I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Gwendolyn Hall’s Africans in Colonial Louisianais still a foundational text when it comes to studying African people in the colonial lower Mississippi Valley. Her deep knowledge of the archives and skill in bringing the stories of enslaved Africans to live make this a wonderfully informative book. She draws deep connections between the places that Africans left and their forced new homes in Louisiana, while placing a special emphasis on how that culture turned into an African creole culture in the lower Mississippi Valley.
Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, few books have undertaken a comprehensive assessment of the development of the distinctive African-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folklore, musical, religious and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this work, Gwendolyn Hall studies Louisiana's Creole slave…
To me, it seemed the ancient mounds were fertile ground for literary exploration, a living metaphor – evidence of what was likely the first places of spiritual practice in our country, ancient, unknown, and buried, what a symbol to form the basis of a novel! When I began my research, I soon came into contact with the Natchez. I attended their annual gathering and eventually became close friends with the Principal Chief of the Natchez Nation, who vetted Sacred Mounds and wrote its foreword. The book includes historical figures like the Great Sun, descended from the Sun Itself, and his war chief, the Tattooed Serpent. They are part of the tapestry of history woven in Sacred Mounds.
If you're interested in learning the history of Mississippian tribes, this is the bible! It contains first-person accounts of First Nation groups written by missionaries. They're the first and only such written descriptions we have. The Jesuits had their own cultural biases, to be sure, but their observations are invaluable.
Concentrating primarily on the Natchez Indians, but also profiling the Muskhogean tribes, the Tunican group, the Chitimacha, and the Atakapa, the comprehensive study describes each tribe's material culture, religion, language and social organization, with engrossing accounts of practices related to war, marriage, medicine, hunting, feasts, funeral ceremonies, and other customs.
I have a PhD in history and used to be a college professor. I decided to write historical fiction novels so that I could reach a larger audience than college students and share incredible stories from history with more people. The reason I created this list of books about women is because the farther back in history we look, the more invisible women seem to become. That’s why I wanted to tell Theodora’s story—it’s an amazing tale, first, but it also allowed me to share how different conditions were for women in the past. The other books I’ve recommended do the same.
The setting of the book was a huge draw for me—1960s Mississippi. Celeste is a member of the Student Nonviolent Coordinating Committee, and she goes to rural Mississippi in 1964 to take part in Freedom Summer, a major event of the Civil Rights Movement.
I enjoyed this because, for all its drama, heroism, and moral righteousness, the Civil Rights Movement doesn’t get a lot of attention in historical fiction. I feel like it should.
Readers will be drawn in by the all-encompassing scope of segregation in 1960s Mississippi. Add in some characters with secrets, some people who unexpectedly rise to the occasion, and the overall climate of fear that pervaded Mississippi at the time, and you’ll enjoy this book if you care about civil rights at all.
The critically acclaimed debut novel from pioneering actress and writer Denise Nicholas tells the story of one young woman's coming of age via the political and social upheavals of the civil rights movement. Nineteen-year-old Celeste Tyree leaves Ann Arbor to go to Pineyville, Mississippi, in the summer of 1964 to help found a voter registration project as part of Freedom Summer. As the summer unfolds, she confronts not only the political realities of race and poverty in this tiny town, but also deep truths about her family and herself. Drawing on Nicholas' own involvement in the movement, Freshwater Road was…
I’m a legal historian, best-known for Bearing the Cross, my Pulitzer Prize-winning biography of Martin Luther King, Jr., but I’ve also written the standard history of Roe v. Wade (Liberty and Sexuality) as well as books on the Voting Rights Act of 1965 (Protest at Selma) and the FBI’s pursuit of Dr. King (The FBI and Martin Luther King, Jr.). I’ve been a top advisor for both the landmark PBS documentary series Eyes on the Prize and for the Library of America’s two-volume Reporting Civil Rights. More recently I’ve been featured in boththe Academy Award-shortlisted documentary film MLK/FBI (Hulu) and in the Emmy Award-nominated documentary series Who Killed Malcolm X? (Netflix)
Outside cities like that famous Alabama trio, most of the civil rights movement’s actual work took place in rural counties and small towns where combatting segregation could be even more dangerous than in Birmingham. Leading that charge was SNCC, the Student Nonviolent Coordinating Committee, and Mississippi was the centerpiece of SNCC’s courageous local organizing. Charles Payne powerfully and poignantly captures the beauty and the perils of that work while also painfully reporting how in subsequent decades memories of that bravery too quickly faded. Clayborne Carson’s In Struggle remains the best organizational history of SNCC, and Francoise N. Hamlin’s Crossroads at Clarksdale is like Payne’s great book a valuable chronicle of Black courage and commitment in the Mississippi Delta.
This momentous work offers a groundbreaking history of the early civil rights movement in the South with new material that situates the book in the context of subsequent movement literature.
I’ve been fascinated by the Civil Rights Movement in the Deep South in the 1950s and 60s for many years. Keen to understand not just events in that timeframe, I also needed to understand how those entrenched and diametrically opposed positions had occurred. What triggered the responses of water cannon, German shepherd dogs, and Billy clubs to seemingly peaceful students marching or seated in a particular section of a café? Over a period of seventeen years, I amassed a private collection of books, magazines, newspapers, over two hundred in all, along with material from various state-run Departments of Archives of History, further amplifying my fascination and providing fodder for my book.
While many books are written after the event or events contained in the book, this book is contemporary to the events it relates to. In this case the birth and growth of the Citizens Councils in the Deep South in the mid-1950s.
The author and then managing editor of the Greenville Democratic Times sets out, in a clear and readily understood way, the mood of the day among the white-collar political and business classes in the months and years immediately following the Brown v Board of Education decision.
It’s a worthy read and a touchstone of the rising political temperatures of those times.
In The South Strikes Back, Hodding Carter III describes the birth of the white Citizens' Council in the Mississippi Delta and its spread throughout the South. Carter begins with a brief historical overview and traces the formation of the Council, its treatment of African Americans, and its impact on white communities, concluding with an analysis of the Council's future in Mississippi.
Through economic boycott, social pressure, and political influence, the Citizens' Council was able to subdue its opponents and dominate the communities in which it operated. Carter considers trends working against the Council-the federal government's efforts to improve voting rights…
When I was a kid, I looked forward to Fridays. Not just because it was the end of a school week, but because that’s when the TV Guide arrived with the morning newspaper. While I ate my cereal, I’d circle the movies I wanted to watch the following week. If they were late-late movies, I’d set my alarm and get up and watch them alone in the living room (with the sound turned way down). I was also an avid reader, and it wasn’t long before I started pairing my reading and my viewing. I still do that, with a special interest in short stories and their film adaptations.
What I find striking about this story is that Faulkner’s depiction of Abner Snopes—the barn burner—is so uncompromising. He’s an angry, disaffected man who, when he can’t find his footing in society, reacts with violence. The reader is given no reason to sympathize with him, just asked to understand that he has a code: Integrity through vengeance. If that’s hard to understand—(it is for me)—that is, I think, the point.For a story published in 1939 about Mississippi in the late 1800s, it feels dishearteningly relevant.
The 1958 film adaptation,The Long, Hot Summer, chops this story up and tosses it in with a few other Faulkner works. It’s far less edgy, but it stars Paul Newman.
As a reading educator my mission in life is to give the gift of literacy. Inspiration came from my mother, my first-grade teacher who taught me to read. At 90-plus years old and declining, I dedicated one of my 18 books on teaching literacy to her. She sent me the last letter she would ever write and said, “Oh, oh, oh!”—a quote from Dick and Jane, the book she used to teach reading to three generations of first graders—“I always wanted to write a book but never did. I hope a word of mine is on a page or two of yours.” Her inspiration is on every page.
Richard Grant a British journalist and adventure writer traveled the world before moving from New York City with his Brookland girlfriend to transform a dilapidated antebellum mansion in Mississippi into a new home and a new life.
In the process he discovers the real Mississippi—good and bad—as “the most American place on earth.” This book makes the reader laugh, cry, but most important think deeply about jazz, sex, politics, food, America’s class system, racism, democracy, and what it means to be American which is in constant change.
Grant’s writing is addictive and an elixir—you can’t put it down.
Adventure writer Richard Grant takes on "the most American place on Earth" the enigmatic, beautiful, often derided Mississippi Delta. Richard Grant and his girlfriend were living in a shoebox apartment in New York City when they decided on a whim to buy an old plantation house in the Mississippi Delta. This is their journey of discovery into this strange and wonderful American place. Imagine A Year In Provence with alligators and assassins, or Midnight in the Garden of Good and Evil with hunting scenes and swamp-to-table dining. On a remote, isolated strip of land, three miles beyond the tiny community…
I’ve been fascinated by the Civil Rights Movement in the Deep South in the 1950s and 60s for many years. Keen to understand not just events in that timeframe, I also needed to understand how those entrenched and diametrically opposed positions had occurred. What triggered the responses of water cannon, German shepherd dogs, and Billy clubs to seemingly peaceful students marching or seated in a particular section of a café? Over a period of seventeen years, I amassed a private collection of books, magazines, newspapers, over two hundred in all, along with material from various state-run Departments of Archives of History, further amplifying my fascination and providing fodder for my book.
While this is a non-fiction book, with the story that unfolds, you could be forgiven for believing it’s a work of fiction. That a US president, would send tens of thousands of US Army personnel into a state to quell an insurrection in the 20th Century is barely believable, but this is indeed what happened.
The remarkable book sets out the events which surrounded the heated and impassioned debate which evolved around the admission of James Meredith into the University of Mississippi, known as Ole Miss.
The facts alone make this a compelling read, written in a journalist styling, making the read fast-paced and highly informative.
In 1961, a black veteran named James Meredith applied for admission to the University of Mississippi — and launched a legal revolt against white supremacy in the most segregated state in America. Meredith’s challenge ultimately triggered what Time magazine called “the gravest conflict between federal and state authority since the Civil War,” a crisis that on September 30, 1962, exploded into a chaotic battle between thousands of white civilians and a small corps of federal marshals. To crush the insurrection, President John F. Kennedy ordered a lightning invasion of Mississippi by over 20,000 U.S. combat infantry, paratroopers, military police, and…
I’m a Canadian thriller and suspense novelist with an abiding affinity for stories of good ultimately overcoming evil. I’m partial to reluctant heroes battling powerful entities that are inflicting injustice. If our protagonist is flawed and forced to overcome internal demons and/or challenges, so much the better! My Tony Valenti thrillers feature a mom-and-pop law firm known asLawyers to Little People and Lost Causes, so I know a thing or two about this type of book. Characters using brains, integrity, and bravery—moral and/or physical—fascinate me every time.
The Quiet Gameintroduces a troubled Penn Cage, who returns with his daughter to his hometown of Natchez, Mississippi when his father lands in trouble. For Penn, family is sacrosanct. Iles uses Natchez brilliantly to support characterization, atmosphere, and plot. Events unfold quickly in a series of twists and turns that thrill the reader and severely test Penn as he struggles to unearth his father’s connection to a horrific Natchez mystery that the town is determined to keep buried. I admire how Penn battles relentlessly on behalf of his father, doggedly pursues a truth that frightens him, and protects his daughter in the face of growing condemnation and danger. He hews to his moral compass even when it would be expedient to abandon it.
The first thriller in the New York Times No.1 bestselling series featuring Penn Cage: a prosecutor in a corrupt system, a husband whose wife has died, and a father who must protect his daughter. 'An engrossing, page-turning ride' (Jeffery Deaver).
Don't say a word...
Natchez, Mississippi. A city of old money and older sins. A place where a thirty-year-old crime lies buried, and everyone plays the quiet game. But on man cannot stay silent.
Returning to his home town, former prosecuting attorney Penn Cage is stunned to discover that his father is being blackmailed over a decades-old murder.
I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.
(Almost) 50-year-old Charlie Harris is a library archivist in fictional Athena, MS. He lives in an old, inherited Victorian with a Maine Coon named Diesel.
As Maine Coons are one of my favorite breeds, it’s the combination of Diesel and Charlie’s job as a longtime librarian that drew me to this book. Libraries were always my first stop when my family moved to a new town, which we did about every 2-3 years when I was growing up. It feels comfortable to tag along with Charlie and Diesel as they head to work in the university archives and solve crimes in their spare time.
Librarians are some of the smartest folks I’ve met in my real-life and book-life. I’d trust them to figure out whodunit over just about anybody!
FIRST IN THE NEW YORK TIMES BESTSELLING CAT IN THE STACKS MYSTERY SERIES!
Everyone in Athena, Mississippi, knows Charlie Harris, the good-natured librarian with a rescued Maine coon cat named Diesel that he walks on a leash. He’s returned to his hometown to immerse himself in books, but soon enough he’s entangled in a real-life thriller...
A famous author of gory bestsellers and a former classmate of Charlie’s, Godfrey Priest may be the pride of Athena, but Charlie remembers him as an arrogant, manipulative jerk—and he’s not the only one. Godfrey’s homecoming as a distinguished alumnus couldn’t possibly go worse:…
