82 books like The Lost Library

I am a middle-grade author and mother to four children. I have been an avid reader my entire life. I love fantasy novels and feel that this passion not only makes me a better writer, but an excellent reader. I appreciate well-rounded characters, fun and twisty plots, and intriguing conflict. When I wrote Fable Nation, it was to convince my own children that reading was fun. I had them hooked by page two. A good story has the power to transport readers to new worlds. My goal as a writer is to create such places. My goal as a reader: to find myself blissfully lost in someone else’s world.

I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.

I didn’t read much when I was young. But I’ve always loved stories, and found them in TV, films, and comics. It wasn’t until I was older that I found that books can contain the most amazing adventures that connect with your imagination and makes them seem even more real than on the big screen. Discovering children’s books with my daughter, and writing my own, I wished I could have read more when I was young. I try my best to encourage young people to find the joy in reading, in the hope that they don’t miss out on all those amazing stories.

Have you noticed the scarcity of YA novels told solely from a guy’s point of view? If you aren’t a boy, the parent of one, or maybe a savvy librarian, you probably haven’t. I’m two out of three. I have two awesome sons. They’re avid readers and burned through the YA section and into adult fantasy and sci-fi long before I was ready for them to. Boys read! There’s a need for protagonists who identify as male. No surprise, my YA novels often feature ordinary boys doing heroic things. Thanks to years of spying on my sons and their friends, I have plenty of fodder to feed my muse.

I can’t remember how many times I thought someone was The One, but I know I’ve had to kiss a lot of frogs before I found my own Prince Charming. The path was riddled with self-doubt, interfering wicked witches, and wondering whether it was all worth the heartache. As it turns out, none of them were until I finally did find my HEA. I’d become an expert on navigating all the Single Lady tropes: moving to another country in search of the elusive happy ending, getting a better job, enduring the gossip about why I was single. I’d recommend all of these if you are having relationship trouble or doubts about yourself. You're not alone!

I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator. 

I believe laughing together is a big part of the glue that bonds people together. Humor has gotten me through my toughest times—and given me much joy in the good times. Laughing over my books with one or both of my toddler grandsons will always be cherished memories for me. Likewise, I love hearing about moments of connection for other readers bonding over Applesauce Is Fun to Wear, Baby’s Opposites, Baby’s Firsts, and Pirate Jack Gets Dressed. Picture books should appeal to the ear as well as the eye. Coming from a family of musicians, I’m partial to rhyme, as you might guess from most of my picks here.

I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.

I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.