is a fascinating introduction to the centuries-old history of commercial fossil hunting, a legal thriller and a provocative look at academic versus commercial science and the chase for the money that fuels both. - Steve Fiffer, an attorney who has followed the story for the past seven years, has captured the whole range of characters and issues embroiled in the fight for Sue. Fiffer communicates both the…
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
Reviewers of TheGreat Fossil Enigmathought that book strange. If they tried to think of a book like it, then they alighted on this one. I don’t see much similarity, but I do think Cohen’s book is strange. Her first paragraph is a single sentence of just seven words. It is: ‘This is not a book about mammoths.’ That sentence isn’t quite true because the book is about mammoths, but Cohen uses these animals as a pretext for a much grander history of science. The approach couldn’t be more different from the other books on my list.
From cave paintings to the latest Siberian finds, woolly mammoths have fascinated people across Europe, Asia and North America for centuries. Remains of these enormous prehistoric animals were among the first fossils to be recognized as such, and they have played a crucial role in the birth and development of paleontology. In this lively, wide-ranging look at the fate of the mammoth, Claudine Cohen reanimates this large mammal with heavy curved tusks and shaggy brown hair through its history in science, myth and popular culture. Cohen uses the mammoth and the theories that naturalists constructed around it to illuminate wider…
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
In 2000, Errol Fuller published an entirely new, lavishly illustrated, edition of his 1987 book,Extinct Birds. In the years since it was first publishedmore birds had been lost while others he had described as extinct had subsequently been rediscovered. Extinct Birdsdocuments 85 species that have disappeared since 1600, including the Eskimo Curlew and Choiseul Crested Pigeon, as well as the more famous Passenger Pigeon, Great Auk, and Dodo. All are now dead and gone (probably!). A book of fascinating, if ultimately sad, tales, and beautiful pictures, it should encourage us to care about those species now on the edge of extinction like the Kakapo, the Kiwi, and the massively poached African Grey Parrot.
Admittedly, I’m just a painfully average Joe, but therein lies the paradoxical aptness of my credentials. Like most people, I wasn’t raised specially educated or trained, fed by a spiritual spoon. Instead, my qualifications arise from transitioning out of the common, materialistically driven, atheistic perspective to see the contrasting light of the other side. What was originally a drive for self-development has evolved into a passion for spirituality, which inevitably arises if one introspects long enough. These past few years, I’ve been motivated to try and make more sense out of this senseless topic with the intent of sharing its value with others.
This is a thought-provoking book that explores the common themes and mystical experiences found in different religions and spiritual traditions.
Huxley's writing style is engaging and his ability to express complex ideas in an accessible manner makes the book an enjoyable and informative read for both the spiritual and secular. By examining the shared mystical theme spanning all religions, the book helps bridge their varying differences.
Its perspective on this common spiritual essence reinforces and helps me connect to what I would consider a universal truth.
An inspired gathering of religious writings that reveals the "divine reality" common to all faiths, collected by Aldous Huxley
"The Perennial Philosophy," Aldous Huxley writes, "may be found among the traditional lore of peoples in every region of the world, and in its fully developed forms it has a place in every one of the higher religions."
With great wit and stunning intellect—drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam—Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the…
“And what do you do?” someone asked at a crowded reception at the NY Academy of Science. “Write—comparative religion.” Startled, he backed away, asking suspiciously, “Why religion? Are you religious?” Yes, incorrigibly—although I grew up among people who regarded religion as obsolete as an outgrown bicycle stashed in a back closet. While many of us leave institutions behind, identifying as “spiritual, not religious,” I’ve done both—had faith, lost it; then began exploring recent discoveries from Israel and Egypt—Dead Sea Scrolls, Christian “secret gospels,” Buddhist practices, asking, Why is religion still around in the twenty-first century? What I love is how such stories, art, music, and rituals engage our imagination and illuminate our experience.
This book is full of stories, using case studies that include the lives of Walt Whitman, Saint Augustine, and Russian writer Leo Tolstoy—that I found fascinating. Here psychologist William James challenges what he—and I—were both taught: namely, that religions are primarily childish fantasies (the view of Sigmund Freud, founder of psychoanalysis, in The Future of an Illusion). But after James, as a young man, experienced a terrifying depression, he describes his surprise at what felt to him like a spiritual breakthrough that enabled him to recover. James skips questions about dogma and belief, instead identifies a range of different “varieties of religious experience” that, far more than “belief,” can give rise to spiritual insight.
Standing at the crossroads of psychology and religion, this catalyzing work applied the scientific method to a field abounding in abstract theory. William James believed that individual religious experiences, rather than the precepts of organized religions, were the backbone of the world's religious life. His discussions of conversion, repentance, mysticism and saintliness, and his observations on actual, personal religious experiences - all support this thesis. In his introduction, Martin E. Marty discusses how James's pluralistic view of religion led to his remarkable tolerance of extreme forms of religious behaviour, his challenging, highly original theories, and his welcome lack of pretension…
I have spent my career writing and teaching philosophy, working on early-modern philosophers, especially that most controversial and enigmatic figure, René Descartes. In recent years my main interest has been in the philosophy of religion, focusing on grand traditional questions about the meaning of life, and on the spiritual dimension of religious thought and practice. I have argued for a ‘humane’ turn in philosophy, meaning that philosophical inquiry should not confine itself to abstract intellectual argument alone, but should draw on a full range of resources, including literary, poetic, imaginative, and emotional modes of awareness, as we struggle to come to terms with the mystery of human existence.
Perceiving some fact about the world seems at first to be quite distinct from the way we feel about it, but Mark Wynn’s careful arguments show how, in our grasp of reality, emotion and perception are intimately intertwined. I found his conclusions shed a vivid light on the complex nature of religious belief and religious experience.
In this book Mark Wynn argues that the landscape of philosophical theology looks rather different from the perspective of a re-conceived theory of emotion. In matters of religion, we do not need to opt for objective content over emotional form or vice versa. On the contrary, these strategies are mistaken at root, since form and content are not properly separable here - because 'inwardness' may contribute to 'thought-content', or because (to use the vocabulary of the book) emotional feelings can themselves constitute thoughts; or because, to put the point a further way, in religious contexts, perception and conception are often…
When I completed one of my early novels, a really demented one called Factory Town, a fellow author emailed me with great concern for my mental health. He was convinced I was heading down a dark cave that I couldn’t be rescued from. But it wasn’t true. Writing and reading these dark novels doesn’t make me depressed. It makes me feel creatively revitalized. Dark literature reminds us that being alive is painful—but it’s also wonderful. I hope to never spend any real time with people as terrifying as the ones I’ve found on these pages. But I’m incredibly thankful they were a part of my imagined world for a time.
William Faulkner might have been the father of Southern Gothic, but Flannery O’Connor was the master. This is one of those books that makes you thankful for genius. Because everything about this book is genius. The story is about a young man named Hazel Motes who struggles to avoid his relentless fate. O’Connor’s writing is filled with religious extremism, grotesqueness, and mental illness—all the things that make America great. If I could have written a single book—this would be it.
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution.
'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph
'No other major American writer of our century has constructed a fictional world so energetically…
I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.
The Popol Vuh is the most important example of Maya literature to have survived the Spanish conquest. It is also one of the world’s great creation accounts, comparable to the beauty and power of Genesis.
Most previous translations have relied on Spanish versions rather than the original K’iche’-Maya text. Based on ten years of research by a leading scholar of Maya literature, this translation with extensive notes is uniquely faithful to the original language. Retaining the poetic style of the original text, the translation is also remarkably accessible to English readers.
Illustrated with more than eighty drawings, photographs, and maps,…
FernGully was one of my favorite movies as a kid, and it made me really think about the natural world and how humans interact with it. Now, aged 35 with kids of my own (who also love FernGully), I consider myself a climate activist for the work I do in helping everyday people to believe they can be a part of the solution to climate change. As an author, podcast host, and community builder, I've connected with other humans with fascinating passions, perspectives, and values. I want to show my audience that we can all view the world differently, but there is one important thing we need to all believe, that we matter.
While this is not written as a climate-related book, it was a powerful reminder that we all have goodness within us; we all have a role to play in moving the world into the place we believe it can be.
It addresses social and racial justice, which is part of the climate conversation, and gives us a framework to believe in our own journey and voice. I believe that every single one of us has an important role to play, and this book can help readers figure out what that could be for them.
“I love this book… It is rich in wisdom, religious and personal, and it is absolutely charming.” —Anne Lamott, author of Dusk, Night, Dawn and Help, Thanks, Wow
An inspiring approach to a happier, more fulfilling life through Sikh teachings on love and service.
As a boy growing up in South Texas, Simran Jeet Singh and his brothers confronted racism daily: at school, in their neighborhood, playing sports, and later in college and beyond. Despite the prejudice and hate he faced, this self-described “turban-wearing, brown-skinned, beard-loving Sikh” refused to give in to negativity. Instead, Singh delved deep…
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