95 books like The Devil You Don't Know

I have recommended this novel as it is one of the few to come out of the Iraq war written by an Iraqi writer, telling its story from the point of view of the local Iraqis. 

Hadi, an old junk dealer, dismayed by the hasty burials of incomplete bodies after the daily bombings, puts together a body from the parts he finds. This composite body, he calls “Whatsitsname,” becomes possessed with the soul of a bombing victim and sets about killing those responsible for turning Baghdad into a slaughterhouse.

Blending its style between war fiction, horror, and fantasy, this darkly effective satire of the fatal logic of sectarianism follows Whatsitsname as he expands his scope, claiming: “There are no innocents who are completely innocent, and no criminals who are completely criminal.”

In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false. 

I’m going to be sneaky here and wedge two books in for the price of one. Kim Ghattas’ Black Wave is a beautifully written and reported, intimate history of the destructive ideological rivalry between Sunni Saudi Arabia and Shia Iran, a rivalry fuelled by the “tilt” policy of the Ronald Reagan administration that pitted the former allies against each other in an effort to keep them both weak (and unlikely to lead OPEC to attack the West again as they did in 1973). Ghattas, a Beiruti journalist who was friends with Jamal Khashoggi, grounds her history of the devastating cultural and geopolitical upheaval that followed in the personal and highly emotional stories of public intellectuals and other progressive thinkers who fought the Dark Age descending on the Middle East.

She finds her creation moment in the 1979 Iranian revolution, which occurred in the same year as the siege of the… show more.

Kanan is an Iraqi exile who was very supportive of the US invasion of Iraq. In The Rope, he provides a fictional account of what happened in the country, placing responsibility for the rise of sectarianism and the descent into civil war at the feet of Iraqi Shia leaders. It’s a brave and honest book. 

Describing a series of journeys on horseback and by foot through south-east England and the Midlands during the 1820s, Rural Rides is one of the great travelogues. Cobbett was a man of many parts – journalist, soldier, farmer, politician, and social reformer. In Rural Rides he blends lyrical description with fist-shaking fury about the injustices he encountered. He writes so well that you feel that you are travelling through the countryside with him.

I can’t remember the last time I had this much fun reading a novel, but if you take this one for a spin you’ll find out what I mean. Aguilar is a screenwriter and a former reporter, and it shows here in the visual flair with which he constructs his scenes and his eye for detail as he follows the adventures of young wannabe journalists trying to make their bones in the cutthroat offices of The Washington Post. The characters are witty, winsome, and way better looking than anyone I ever knew during my own short stint as a local TV guy—but who cares? This is an absolute romp, which will have you rooting for a happy ending and for love to conquer all.

A revealing portrait of 80s/90s Africa from a journalist who had covered many of the continent’s trouble spots for major British newspapers. Through his journeys you get to meet a wide range of players from fighters in the bush to aid executives and politicians in executive suites. A fascinating mix of travel writing and political analysis (and yes with some fishing thrown in). 

Technically the reportage of a Rolling Stone writer embedded with Marines 2002, Evan Wright’s first-person account of young men at war is, in some ways, as much a story of the author’s experience of W’s nation building as it the story of the soldiers themselves. Wright earned the respect of the men he rolled with by riding on point, or in the lead vehicle, where he was sure to take enemy fire. It’s his description of what drove him to face such danger that makes the writer at once relatable and brave: “Partly it was about not losing face. I reverted to like, a twelve-year-old on the playground. I wouldn’t back down. And there were times when I knew we’d be shot at, and I’d fantasize about getting taken out of being embedded. But then I’d make it through and not be injured, and I’d be flooded with this deep… show more.

If fictional journalists are your thing, then this book will almost certainly introduce you to some you’ve never heard of as well as those you (really should) have. Lonsdale insightfully identifies and dissects themes that crop up time after time in creative writing about journalists, from swashbuckling rogues to unethical scumbags. In the process, she has plenty to say about the craft of journalism itself and its enduring value to society. There is humour too, as when she quotes the immortal line of Stella Gibbons (author of Cold Comfort Farm): "The life of the journalist is poor, nasty, brutish and short. So is his style." Lovely.

This is a somewhat obscure work, a massive book that apparently did not sell well. But it offers a blow-by-blow description by a great British historian about how the Cold War started, and demonstrates how it was principally Stalin's actions that led to World War II morphing into a cold war.